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Sound AdviceFeedback | Sound On Sound, Apr 1987More readers' queries are answered by the expert teaching staff of London's Gateway School of Recording & Music Technology. |
Fairlight Explained - Part 8Group: Computer MusicianAnother world first for E&MM: Jim Grant takes us through the creation of a sound without using the CMI's sampling facility. |
Track Record: Bowie & JaggerGroup: Recording WorldAll profits from Tony Horkins' features go to Live Aid |
MTR 16-8-2 MixerReview | Sound On Sound, Aug 1989With 32 inputs available in remix mode, MTR reckon their 16-8-2 mixer has got what it takes to woo customers away from the ever-popular Seck 1882. But is its in-line design as easy to use? Gareth Stuart reports. |
The Next StepReview | Home & Studio Recording, Dec 1986MTR 6:4:2A budget 6:4:2 mixer that is neither short on features nor costs the earth. |
Hybrid Technology Music 4000Review | Music Technology, Jul 1987At last, Hybrid Technology unveil a music keyboard specifically designed for their Music 5000 computer-based synthesiser. Noel Williams caresses and assesses. |
Recording Bass GuitarFeature | Topic: Recording | Recording Musician, May 1993What's to know? You just wipe the rust off the strings, plug it into the desk and bob's your uncle. Don't you? Er... not quite. |
Choosing and Using: PortastudiosFeature | Topic: Buyer's Guide, Recording | Phaze 1, Aug 1989portastudios - get side tracked with a four-track |
Medium rareGroup: Mixing It! |
Mackie Designs CR1604 MixerReview | Music Technology, Jun 1992One of the nerve centres of any studio is its mixing desk - but how do you choose a mixer which is both affordable and expandable? Tim Goodyer discovers a desk which is built to last and to grow - and cost very little. |
Mixdown Lowdown - Part 3Feature Series | Topic: Mixing | Music Technology, Jan 1987The concluding episode, and Paul White explains how the processing secrets already revealed can be applied to make a complete mix. No more staring at the faders in despair... |
Track Record: West End GirlsGroup: Recording WorldJim Betteridge meets Steven Hague: neither is vague |
In the first placeEditorial | Music Technology, Dec 1993 |
All About Additive - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Apr 1988In the first of a two-part series, Chris Meyer looks into the workings of additive synthesis and how it can be used to accurately mimic naturally-occurring sounds. |
TwisterFeature | Sound On Sound, Aug 1987Programmable Automation ComputerNew writer Roger Jackson reveals how this mid-priced programmable automation computer can be used to automate mixes on any manufacturer's mixing desk. |
Talkback - Part 2Interview Series | Sound International, Sep 1978Richard Elen's fact-extraction mission with engineer Phill Brown reaches its conclusion. |
Vesta Fire SL200 Dual Compressor/LimiterReview | Home & Studio Recording, Jul 1985 |
Live EndFeature | Topic: Live | Sound On Sound, Feb 1993Simply Red: Two Shows In OneLive Music for the Hi-Tech Musician |
Allen & Heath System 8 MixerReview | Home & Studio Recording, Nov 1983 |
J.L. Cooper MixMateReview | Sound On Sound, Oct 19888-Track Automation SystemWhen you run out of fingers and you find yourself pushing faders up and down with your nose during a mix, then it's time to get a helping hand. Master craftsman David Mellor takes on a new apprentice, the J.L Cooper MixMate. |