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Teac 244 Portastudio, Fostex 250 Multitracker.

Group: Recording

Review | One Two Testing, Jan 1983

MIDI Medicine

Review | Sound On Sound, Jan 1991
CMS MIDI Analyst

Martin Russ looks at a solution to all your MIDI analysis problems - not software, but a new rack unit from Computer Music Systems.

Computers, Music And Art

Interview | Music Technology, Nov 1986

His may be an unfamiliar name, but this avant-garde composer has been writing music that stretches technology to its limits for two decades. Ron Briefel talks to the man about his current passion - Yamaha's X-series equipment.

Namm Special Report

Show Report | Electronics & Music Maker, Aug 1984

The Music Network

Feature | Topic: Computing | Sound On Sound, Sep 1989
SOS Online

Technos Acxel Resynthesiser

Review | Music Technology, Mar 1988

After analogue synthesis, FM synthesis, additive synthesis and sampling comes resynthesis - the ability to reconstruct a sampled sound. Bob O'Donnell introduces the Acxel; the first dedicated resynthesiser.

Breaking The Ice

Feature | Music Technology, Apr 1992

Who'd have guessed that Akai Iceland were about to release a MIDI bass controller and major software updates for the DD1000? Mørv Smørdilørv proves that you never can predict innovation.

Technical Introduction

Group: MIDI Supplement - Part Two

Feature | Topic: MIDI | Electronics & Music Maker, Jun 1984

Paul White outlines the theory behind the new interconnection standard.

Return To Zero - Part 3

Feature Series | Topic: Recording | Home & Studio Recording, Apr 1985
Noise Reduction Systems

An explanation of the most common noise reduction systems in audio use, including Dolby A, B, C, and dbx.

MicroMIDI

Feature | Topic: Computing, Electronics / Build | Electronics & Music Maker, May 1983

Computer control for MIDI-equipped instruments

The Spanner

Review | Home & Studio Recording, May 1985

Automatic Pilot

Review | Recording Musician, Sep 1992
CM MX816 Console Automation

A cost-effective VCA mix automation system that can be used with any console.

News

News | Sound International, Dec 1978
Studios & Recording

Man bites guitar; parents set to choose the sax of their children; speaker found in House of Commons, etc.

Inside Views: Fairlight

Feature | Topic: Design, Development & Manufacture, Sampling | Sound On Sound, May 1987

Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks sampling with Kim Ryrie, President of Fairlight Instruments of Australia.

Sound Advice

Feedback | Sound On Sound, Jan 1988

Our regular column devoted to readers' hints and tips about their recording equipment, instruments, software and playing techniques.

Yamaha GQ1031 Graphic Equaliser

Review | Home & Studio Recording, May 1985

Aiwa AD-F770 Stereo Cassette Recorder

Review | Home & Studio Recording, Nov 1984

MPC Programmer 8

Review | Electronics & Music Maker, Feb 1985
Computer-controlled Rhythm Sequencer

Some drum sequencer software that's as user-friendly as it's versatile. Paul White enthuses over MPC's latest little marvel.

Steinberger Transposing Trem

Review | One Two Testing, Feb 1985

lockable wobble

Peavey ED300

Review | Music Technology, Jun 1987
Electronic Drum Amplifier

Of the current crop of combo amps designed specifically for electronic percussion, this is one of the most promising. Nigel Lord puts it through its paces.

Technically Speaking

Feature | Topic: Computing, MIDI | Making Music, Mar 1987

Goldline Music 10 Real Time Spectrum Analyser

Review | Home & Studio Recording, Jul 1984

MIDI - CV

Review | Micro Music, Jan 1990

If you have one of those oldie but goodie type synths that were pre MIDI fear not you can now link it into your existing MIDI system thanks to Groove Electronics

The Shape of Pianos to Come

Group: Roland Newslink - Summer 86

Feature | Topic: Advertisement Feature | International Musician & Recording World, Jun 1986

Ivory-free piano and the digital grand...

Technically Speaking

Feature | Topic: MIDI | Making Music, Aug 1986

What you can get from a MIDI Implementation Sheet, apart from total bafflement.

 

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