Printing the Part

David Ellis concludes his survey of music-transcribing devices. Among the products featured this month are units from Fairlight, New England Digital, Con Brio and Xerox.

Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work.

The latest from the music industry

The best bits around

The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology.

Intrepid reporter/cameraman Ralph Denyer ventures into the wild suburban jungle of East London to capture the rarely heard thoughts of this lesser-spotted songbird and re-mix producer who has recently taken delivery of his very own Synclavier system.

Pat Metheny and the well-tempered Synclavier

From Curved Air to Sky, and beyond with the Synclavier II

...Is already hugely successful as an engineer, producer, musician and programmer for the likes of Grace Jones and Frankie Goes To Hollywood. Paul Tingen finds fame has made him disillusioned and cynical.

The CMI and Blue Weaver

Back in the '60s it was Jefferson Airplane, then it was Jefferson Starship, then it was simply Starship. Brad Leigh Benjamin compares notes with the Synclavier king of one of rock's institutions.

While many of us dream of a career writing music for films, a select few are actually doing it. Lawrence UlIman talks to Gary Chang, a resident Hollywood scorewriter.

at the Strand Palace Hotel, 22nd-23rd November

The Turnkey Hands On show is upon us again, the show for home recordists. We anticipate its coming delights.

There can be few musicians who've amassed such a huge collection of synthesisers as the ex-Buggles keyboardist. Paul Wiffen talks to him about his machines, and finds he still finds a use for most of them.

The co-producer of Level 42's last two records has also lent his keyboard playing skills to the likes of Grace Jones, Robert Palmer, Mick Jagger and Talking Heads. He discusses his roles as programmer, synth player and producer with Paul Tingen.

The superbly produced music of Frankie Goes To Hollywood embodies the whole spirit and character of modern hi-tech recording methods. With the release of their long-awaited second album 'Liverpool', it seemed an opportune moment for Paul Gilby to discover if there is more to the band than Trevor Horn's production techniques.

Tony Banks samples the "Invisible Touch" album, keyboard by keyboard.

What makes one of rock music's most eccentric and unpredictable characters lock his guitar in a cupboard and take to composing on a Synclavier instead? Rick Davies provides the answers in an exclusive interview.

Yamaha's DX1, here at last

Key man in Genesis discusses his writing and recording with the band, his solo work, and playing Genesis music live.

An interview with Rusty Egan

Dan Goldstein tracks down another drummer-turned-musical technofreak, Rusty Egan, and finds out about the past, present, and the future of the electro-dance band he helped found, Visage.

Is MIDI Finally Out Of The Closet?

Freelance programmer, musician, and SOS author Mike Collins wonders whether MIDI has gained genuine acceptance in pro studio circles or not.

Kurzweil K250

Sampling with the Kurzweil 250. Will it knock out the Fairlight?