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Search results
 JL Cooper MidiMationReview | Music Technology, Oct 1987This hardware/software system attempts to bring the sophistication of automated mixing to your existing recording setup. Chris Many put his feet up and lets the machines do the work. |
 One Over The Eight?Review | Electronic Soundmaker & Computer Music, Sep 1985Tascam 388A ‘portable’ 8 track recorder/mixer |
 Aces BM1082 MixerReview | Home & Studio Recording, Jun 1985 |
 Soundcraft Series 200 8-4-2 MixerReview | Home & Studio Recording, Feb 1984 |
 Sound BitesFeedback | Recording Musician, Feb 1993More tricks, more techniques and more general sound advice. |
 Yamaha MT120Review | Sound On Sound, Feb 19924-track Cassette RecorderYamaha's new MT120 cassette 4-tracker improves further on their successful MT100, offering excellent features including 5-band graphic EQ; Dave Lockwood boldly goes where even the manual hasn't gone before. |
 Getting the Most from Multi ModeFeature | Topic: MIDI | Music Technology, Mar 1988Ensoniq SQ80 & ESQ1 SynthesizersFrustrated by the limitations of sequencing with MIDI mono mode 4? Simon Trask discusses the benefits of multi mode and investigates its implementation on Ensoniq's SQ80 and ESQ1 synths. |
 Seck 1282 MixerReview | Sound On Sound, Sep 1986Having hit upon the right formula with their successful 1882 mixer, Seck have now introduced a cut-price 1282 version aimed more at the needs of the 8-track user. Paul Gilby monitored its performance. |
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 Personalise Your Drum Machine SoundsFeature | Topic: Drum Programming, Mixing | Sound On Sound, Jun 1993Masterclass - Drum Machines |
 Making the most of... - Part 17Feature Series | Topic: Effects Processing | Home & Studio Recording, Oct 1986Digital ReverbDigital reverb. Last time we covered reverb, many of you may not have been able to afford a digital unit, but prices are falling all the time... |
 Hands On: Soundcraft Spirit Studio Mixer - Part 1Feature Series | Topic: Mixing | Sound On Sound, Apr 1992A large mixing console can have literally thousands of knobs and switches. David Mellor explains how to use every last one of them - almost! Part 1 of 2. |
 TOA 310DReview | Sound On Sound, May 1987The Triple DelayEngineer Gareth Stuart passes judgement on this high quality digital delay line with a difference. But what difference? You'll have to read our review to find out... |
 Track Record: The DamnedGroup: Recording WorldJim Betteridge, The Damned and the man who made Eloise |
 Heavy fretting - Part 3Group: Sound AdviceRecording guitarFade away and radiate with Primal Scream's engineer Brian O'Shaughnessy |
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33 Recording TipsGroup: Recording WorldWhat to do to get tip-top tapes from our master of the mastering, Steve Toke |
 Replicate or dieGroup: Mixing It! |
 Effective Automation - Part 2Feature Series | Topic: Effects Processing, MIDI, Mixing | Sound On Sound, Jan 1986Part 2 sees Roland's SBX-80 Sync Box and SRV-2000 Reverb jump into action as Paul Gilby explains the practicalities of creative mixing with MIDI controlled effects. |
 ACES 12-4-2 MixerReview | Home & Studio Recording, Apr 1984 |
 The Jay Arthur ColumnFeature | Topic: Humour | Making Music, Feb 1987 |
 Digidesign Session 8Group: Quality ControlDirect-to-disk PC recording systemIt's getting closer... the home 8-track, gone digital. |
 Insider FadingFeature | Topic: Design, Development & Manufacture, Mixing | Sound On Sound, Jun 1993Behind The Design Of The Soundcraft DC2000 Moving Fader Console |
 Simmons SPM8:2Review | Home & Studio Recording, May 1987MIDI Programmable MixerA programmable mixer that will find a good home in a home studio. |
 Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jan 1985Stereo RecordingSpecial mic techniques employed on stereo recording are explained this month. |
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