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The Performing Art - Part 2

Feature Series | Topic: MIDI, Performing | Music Technology, Mar 1990

Part two of this series on combining live instrument performances and MIDI recording looks at a typical session in the studio of Ollie Crooke and Simon Thomas.

Beat Box

Group: Do It Yourself

Feature | Topic: Drum Programming, Tuition / Technique | Phaze 1, Jul 1989

A Machine's Ultimate Test

Thoughts Of A Marathon Songwriter

Interview | Sound On Sound, Nov 1985

You don't know his name but you'll have heard his refrains. Composer Paul Bliss writes hits for the best of 'em using a UMI-2B sequencer package and several synthesizers. Ralph Denyer finds out how.

Star Quality

Review | Sound On Sound, Sep 1993
Studiomaster Star System Mixer

Is it an analogue modular synth? No! It's a mixer with a difference.

DOD PDS2000 Sampling Delay

Review | In Tune, Oct 1985

Strange Changes

Interview | Music Technology, Dec 1991

MT fans and stars of the underground rave scene, Bizarre Inc regularly party down with high technology. Simon Trask meets the men and discusses hardcore issues.

The Art of Toys

Feature | Topic: Effects Processing | Home & Studio Recording, Jun 1985

A few words from the editor on how he uses, misuses and abuses effects.

Sounding Off

Opinion | Sound On Sound, May 1991
A MIDI User Knocks The Knockers!

A MIDI user knocks the knockers! Simon Sanders of Micromagic puts the case for leaving MIDI users alone to get on with making music.

Vital Vocals

Feature | Topic: Recording | Recording Musician, Jul 1992

A few simple rules to help you get professional-sounding vocal tracks every time.

Westwood Bound

Feature | Topic: Recording Studios | Home & Studio Recording, Sep 1986

A look behind the scenes in one of the country's most respected voice-over studios.

Technical Projects DI Boxes

Review | Home & Studio Recording, Aug 1984

Cut and Splice

Feature | Topic: Tape, Vinyl, CD, DAT | Making Music, Jun 1987
Editing

Presenting the cut and splice of real editing — that's the business with razor blades, tape and good idea

Roland MV30 Studio M

Review | Music Technology, Mar 1991
Music Production System

Is it a bird, is it a plane? No, it's a multitimbral synth module, it's a sequencer, it's an automated mixer... Simon Trask puzzles over Roland's Studio M.

Meat The Band

Interview | International Musician & Recording World, Apr 1985

Chris Maillard meets the Meat and the men behind the Meat beat

Session Men Say Go - Part 1

Feature Series | Topic: Performing | Making Music, Nov 1986
Sessionmen Special

Studio time with bassist Mo Foster, drummer Tom Nichol and keyboardist Danny Shogger.

Peter Gabriel Live

Feature | Topic: Live | Sound On Sound, Jul 1993
The Secret World Tour

A behind the scenes look at how Gabriel steamed up Earl's Court with his hot new stage show.

Magnificent Seven

Review | Recording Musician, Apr 1993
Studiomaster P7 Multitrack Mixing Console

Studiomaster have at last entered the in-line console fray with this well-specified and attractively-priced desk. RM checks it out.

360 Systems Keyboard

Review | One Two Testing, May 1984

We hold a sample

Tascam M2524

Review | Sound On Sound, Jun 1991
MIDI Mixer

This new 24-input desk has an in-line tape monitor section doubling as additional line inputs and the benefit of MIDI muting. Dave Lockwood sounds it out.

Wayne's World

Interview | Sound On Sound, Aug 1992
Mission In Action

Instead of recording their latest opus in expensive pro studios, the Mission have been laying tracks in a rural barn. It might seem they've fallen from grace; Robert Michael finds it ain't necessarily so.

Audio Technica AT-RMX64 'Portastudio'

Group: Recording World

Review | International Musician & Recording World, Feb 1986
Studio Test

The portastudio that would be Nassau

Getting Your Priorities Right

Feature | Topic: Buyer's Guide, Home Studio | Home & Studio Recording, Nov 1986

Your kindly editor investigates ways in which the newcomer to recording might spend his money effectively rather than just quickly.

Alesis 1622 Mixer

Review | Sound On Sound, Mar 1990

Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear.

The Synclap

Feature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1983

E&MM's latest project that creates single, multiple, ensemble claps with pitch control and ambience

Simply The Best?

Review | Sound On Sound, Jun 1993
Roland JD990 Synthesizer

Is Roland's Super JD module simply the best synthesizer they've ever made? Read the review to find out...

 

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