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Feeling FreeReview | Sound On Sound, Dec 1991Frohlich Freestyle Accompanist SoftwareMartin Russ gets to grips with Freestyle, an auto-accompaniment program with a winning combination of flexibility and customisation options. |
Tascam MSR16Review | Sound On Sound, Dec 1988The AlternativeSo far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form. |
Roland S770 - Part 1Review Series | Music Technology, Jun 1990We've waited patiently for Roland's super sampler - but now it's here, and every bit as hot as expected. Simon Trask asks if Roland have set a new standard in digital samplers. |
Aphex Aural Exciter - Type BReview | Home & Studio Recording, Apr 1984 |
CanjakFeature | Topic: Electronics / Build | Electronics & Music Maker, Dec 1982One of the smallest and cheapest practice amps ever - plus its own distortion effect for guitarists. |
Book ReviewsReview | Electronics & Music Maker, Apr 1982 |
Eat your heart out PPG!Review | Sound On Sound, Jul 1986Akai S900 SamplerAkai's first foray into the sampling market, the S612, was a resounding success. Their new sampling system, aimed more at studios, is considerably more advanced yet still a respectable price. Eventually it will incorporate a multitrack event recorder and harmonic synthesis module, but just released is the first system component - the S900 rack-mount sampler. Mark Jenkins checks it out. |
PC NotesFeature | Topic: Computing | Sound On Sound, Aug 1993 |
ADM Europa PedalboardReview | International Musician & Recording World, Jun 1985EffectscheckA programmable effects board for Dave Burrluck to play footsie with |
NewsNews | Micro Music, Oct/Nov 1989Exclusive news from UK Electronica, plus all the latest in the world of MIDI music |
Choosing A Computer For Music - Part 2Feature Series | Topic: Buyer's Guide, Computing | Sound On Sound, Jun 1991Atari ST & Commodore AmigaPart 2. Concluding our look at the relative merits of the big four music computers, Martin Russ puts the case for the Atari ST and its variants, and Paul Overaa explains why his heart belongs to the Commodore Amiga. |
Akai S1000Review | Music Technology, Dec 1988Digital SamplerFollowing in the footsteps of their successful S900 sampler, Akai's new baby looks likely to set new standards in sampling hardware. Simon Trask's thrilled to bits. |
ScannersNews | Music Technology, Mar 1994As close to the cutting edge as you can get without needing stitches... |
Mass Storage TechnologyFeature | Topic: Computing | Sound On Sound, May 1992Is the hard disk about to crash? Kendall Wrightson looks at the latest developments in mass storage technology, and discovers an optical future. |
The Three-Chord TrickFeature | Topic: Music Theory | Making Music, Jun 1986We share with you the simple guitar chord trick upon which most pop music is based. |
AmericaNews | Electronics & Music Maker, Oct 1982 |
Animal House StudiosFeature | Topic: Recording Studios | Sound On Sound, Jul 1988You may not find a 24-track recorder in this London studio, but you will find two synchronised Fostex E16s and a veritable Aladdin's cave of hi-tech paraphernalia being put to some very interesting uses. Read on and discover how... |
Time To Get In-SyncReview | Sound On Sound, May 1986Fostex Synchroniser & Sync ControllerHaving familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex. |
Organ TalkFeature | Electronics & Music Maker, Apr 1981 |
The Shape Of Things To ComeNews | Sound On Sound, Feb 1988Our colourful glimpse of forthcoming and recently released new products from the hi-tech and recording fields. |
Incoming DataNews | Music Technology, Feb 1993 |
Elka ER33Review | Sound On Sound, Aug 1987The 'Alternative' FM ExpanderIan Gilby looks around for an 'alternative' multitimbral FM expander and uncovers a wealth of features hidden inside Elka's versatile 19" rack-mounting companion to the underrated EK44 polysynth - the ER33. |
MPC Programmer 8Review | Electronics & Music Maker, Feb 1985Computer-controlled Rhythm SequencerSome drum sequencer software that's as user-friendly as it's versatile. Paul White enthuses over MPC's latest little marvel. |