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Search results

C-1 and you've seen 'em all

Review | Micro Music, Aug/Sep 1989

John Renwick puts Yamaha's super-computer through it's paces

Window On The World

Review | Electronics & Music Maker, Feb 1986
MDB Window Recorder

A specialised sampler for specialised tasks — but will the arrival of cheaper sampling keyboards diminish this rack-mount unit’s appeal? Annabel Scott finds out.

Steinberg Cubeat

Review | Sound On Sound, Nov 1990

With Cubase and Notator fighting it out at the top end, Steinberg appear to have left Pro24 to defend its once dominant position in the mid-priced ST sequencer market. Now reinforcements are available with the release of Cubeat, a cut-down version of Cubase. David Hughes takes it into battle.

Lighting / Staging News

Group: Access All Areas

News | Sound On Stage, Dec 1996

Gittler Guitar

Review | One Two Testing, Apr 1986

It looks weird, it plays weird and by golly...

Tim Hunt - Recording Engineer

Interview | Home & Studio Recording, Jan 1986

Tim talks to Janet Angus about his work as engineer at Marcus Studios and gives his views on microphone technique and natural ambience.

Checklist

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Aug 1985

The buyer's guide with a difference, with listings, prices, specifications, and comments from E&MM's reviewing team. Polysynths, expanders and controlling keyboards are this month's subject.

From Studio To Street - The Story Of DAT

Feature | Topic: Digital Audio, Tape, Vinyl, CD, DAT | Sound On Sound, Nov 1990

With DAT poised to make the leap from the professional recording studio to the high street, David Mellor looks at the benefits of the format to home recording.

Marantz CDR1 CD Recorder

Review | Music Technology, Apr 1992
Compact Disc Recorder

Recording CDs at home reaches the "affordable" level - at under £4000, CD Recordable moves into the realm of the home studio. Tim Goodyer primes the laser.

Sample!

Review | Micro Music, Jan 1990

We look at internal sampling packages for all the top micros in this definitive round up

Noise, Dolby and all that stuff

Feature | Topic: Recording | Making Music, Mar 1987

Improve Your Memory

Review | Sound On Sound, Jan 1990
PLI Infinity Turbo Drive

Removable hard disks represent a cost-effective solution to data backup and storage problems for sampler owners. Kendall Wrightson takes a look at the PLI Infinity Turbo Drive in use with the Akai S1000.

Peavey Max Bass Amp & 3620 Cab

Review | International Musician & Recording World, Feb 1986
AmpCheck

Hugely powerful and impressively loud. Martin Brassell, that is

Vigier Guitars

Review | Electronics & Music Maker, Feb 1983

Checklist

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Nov 1985

Polysynths, voice expanders and remote keyboard controllers are the subject of this month's no-holds-barred price guide. Don’t buy another instrument until you've read this.

US Audio Gatex

Feature | Sound On Sound, May 1986

With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio.

America

News | Electronics & Music Maker, Jun 1982

Liquid engineering

Group: Control Room

Review | The Mix, Dec 1994
Promoco TB1S monitors

Transmission line technology

MOTU Performer

Review | Music Technology, Jan 1992
Apple Macintosh Software

One of the leading Macintosh sequencing packages has recently undergone another of its periodic face lifts. Ian Waugh checks the state of the performing art.

Second coming

Group: Control Room

Review | The Mix, Jan 1995
Tascam DA30II

New version of DAT classic

What A Performer!

Review | Sound On Sound, Oct 1990
Performer 3.5

Following hot on the heels of their MIDI Time Piece, Mark of the Unicorn release a major upgrade to Performer, the world's first 'professional' computer MIDI sequencer. Kendall Wrightson looks at what's new in an old favourite.

Music News

News | International Musician & Recording World, Oct 1975

Soundcraft Spirit Studio

Review | Music Technology, Jun 1991
Mixing Desk

As more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury.

Yamaha R1000 Digital Reverb

Review | Home & Studio Recording, Jan 1984

Casio CZ1 Polyphonic Synthesiser

Review | Electronics & Music Maker, Oct 1986

Following in the footsteps of their successful budget CZ models, Casio add touch-sensitivity for the professional user. Simon Trask evaluates the results.

 

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