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C-1 and you've seen 'em allReview | Micro Music, Aug/Sep 1989John Renwick puts Yamaha's super-computer through it's paces |
Window On The WorldReview | Electronics & Music Maker, Feb 1986MDB Window RecorderA specialised sampler for specialised tasks — but will the arrival of cheaper sampling keyboards diminish this rack-mount unit’s appeal? Annabel Scott finds out. |
Steinberg CubeatReview | Sound On Sound, Nov 1990With Cubase and Notator fighting it out at the top end, Steinberg appear to have left Pro24 to defend its once dominant position in the mid-priced ST sequencer market. Now reinforcements are available with the release of Cubeat, a cut-down version of Cubase. David Hughes takes it into battle. |
Lighting / Staging NewsGroup: Access All Areas |
Tim Hunt - Recording EngineerInterview | Home & Studio Recording, Jan 1986Tim talks to Janet Angus about his work as engineer at Marcus Studios and gives his views on microphone technique and natural ambience. |
ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Aug 1985The buyer's guide with a difference, with listings, prices, specifications, and comments from E&MM's reviewing team. Polysynths, expanders and controlling keyboards are this month's subject. |
From Studio To Street - The Story Of DATFeature | Topic: Digital Audio, Tape, Vinyl, CD, DAT | Sound On Sound, Nov 1990With DAT poised to make the leap from the professional recording studio to the high street, David Mellor looks at the benefits of the format to home recording. |
Marantz CDR1 CD RecorderReview | Music Technology, Apr 1992Compact Disc RecorderRecording CDs at home reaches the "affordable" level - at under £4000, CD Recordable moves into the realm of the home studio. Tim Goodyer primes the laser. |
Sample!Review | Micro Music, Jan 1990We look at internal sampling packages for all the top micros in this definitive round up |
Noise, Dolby and all that stuffFeature | Topic: Recording | Making Music, Mar 1987 |
Improve Your MemoryReview | Sound On Sound, Jan 1990PLI Infinity Turbo DriveRemovable hard disks represent a cost-effective solution to data backup and storage problems for sampler owners. Kendall Wrightson takes a look at the PLI Infinity Turbo Drive in use with the Akai S1000. |
Peavey Max Bass Amp & 3620 CabReview | International Musician & Recording World, Feb 1986AmpCheckHugely powerful and impressively loud. Martin Brassell, that is |
Vigier GuitarsReview | Electronics & Music Maker, Feb 1983 |
ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Nov 1985Polysynths, voice expanders and remote keyboard controllers are the subject of this month's no-holds-barred price guide. Don’t buy another instrument until you've read this. |
US Audio GatexFeature | Sound On Sound, May 1986With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio. |
AmericaNews | Electronics & Music Maker, Jun 1982 |
Liquid engineeringGroup: Control RoomPromoco TB1S monitorsTransmission line technology |
MOTU PerformerReview | Music Technology, Jan 1992Apple Macintosh SoftwareOne of the leading Macintosh sequencing packages has recently undergone another of its periodic face lifts. Ian Waugh checks the state of the performing art. |
What A Performer!Review | Sound On Sound, Oct 1990Performer 3.5Following hot on the heels of their MIDI Time Piece, Mark of the Unicorn release a major upgrade to Performer, the world's first 'professional' computer MIDI sequencer. Kendall Wrightson looks at what's new in an old favourite. |
Music NewsNews | International Musician & Recording World, Oct 1975 |
Soundcraft Spirit StudioReview | Music Technology, Jun 1991Mixing DeskAs more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury. |
Yamaha R1000 Digital ReverbReview | Home & Studio Recording, Jan 1984 |
Casio CZ1 Polyphonic SynthesiserReview | Electronics & Music Maker, Oct 1986Following in the footsteps of their successful budget CZ models, Casio add touch-sensitivity for the professional user. Simon Trask evaluates the results. |