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Casio FZ20MReview | Music Technology, Mar 1990Digital SamplerWith two-minutes of sample time, Casio's FZ20M would seem to be an instant contender for any serious sampler's shortlist - but size isn't always everything, as Vic Lennard discovers. |
Del PalmerInterview | Sound On Sound, Dec 1993The Red Shoes SessionsEngineer Del Palmer spills the beans on how Kate recorded her new album, 'Red Shoes'. |
Vesta Fire RV-2 & Vesta Kozo RV-3Review | Home & Studio Recording, Jan 1985Dual Reverberation Devices |
Patch WorksReview | Micro Music, Jun/Jul 1989Jez Ford patches things up with the audio routing system from 360 Systems |
Paul Cobbold: Producer/EngineerInterview | Home & Studio Recording, Jul 1985...is a bassist turned producer/engineer who has worked with many artists in both Europe and America. In this article he gives his opinions on the techniques and equipment he uses. |
New Order - TechniqueFeature | Topic: Recording | Sound On Sound, Apr 1989Mark Prendergast takes a look behind the scenes at the recording of New Order's fifth LP, 'Technique'. |
Free The Spirit!Review | Sound On Sound, May 1991Soundcraft Spirit StudioSoundcraft's new Spirit Studio is the company's first serious move into the domestic end of the studio market, a compact fully-featured mixer for the generation of affordable multitracks. Dave Lockwood checks it out. |
Scratch SamplesReview | Electronics & Music Maker, Sep 1986Digidesign SoftSynthE&MM US Editor Rick Davies takes a trip to Palo Alto, California, to see an Apple Mac software package that uses additive synthesis to turn samplers into synthesisers. |
Crossing over the tracksGroup: Control RoomDJ MixersA three-way test of DJ mixers |
Heaven 17Interview | Electronic Soundmaker & Computer Music, Nov 1983Crushed by the wheels of technology? |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
Zoom 9120Review | Music Technology, Apr 1993Sound Environment ProcessorAnd still they come... more FX units than you can shake a MIDI lead at. Nicholas Rowland zooms in on the latest and tries to spot the difference. |
Soundcraft 200B Mixing ConsoleGroup: Recording WorldStudio TestJim Betteridge enthuses, or could it really be John Bull |
The SpannerReview | Home & Studio Recording, May 1985 |
Perfect vocalsGroup: Sound Advicehow to sing them, how to mic them, how to treat them, how to tape them...Take five and come alive - we show you how |
Soundcraft Spirit AutoReview | Music Technology, Feb 1993Mixing ConsoleMix your Spirit - and stay in control |
Soundcraft Sapphyre Recording MixerReview | Sound On Sound, Mar 1992Zenon Schoepe gets to grips with the latest jewel in Soundcraft's crown, a personal desk with top-flight facilities and quality. |
Compression and LimitingFeature | Topic: Effects Processing | Home & Studio Recording, Aug 1984Studio Sound TechniquesThe lowdown on Compressor-Limiters, and how to use them. |
Going soloGroup: Control RoomEphos 10:2 Powered MixerPowered mixer with effects |
Big Sound AuthorityInterview | International Musician & Recording World, Sep 1985Richard Walmsley takes a ride with BSA down the R'n'B route and finds out how a green band avoid the Blues |
Kawai R-100 Digital Drum MachineReview | International Musician & Recording World, Nov 1986RhythmcheckA first entry into the market, and this high-spec, dynamic, tuneable machine could be a real threat to the established names. Tony Reed takes stock |
3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
Grid ReferenceInterview | Sound On Sound, Nov 1992 |
Meet Gary ClarkInterview | Music Technology, Jun 1993Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well |