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Gus DudgeonInterview | International Musician & Recording World, Oct 1975Jon Tiven talks to Gus Dudgeon about Elton, Bowie and recording in general. |
Johnny Hates JazzInterview | Music Technology, Apr 1988Johnny Hates Jazz are in the privileged position of being allowed to produce their own debut album. David Bradwell talks to the band about their unusual situation, their techniques and their philosophies. |
GanglandInterview | One Two Testing, Dec 1983Bassist Sara Lee and guitar player Andy Gill discuss sonic invention and positive discrimination. |
Yello - The Colour of ArtInterview | Music Technology, Jan 1989Dieter Meier is a writer, painter, performance artist and an ex-professional gambler; he's also the face and voice in front of one of the most influential bands of the '80s. Tim Goodyer joins the Swiss race. |
So You Want To Be An...Feature | Topic: Arranging / Songwriting | International Musician & Recording World, Jul 1985ArrangerLone arranger Richard Walmsley analyses the profession's pros and cons |
AmbisonicsFeature | Topic: Acoustics, Microphones | Electronics & Music Maker, Apr 1983Full of Audio PromiseModern developments in audio reproduction |
Down the TubeFeature | Topic: Live, Video / Film / Picture | Home & Studio Recording, Jun 1986John Harris and Shirley Gray take a look behind the scenes to find out how the tube is recorded and how much planning is necessary to produce the apparent unrehearsed chaos that we all know and love. |
The Magic Of Enigma StudiosFeature | Topic: Recording Studios | Sound On Sound, Apr 1989Mike Collins investigates the magic behind Enigma Studios, a MIDI-based recording facility in London's East End. |
60 Years Of Abbey RoadFeature | Topic: Recording Studios | Sound On Sound, Jan 1992Richard Buskin looks back at the illustrious past of the world's most famous studio and discovers why Abbey Road has remained a front-runner for so long. |
The Sound HouseFeature | Topic: Composing for Business, Recording Studios | Electronic Soundmaker & Computer Music, Apr 1984BBC Radiophonic WorkshopRadiophonically speaking |
Company Report - Trace ElliotFeature | Topic: Advertisement Feature | One Two Testing, Jul 1985 |
The Boy Keeps SwingingInterview | International Musician & Recording World, Jan 1985A little Tonight music from the thin white one, his band, his producer, Uncle Tom Ziggy and all |
Busy Doing Nothing?Interview | Sound On Sound, May 1986Renowned best for his keyboard/synth excursions in the jazz-rock field, Dave and partner Barbara Gaskin achieved several chart hits with re-workings of classic pop songs like 'It's My Party' back in 1982. Together they are presently completing their first album for release on compact disc. David Etheridge took a look behind the scenes. |
Points on the CurveInterview | Electronics & Music Maker, May 1984An interview with this innovative three-piece on the making of their new album, Points On The Curve, the result of a year's work in the studio with Fairlight, PPG et al. |
State Of Independents - Part 1Feature Series | Topic: Music Business | Music Technology, Oct 1993Riff Raff, FONIn Part 1 of a series on independent labels, MT looks at the case histories of Fon and Riff Raff to discover just what it takes to get going and avoid the pitfalls |
Promoting The SoundtrackInterview | Sound On Sound, May 1986Janet Angus traces the career of this enterprising sound engineer which ranges from recording Mike Oldfield's 'Tubular Bells' and designing Virgin record stores, to his current pre-occupation with improving the quality of film soundtracks. |
In The DreamhouseInterview | Electronic Soundmaker & Computer Music, Jan 1985An ES&CM exclusive... At home with top synth pioneers Tangerine Dream, in their own recording studio - a three page special. |
Absolute BeginnersFeature | Topic: Music Business | International Musician & Recording World, Jun 1985How To Get SignedSnatching that elusive deal — how four recent signings did it, and how you can too. Instant success story by Richard Walmsley (£3.5m advance, eight album deal) |
The British Music AffairGroup: British Music Fair Supplement |
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