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BatrachophrenoboococosmachiaFeature | Topic: Music Theory | Electronics & Music Maker, Mar 1982Ben Duncan presents philosophies on the effects of music. |
Screen With A ViewFeature | Topic: Computing | Music Technology, Oct 1991With the arrival of Microsoft's Multimedia Windows, the much-derided PC could become a musician-friendly computer. Adrian Sutton gets a clearer view. |
HiWatt L50R Lead Valve HeadReview | In Tune, May 1986 |
C-Lab Creator/Notator 3.1Review | Music Technology, Jan 1992Atari ST SoftwareAnother recently updated package is C-Lab's Atari sequencer/notator. Ian Waugh experiences the delights of an excursion on the version. |
AB Software MidistudioReview | Music Technology, May 1989Software for the Atari STIf computer-based sequencing seems too complicated or too expensive for you, AB Software's Midistudio could change your life. Ian Waugh boots up a friendly and inexpensive sequencer for the Atari ST. |
Oh Danny BoyInterview | Making Music, Sep 1987 |
Light FantasticReview | Sound On Sound, Oct 1990XRI Systems XRL8 MIDILiteBest known for their SMPTE synchronisers and MIDI patch bays, XRI Systems have entered the growing field of MIDI controlled lighting with the compact XRL8 MIDILite. Kendall Wrightson seeks illumination. |
The Legend Lives OnReview | Sound On Sound, Mar 1987Yamaha DX7IIDThe DX7 has become both one of the best-selling synthesizers of all time and a truly 'classic' instrument. So how do you improve on that? Jay Chapman reviews Yamaha's recently launched and long awaited successor to the DX7. |
Would Your Mother Recognise You On The Radio?Interview | Music Technology, Jan 1987...Is one of the producers responsible for the new wave of guitar-based pop. Paul Tingen finds he has plenty to say about modern music technology, not all of it favourable. |
The ManagersInterview | Topic: Music Business | International Musician & Recording World, Apr 1985A conversation with Ged Doherty, Paul Young's manager and best friend |
Ensoniq EPSmReview | Sound On Sound, Jun 1989Rack-Mount Sampler/SequencerA rack-mount version of the EPS was something Ensoniq swore they would never produce, but they have finally bowed to public pressure. Paul Wiffen looks at the extra memory, extra outputs and SCSI applications, and concludes it has been worth the wait. |
FX on Fire!Review | In Tune, Dec 1985Vesta-Fire FX Pedals plus D-1X Digital Delay & L-1 Low Frequency OscillatorNew pedals on test |
SONUS Sequencer & Data EditorsReview | Music Technology, Jul 1987Software for the Commodore 64In an exclusive review, Rick Davies tests three Commodore-based packages from an American company whose programs are new to the UK. Do they stand up against stiff competition? |
The ProducersGroup: Recording WorldThe anti-christ of studio recording, Dave Goodman, talks to Chas de Whalley |
Incoming DataNews | Music Technology, Apr 1993 |
NewsdeskNews | Music Technology, Aug 1992 |
Roland JX8P and PG800Review | Electronics & Music Maker, Feb 1985Touch-Sensitive Polysynth and ProgrammerCriticised in the past for their poor implementation of MIDI, Roland have given their new mid-price polysynth the full works. It sounds good, too, as Paul Wiffen discovers in this exclusive review. |
LEMI Future Shock and AMP 83Group: Computer MusicianMIDI Hardware and Software for Apple II MicroLast month we looked at six software packages, but not one of them was written for the Apple and its lookalikes. LEMI's MIDI system is one that is, as David Ellis discovers. |
Fernandez Revolver Bass And RST-50 GuitarReview | International Musician & Recording World, Sep 1986GuitarCheckDave Burrluck is pleasantly surprised by yet another pair of Japanese clones |