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How The West Was One!

Review | In Tune, Nov 1986
Westone Pantera & Clipper

The Celtic Macintosh - Part 2

Feature Series | Sound On Sound, Oct 1986
AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTER

Part 2. Paul D. Lehrman takes up where he left off last month in his detailed description of how he recorded and digitally mastered an entire album using an Apple personal computer, the Total Music multitrack software, and a bunch of MIDI synths. Read all about it!

Roland MC202 Microcomposer

Review | One Two Testing, Dec 1983

In depth.

Aphex Type C: Instant Excitement!

Review | Sound On Sound, Dec 1985

EXCLUSIVE: Paul Gilby examines the very latest American audio invention for removing cotton wool from your ears!

Armadillo

Review | Micro Music, Feb 1990

Baz Watts looks into the Armadillo sampler for the Arc

Oberheim Xpander Module

Review | One Two Testing, Aug 1984

free standing synth

Fostex G24S

Review | Sound On Sound, Mar 1991
SSSH... From You Know Who

Following last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S.

Kurzweil 1000HX & 1000SX

Review | Music Technology, Aug 1988
Sample Expanders

For those without the time or the inclination to sample come two expanders dedicated to sampled horns and strings. Simon Trask finds out if Kurzweil's dedication has paid dividends.

How to set up a Home Studio - Part 8

Feature Series | Topic: Home Studio | Sound On Sound, Jul 1989
Questions & Answers

PART 8: David Mellor expands on some of the points that have arisen so far in the series and looks at some alternative patchbays from Connectronics.

Workbench

Feature | Topic: Electronics / Build, Live, Maintenance / Repair / Modification | International Musician & Recording World, Oct 1986
Sounding Out

Phil Walsh is in complete remote control, and tells you how to mix on a budget.

The Soft Option

Feature | Topic: Computing | Sound On Sound, Jan 1988

Do the software companies come up to the standard of hardware manufacturers or are we expecting too much of them? David Mellor looks at music software and how the user is looked after, or otherwise, by the supplier. The debate starts here.

Aria U60 Deluxe BBS

Review | Electronics & Music Maker, Jul 1983

Alesis ADAT

Review | Recording Musician, Sep 1992
8-Track Digital Recorder

It's finally here, it's available and it works!

Music - Part 11

Feature Series | Topic: Music Theory | Sound International, Jun 1979
Writing it down

Inside Views: dbx

Feature | Topic: Design, Development & Manufacture | Sound On Sound, Aug 1986

The second of our series that takes a behind the scenes look at companies and design personnel involved in recording and hi-tech products. This month Paul Gilby talks to Scott Berdell of dbx.

Videotech

Feature | Topic: Live, Performing, Video / Film / Picture | Electronics & Music Maker, Dec 1982
Thomas Dolby at TV South.

Take Control

Review | Music Technology, Nov 1989
Music Publisher

Aimed at the professional scorewriter, this scorewriting program for the Atari ST goes a long way towards making complex scores easy to handle. Ian Waugh goes public.

Soldering On

Feature | Topic: Electronics / Build, Maintenance / Repair / Modification | In Tune, Jul/Aug 1985

Soldering the professional way!

Apple Notes

Feature | Topic: Computing | Sound On Sound, Dec 1992

Production lines

Group: In Session

Interview | The Mix, Aug 1994
At home with Chris Hughes

The former Tears For Fears producer invites us in for a cuppa

Shape of Things to Come

News | Sound On Sound, Dec 1989

A colourful bonanza of newly released and forthcoming new products.

The Hammond Story

Feature | Topic: Design, Development & Manufacture, Vintage Instruments | International Musician & Recording World, Sep 1975

The story behind the organ behind the Hammond sound

The Hard Edge

Feature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993
Direct-to-disk recording explained

MT's guide to the theory and practice of the tapeless studio

The Dynamic Duo

Review | Sound On Sound, Aug 1991
Alesis 3630 Compressor/Limiter & Alesis RA100 Reference Amplifier

Alesis made their name on high-quality, low-cost digital effects units, and their latest products offer the same affordable quality on two basic analogue units — a compressor and an amplifier. Dave Lockwood conducts the field test.

Machines £500 to £1500

Group: Drum Machine Supplement

Feature | Topic: Buyer's Guide | International Musician & Recording World, Oct 1985

 

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