A six tap, stereo analogue delay constitutes this month's self-construct module for our 19" rack-mounting effects system.

...is a bassist turned producer/engineer who has worked with many artists in both Europe and America. In this article he gives his opinions on the techniques and equipment he uses.

The Musical Instrument Digital Interface has revolutionised the way we write and record music. Martin Russ delves deep into MIDI's 10-year history, explains its many recent changes and additions, and looks ahead to see what the future will hold.

The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire.

Martin Russ reveals the hidden features of Yamaha's budget digital multi-effector and explains how it can be coaxed into supplying more than one effect at once.

Programmable 8-voice Synthesizer

What you may have 'missed' at the Los Angeles AES and the London Hands On Shows.

Los Angeles and London were the recent locations for two very different audio get-togethers. Paul Gilby reports on the proceedings and products shown at both the AES and Hands-On shows.

A Real-time Performance System

Mark Jenkins pins down the expert synthesist/programmer best known for his work with Peter Gabriel, and discusses the release of his eighth solo album - 'Metropolitan Suite'.

Paradise Studios

Synth players in search of Heaven need look no further than West London, where a recording studio puts the emphasis firmly on hi-tech musical equipment, but doesn't charge people the Earth to use it. Simon Trusk pays Paradise a visit.

Synthesiser and Module

Korg's latest additions to their popular 0-series synth range include the professional flagship 01/W Pro-X keyboard and the more affordable 03/R rackmount. Simon Trask assesses their position in Korg's line and today's keyboard market.

Korg DSM1 & E-mu SP1200

Are the latest samplers from Korg and E-mu Systems really new instruments, or are they simply updates on old machines? Lorenz Rychner counts the bits and checks the clocks.

MIDI Mixer

This new 24-input desk has an in-line tape monitor section doubling as additional line inputs and the benefit of MIDI muting. Dave Lockwood sounds it out.

All good things come to those who wait... David Mellor samples Yamaha's version of the 'ultimate instrument', the MIDI sampler. Does it improve on all that have gone before or have Yamaha taken technology beyond the point of usability?

Ramsa's Miniature Condenser Microphones

Ramsa may not be a familiar name in the pro microphone world just yet, but engineer Dave Lockwood reckons they will be judging by their latest range of miniature electrets which includes both a headset and a mic that can handle an SPL of 158dB!

AFM/AWM Synthesiser

On from the revolutionary DX7, on from the souped-up DX7 II, on even from the mighty SY77, comes the SY99. Simon Trask takes the new Yamaha flagship on her maiden voyage.

Digital Drum Machine

So you wanna record an album? Anyone with a DAT recorder can make what they think is a usable master tape, but it takes a little know-how to do it properly. Mastering engineers Mike Brown and Martin Giles of CTS Studios explain what goes into preparing master tapes for tape, record and CD duplication.

This recent event had plenty to interest the hi-fi enthusiast.

Tell your Mac what it's hooked up to! Save the contents of all your MIDI devices with one mouse movement! Edit 47 different devices from the comfort of your armchair! Kendall Wrightson examines Opcode's new Mac system software and the latest in editor/librarians.

Sampling Keyboard

This is it. A 16-bit sampling keyboard for the price of a 12-bit one, with digital synthesis tacked on as a bonus. Jim Burgess gives his verdict in our exclusive review.

THE ULTIMATE SOFT MACHINE

The Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines.

Producer Extraordinaire

The genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse.

Our unique buyers' guide lists dedicated sequencers, software packages and computer music systems. Nothing else comes close.