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Digigram MC5 ComposerReview | Music Technology, Oct 1987Tired of scoring out your music by hand? Simon Trask investigates a computerised alternative and discovers it may try to muscle in on the composition. |
The Man Who Sells ExcitementInterview | Topic: Design, Development & Manufacture | Home & Studio Recording, Nov 1985Marvin Caesar, the president of Aphex speaks about how the Aural Exciter came into being, and for the first time reveals news of some forthcoming interesting new products... |
Studer DyaxisReview | Sound On Sound, May 1990Digital Audio Production SystemToday's high-end tools for the professional are tomorrows affordable tools for the musician in the street. David Mellor explores a Macintosh-based digital recording and editing system from a company best known for their analogue tape recorders. |
The Shape of Things to ComeNews | Sound On Sound, Dec 1987Direct from the Far East, we bring you news of Yamaha's first 'pro' sampler, Roland's 16-bit digital reverb, Akai's low-cost digital multitrack and more... |
ScannersNews | Music Technology, Dec 1993Picking up the signals from the world of music and technology... |
Shape of Things to ComeNews | Sound On Sound, Nov 1988A look at some forthcoming products from the world of hi-tech music and recording. |
Born In The USAFeature | Topic: Computing | International Musician & Recording World, Nov 1985The Musical MicroTony Mills gets up to Yankee panky with some Stateside software |
Yamaha TG300Group: Quality ControlGeneral MIDI sound moduleIs there more to CM than meets the ear? |
Band-In-A-Box V4.1Review | Sound On Sound, Jul 1991Auto-Accompaniment — With StyleMartin Russ gets inside version 4.1 of Band-In-A-Box — now with user styles! |
Sound BitesFeedback | Recording Musician, Apr 1993More meaty studio hints and tips to get your teeth into. |
All Change!Review | Sound On Sound, Jan 1986Linn SequencerFrom the creators of the first digital drum machine comes the world's most powerful MIDI controller - the new Linn Sequencer. Mark Jenkins believes it could well cause a lot of us to re-think the way we record. |
The British Music AffairGroup: British Music Fair Supplement |
A Nice PairReview | Sound On Sound, Feb 1987Beyer microphonesWant to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range. |
Producers' CornerFeature | Topic: Arranging / Songwriting | Home & Studio Recording, Dec 1985Mark Fishlock expounds. |
Yamaha C1 - Part 2Review Series | Sound On Sound, Jul 1989Music SoftwareIn the second part of his review of the new Yamaha C1 music computer, Ian Gilby provides a rundown of the different types of music programs available for the C1 and explores the sequencing and MIDI utility program's that are bundled free with the computer. |
Shape Of Things To ComeNews | Sound On Sound, Feb 1991Regular round-up of what's new in the world of hi-tech music and recording. |
More Than A Fair ResultShow Report | Electronics & Music Maker, Sep 1985BMF ReportLager bottle in hand, the Editor guides you through the gallery of new music technology on demonstration at last month's newly-public British Music Fair. Plus lots of photographs so that those who missed it can find out what the gear looks like. |
Boss Micro Rack SeriesGroup: Recording WorldStudio TestJim Betteridge finds that small is beautiful and that the Roland Micro Rack series is very desirable |
Musicator GS for WindowsGroup: Quality ControlPC sequencing and notation software16-track sequencing and notation software for the PC. Especially for those who know the score... |
The Art of Going Soft - Part 1Group: Computer MusicianThe start of a new series designed to guide musicians through the intricacies of computer programming. Jay Chapman takes the first steps. |
Drum Machine SurveyFeature | Topic: Buyer's Guide | Sound On Sound, Mar 1987A subjective and selective round-up of drum machines, old and new, by Mark Jenkins. |