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Roland ATW-10 Audio ProducerGroup: Quality Controlfor the PCRoland's first foray into the PC direct-to-disk recording field and it looks pretty impressive. |
Curve dare!Group: Mixing It! |
ART Multiverb AlphaReview | Sound On Sound, Jan 1992The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out. |
Irmin Schmidt on his Toy PlanetInterview Audio | Electronics & Music Maker, Aug 1981 |
Feedback!Feature | Topic: Live, Microphones | Sound On Stage, Nov 1996Why It Occurs & How To Prevent It |
BuzzNews | International Musician & Recording World, Jan 1986Analysis, comment, discussion... hey, Rock'n' Roll |
Separate OutputsFeature | Topic: Sampling | Sound On Sound, Nov 1987The Pros And ConsSeasoned programmer Paul Wiffen reveals the truth about separate voice outputs on samplers. Are they really desirable or are they just a nuisance? And what happens to the polyphony when you use them? We tell you what no others dared!! |
Digidesign TurbosynthReview | Music Technology, Sep 1988Synthesis SoftwareCAD meets synthesis inside the Apple Mac. Robert Rich fires up a program that allows you to design your sounds on computer before transferring them to your sampler. |
SynbalFeature | Topic: Electronics / Build | Electronics & Music Maker, Feb 1983The first of two versatile electronic percussion modules |
Soundtracs 16-8-16 MixerReview | Home & Studio Recording, Jan 1984 |
JHS Spring Reverb SL5300Group: Recording WorldStudio TestCheap and effective, like our own spring chicken Jim Betteridge |
MXR CompanderReview | Sound International, Sep 1978Mel Lambert on the MXR Compander, including a general roundup of noise reduction techniques. |
Return To Zero - Part 2Feature Series | Topic: Recording | Home & Studio Recording, Mar 1985Following on from last month's glossary of terms, we begin our run through the complicated business that is recording, with a back-to-basics approach to setting record levels. |
Electric Drummer - Part 5Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Jul 1982The final part of E&MM's advanced microprocessor designModifications and additions in this final part of our advanced micro controlled drum machine |
A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
A Week In The Life Of A Session ProgrammerFeature | Sound On Sound, Sep 1990Have you ever wondered what it is like to be a professional MIDI programmer/musician? How do you get your sessions? What kind of gigs come up? What sort of problems arise? What sort of technical and musical knowledge do you need? Mike Collins spills the beans. |
The Heart Of The BassInterview | Music Technology, Nov 1990From his formative days experimenting with Torchsong, William Orbit has made good through his remixes and a new outfit called Bass-o-matic. Tim Goodyer watches time catch up with a techno-prophet. |
X-15 Multitracker in ActionFeature | Home & Studio Recording, Sep 1983Making demos with the latest multitrack machine! |
Rebis RA226Review | Home & Studio Recording, Feb 1986Once More for the Viewers at HomeThe Rebis RA226 Sampler gets the H&SR treatment. |
At Home in the StudioFeature | Topic: Home Studio, Live, Recording | Home & Studio Recording, Dec 1986Living Dangerously with 'Doors'A look behind closed Doors. |
The Shape of Things to ComeNews | Sound On Sound, Jul 1988A chance to check out some of the forthcoming new products that might force you to dig deeper into your pockets later this year. |
Dawn of a New AgeInterview | Music Technology, Dec 1986From synth pop to sequencers and back. Two-and-a-half years since they lost graced our front cover, Paul Humphreys and Andy McCluskey tell Tim Goodyer how progress is made, as album number seven hits the streets. |
Animal MagicFeature | Topic: Live | Music Technology, Oct 1993Zoo TVMT goes backstage at U2's multimedia spectacular and discovers the technical realities behind Eno and the band's vision. Engineer Dave Lemmink unveils the system that redefines stadium rock |