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Roll Reversal

Editorial | Music Technology, Apr 1992

We all like to daydream from time to time, so try this: envisage a world in which high technology had become the province of the drummer rather than the keyboard player. Tim Goodyer's imagination runs riot.

Tascam ATS500

Review | Sound On Sound, Jun 1992
Transport Synchroniser

Dave Lockwood checks out Tascam's ATS500 which is ideal for semi-pro musicians with an eye on the field of audio-for-video.

Give it some Stick

Review | Micro Music, Jun/Jul 1989

Clive Grace gets pretty damned excited over the revolutionary Chapman Stick

Man and Machine

Interview | Electronics & Music Maker, Nov 1984

Axxess mainman Patrick Mimran and one of the most remarkable custom-designed synthesisers ever built. Report by Dan Goldstein.

Studio Sound Techniques

Feature | Topic: Acoustics | Home & Studio Recording, Nov 1983
Monitoring

A second opinion on monitors.

Feedback!

Feature | Topic: Live, Microphones | Sound On Stage, Nov 1996
Why It Occurs & How To Prevent It

Choosing A Cassette Tape

Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Home & Studio Recording, Sep 1983
Tape Talk

Merging: The Plus Factor

Review | Sound On Sound, Aug 1988
360 Systems MIDI Merge+

Tony Wride checks out a device which can relieve many of the MIDI-induced headaches associated with even the most modest MIDI system.

Man from The Ministry

Group: In Session

Feature | Topic: Lighting, Live | The Mix, Jun 1995
Ministry Of Sound

Bob Green checks out the sound and lighting systems of the (in)famous club

The Music Network

Feature | Topic: Computing | Sound On Sound, May 1989
SOS Online

Paul Gilby reports on activities on Europe's new electronic communications system for musicians.

Clue Data

Review | Sound On Sound, Nov 1985

Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story.

Installation News

Group: Access All Areas

News | Sound On Stage, Nov 1996

Siel 16-track Live Sequencer

Group: Computer Musician

Review | Electronics & Music Maker, Feb 1985
Software for Commodore 64 and Spectrum

He was unimpressed by the same company's step-time MIDI package, but how does Steve Howell rate its real time equivalent?

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Sep 1992
Hints, Tips & News From The World Of Music Software

This month, helpful hints for users of Steinberg and Dr. T's software.

Oh My Darling 49

Review | Electronic Soundmaker & Computer Music, Mar 1985

Will there be a rush to purchase Siel's new CMK 49 computer gizmo? We pass judgement.

Kramer Pacer

Review | Electronic Soundmaker & Computer Music, Sep 1983

Another US best-seller?

Live End

Feature | Topic: Live | Sound On Sound, Feb 1993
Simply Red: Two Shows In One

Live Music for the Hi-Tech Musician

Bass: The Final Frontier

Review | Recording Musician, Nov 1992
Richard Allan RA8 Monitors and RA12 Sub-Bass Units

By combining two of their compact RA8 monitors with a pair of sub-bass units, RA have come up with an earth-shaking system at a realistic price.

Climb Aboard The MIDI Bus - Part 1

Feature Series | Topic: MIDI | Electronic Soundmaker & Computer Music, Nov 1983

The amazing musical instrument interface

Rumblings

Group: Computer Musician

News | Topic: Computing | Electronics & Music Maker, Jun 1984

Music Mate, Mainframe's Apple sound sampler and updates for the Synergy.

Live Saver

Review | Sound On Sound, Oct 1993
Sabine FBX900 Feedback Exterminator

Bose Speakers

Group: In Brief

Review | International Musician & Recording World, Sep 1975

Music Of The Spheres

Feature | Music Technology, Apr 1990

A hot new discovery from one of Britain's oldest universities threatens to revolutionise music broadcasting. Tim Goodyer's exclusive on a development that could change the world - literally.

The Expander

Feature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Mar 1985

Mark Jenkins' system

PPG Realizer

Group: Future Shock

Review | Electronics & Music Maker, Apr 1986

Closer to home in West Germany, PPG are putting the finishing touches to a new computer music system that could revolutionise the way we go about programming sounds. Dan Goldstein reports.

 

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