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Sounding OffOpinion | Sound On Sound, Nov 1988Reverb: Too much of a good thing?A new column that allows music industry figures to air their views on whatever it is that bugs them! Keyboard programmer, music consultant and author Paul Wiffen kicks things off this month. |
Stereo Width TricksFeature | Topic: Effects Processing | Recording Musician, Jan 1993Masterly tricks for simulating stereo from mono or for stretching stereo beyond the boundaries of your loudspeakers! |
Sounding OffOpinion | Topic: Computing, MIDI | Sound On Sound, Jan 1989Karl Steinberg & Mark BadgerCharlie Steinberg and Mark Badger define their concept of what should and what shouldn't be called a 'MIDI workstation'. |
Dream Sequences - Part 3Group: Sound AdviceLogical sequencing tips |
Anatomy Of A Studio - Part 2Feature Series | Topic: Home Studio, Recording Studios, Sound Fundamentals | Home & Studio Recording, Aug 1984Studio WiringStudio Wiring - how to interconnect all that equipment you've been buying. |
Effective Reverb - Part 2Feature Series | Topic: Effects Processing | Recording Musician, Apr 1993Drums and PercussionNowhere is the correct use of reverb more important than in the treatment of drum and percussion sounds. We reveal all — and we tell you a bit about reverb too. |
From Top To BottomReview | Recording Musician, Jan 1993Aphex Aural Exciter Type C2Aural Excitement complete with the new 'Big Bottom' bass enhancer. A veritable feast of sonic titillation. |
Fostex MN-15 Mixer/CompressorReview | Home & Studio Recording, Sep 1984 |
Roland M160 Line MixerReview | Sound On Sound, Apr 1988If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out. |
Camera ShyFeature | Topic: Live, Video / Film / Picture | Making Music, Apr 1987TV SoundHow the experts go about getting better concert noise on the box |
The Scintillator Strikes BackReview | Home & Studio Recording, Feb 1986The popular Scintillator has now been updated. |
Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Aug 1975 |
Home TapingGroup: Recording WorldRichard Walmsley reports on an operation to smash the majors... and all other persons of rank? |
ACES B1816Review | Sound On Sound, Feb 1986Could it be the perfect match?Ever since Fostex released the B16 multitrack, mixer manufacturers have been claiming their models to be the ideal match for it. Dave Simpson reckons ACES' latest attempt comes damn close to being the perfect match at only £1300. |
Boss DR-110 Dr. Rhythm GraphicReview | Electronics & Music Maker, Mar 1984 |
Recording Techniques - Part 1Feature Series | Topic: Recording | Sound On Sound, Dec 1989What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important. |
Return to Zero - Part 6Feature Series | Topic: Mixing, Recording | Home & Studio Recording, Jul 1985MixersIn this month's article we take a look at the most central piece of equipment in any recording studio; the mixer. |
Boss Dr Pad Drum PadsReview | International Musician & Recording World, Dec 1986DrumCheckGiving a whole new meaning to the phrase 'beat box'... Tony Reed tries Roland's sound six-pack |
Fostex 3070 Compressor/LimiterReview | Home & Studio Recording, Apr 1984 |