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Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

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Search results

M/A/R/R/S

Interview | Music Technology, Nov 1987

Making new music from old. Simon Trask talks to the musicians and DJs who made a No. 1 hit from a drum machine and other peoples' records.

Don't get mad get equal

Group: Sound Advice

Feature Audio | Topic: Effects Processing | The Mix, Nov 1994
EQ Tutorial

Perfecting your sound with a little equalisation

Allen & Heath GS3

Review | Sound On Sound, May 1992
Multitrack Mixer

With features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored.

Monitorium - Part 2

Feature Series | Topic: Live | One Two Testing, Sep 1985

more tips towards better stage monitoring

Taking Control

Feature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1993
Using MIDI Continuous Controllers

Acid test

Group: Control Room

Review Audio | The Mix, Jun 1995
Marion Systems Prosynth

Multi-timbral analogue monster

ABC

Interview | One Two Testing, Jun 1985
Alphabet Coup

the importance of being alphabetical

Oliver's army

Group: Mixing It!

News | The Mix, Oct 1994

Korg DRM1

Review | Music Technology, Feb 1988
Digital Rhythm Module

If you've ever wanted to trade some of your drum machine's sequence memory for sound memory, the DRM1 could be the beat box for you. Matt Isaacson sounds it out.

Just 17

Interview | Electronic Soundmaker & Computer Music, Apr 1985

Hitmakers Heaven 17 reveal how they've harnessed the hardware on How Men Are.

Sound Bites

Feature | Topic: Construction / Build, Sequencing | Sound On Sound, Sep 1993
Production Tips & Techniques

All Around the World

Group: In Session

Interview | Topic: Live | The Mix, Jul 1994

A behind-the-scenes glimpse at their global light and sound show

Easy listening

Group: Control Room

Review | The Mix, Mar 1995
Spendor SP2/3

The big monitors with the burly chassis

Kahler Bass Tremolo + EMG P-Bass Pickups

Review | One Two Testing, Feb 1986

The Mercedes of bends The perfect Precision ports?

Production Masterclass with Stephen Tayler

Interview | Recording Musician, Feb 1993
Recording Chris de Burgh

Stephen Tayler tells Richard Buskin all about recording and mixing Chris de Burgh's recent single, 'By My Side'.

Friendchip K..AT

Review | Music Technology, Dec 1991

You could just have dived from computer keyboard to synth keyboard for the last time. Tim Goodyer looks at a useful Atari remote which takes sequencer control wherever you want it.

Sub Culture

Interview | Music Technology, Jul 1993

Forsaking guitars and drums for a wall of keyboards and racked modules, Sub Sub turned a home studio into a hit factory. ‘Ain’t No Love (Ain’t No Use)’ peaked at Number 3 and took everyone by surprise - except Phil Ward, who heard the single pre-release and contacted the band immediately.

Boss Micro Rack Series

Review | Home & Studio Recording, Aug 1985

For people with very narrow studios, Boss have introduced a very narrow effects rack... Martin Sheehan investigates.

Readers' Systems

Feature | Topic: Home Studio | Home & Studio Recording, Aug 1986
Absolute Beginners

Neville and Val Pearson pass on their experience in equipping a home studio. Following their advice could save you from making more than one costly mistake.

Mark Dearnley

Interview | Home & Studio Recording, Oct 1985

Janet Angus and Mark Dearnley discuss various facets of the recording industry including his production work with AC/DC.

Pumping station

Group: Control Room

Review | The Mix, Nov 1994
Studiomaster Power House Vision 8

Powered mixer with effects

Richard Hewson - Man of Mystery

Interview | Home & Studio Recording, Apr 1985

This man, responsible for the string arrangements on numerous albums by Supertramp, Cliff Richard and Diana Ross, also happens to be the creative genius behind disco/funk hit makers, the RAH Band. His latest album 'Mystery' released this month, was successfully recorded in his home studio using an ACES 24-track system and we went along to see how he achieved it.

Making A Video Demo

Feature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jun 1991
...On A Shoestring Budget

Having a problem getting your music listened to by film production companies? Paul D. Lehrman tells the tale of how he put together a showreel of his music without it costing him the earth.

Live Saver

Review | Sound On Sound, Oct 1993
Sabine FBX900 Feedback Exterminator

Jeff Beck

Interview | International Musician & Recording World, Jul 1975

Another exclusive in which Beck reveals his true colours

 

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