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Search results
 dbx 150 Noise Reduction UnitReview | Home & Studio Recording, May 1984 |
 MIDIFeature | Topic: MIDI | Sound On Sound, Nov 1985The Universal Answer?Ian Gilby asks the question. |
 Delta SX301Review | Electronics & Music Maker, Apr 1985Add-on for Digital Delay LinesPaul White and an ingenious 'black box' that gives older-generation digital delay lines a sampling capability. |
 Chip Parade - Part 10Feature Series | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Jun 1984Simply years ahead |
 Seeding the future - or burying the past?Feature | Topic: Live, Multimedia / Graphics / Visuals | Music Technology, Mar 1994Cyberseed cyber-festivalCyber culture comes to Britain for a multimedia club night. William Gibson couldn't make it, but you can always rely on Simon Trask for an honest report. |
 Tascam M-216 Mixing ConsoleReview | Home & Studio Recording, May 1986A really neat 16 into four mixing desk. |
 RumblingsGroup: Computer MusicianThe latest buzz from the computer world |
 Korg SoundLinkReview | Music Technology, Mar 1992Digital Audio WorkstationFrom the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future. |
Hardware Or Software?Group: The SOS Guide To Going LiveSequencing On StageSequencers are a boon in the studio, but on stage they create the potential for problems that can ruin a gig. Paul Ireson explains how to steer clear of trouble. |
 The SynclavierFeature | Topic: Design, Development & Manufacture, Digital Audio Workstations | Sound On Sound, May 1986New England Digital: A Company PhilosophyMost people have heard of the Synclavier but little is known about the company that produces it: New England Digital. Paul Gilby met up with its Vice-President, Brad Naples, who supplied us with a fascinating insight into the philosophy behind the development of this highly advanced digital recording system they call 'the Synclavier'. |
 Fostex MTC1Review | Music Technology, Sep 1990MIDI Time Code ControllerWith sequencing and tape recording becoming equally important to many musicians, any means of integrating the two is likely to be a welcome development. Vic Lennard looks at a unit that allows Fostex' R8 to be operated from within Steinberg's Cubase. |
 IVL Pitchrider Guitar To Midi ConverterReview | International Musician & Recording World, Nov 1986GuitarcheckAn instrument to put the Shadow in the shade? Paul Trynka has his doubts |
 Live Sound - Part 3Feature Series | Topic: Live | Recording Musician, Jan 1993Loudspeaker EnclosuresHow speaker enclosures work, and how to position them for the best results. |
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 MOTU MIDI TimepieceReview | Music Technology, Jan 1992Mac MIDI Interface/Sync/PatchbayWelcome to the new age of integration with this Macintosh MIDI interface, synchroniser and patchbay. Vic Lennard gets a timely piece of the action. |
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 DOD R-875 Flanger/DoublerReview | Home & Studio Recording, Jan 1984 |
 PC NotesFeature | Topic: Computing | Sound On Sound, Dec 1993 |
 All Systems Go!Review | Electronic Soundmaker & Computer Music, Apr 1985Joreth.With Joreth's Hardware/Software MIDI control package for the CBM 64. |
 Question TimeFeature | Topic: MIDI, Syncronisation | Music Technology, Sep 1991MIDI Time Code and MIDI Clock - what's what and which should you use? Vic Lennard investigates alternative approaches to MIDI synchronisation code. |
 NewsNews | Sound International, Jan 1979Studios and RecordingSplit as they are (these pages) into Studios and Recording, Instruments and Equipment, and Etcetera (for news pieces with no homes to go to). |
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 Industry ProfileFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Dec 1982Allen & Heath Brenell |
 Amiga NotesFeature | Topic: Computing | Sound On Sound, Mar 1993 |
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