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Bits 'n' Pieces - Part 2Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Dec 1992Digital AudioHow tapeless recording works and what advantages it has over conventional recording systems. |
Apple NotesFeature | Topic: Computing | Sound On Sound, Jul 1993 |
Acorn Music 500Group: Computer MusicianSynthesiser Hardware and Software for the BBC MicroAcorn's first venture into music synthesis boasts some good-looking synthesis hardware and a music composition language - AMPLE - that grows with the user. David Ellis has the advance details. |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Sep 1986One day, all PA columns will be like this... Jim Betteridge checks out Simple Minds' little bash at the Milton Keynes Bowl |
Live Sound - Part 5Feature Series | Topic: Live | Recording Musician, Mar 1993How To Survive LiveThis month, we address the practicalities of working in a less than ideal live venue. |
Allen & Heath 1221Review | Electronics & Music Maker, Nov 1982 |
Sampler ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Mar 1986E&MM's unique buyer's guide spreads its wings, with a round-up of what's around in the world of sound-sampling. |
Technically SpeakingFeature | Topic: Computing, MIDI | Making Music, Feb 1987Andy Honeybone has a tape dump. But we forgive him. |
RumblingsGroup: Computer MusicianDigital synthesis for the IBM PC, sound-sampling for the Apple II, and drum composing for the Commodore 64. David Ellis has the details. |
Atari ST Front EndGroup: Hard Facts, Soft OptionsSimon Trask takes a look into the land of windows, icons, pull-down menus and trash cans, and reports that behind the jargon lies the computer world’s most accessible graphics system. |
The Hungarian RevolutionReview | Electronic Soundmaker & Computer Music, Mar 1985Muzik ProcessorThe Muzix 81 Processor is likely to change your mind about the potential of micro's sound sampling abilities. We preview this product from a Hungarian company who intend to breach the walls of the UK music industry. |
Yamaha MM10 Portable Mixer & MA10 Headphone Amp.Review | Home & Studio Recording, Aug 1984 |
Back to BackGroup: Playback - Autumn 86Keith Emerson On Korg. Gordon Giltrap On MIDI Guitars Peter Oxendale On Sampling |
Roland SRV-330Group: Quality ControlDimensional Space ReverbCan a stereo unit create 3D ambience? |
Exclusive InformationFeature | Topic: MIDI | Music Technology, Aug 1988System Exclusive messages promised to make MIDI a flexible and powerful communications standard; instead it seems to have caused MIDI havoc. Vic Lennard takes an Exclusive look. |
Soundscape Multi-TrackReview | Music Technology, Jul 1993Hard Disk RecorderDigital recording takes another step into your living room with this PC-compatible modular package, with four tracks in a 19" rackmounted unit. Bob Walder finds out if Soundscape have got this direct-to-disk business taped... |
Autographies Microsound 64 KeyboardReview | Electronics & Music Maker, Jul 1984Innovative UK manufacturers Autographies have come up with a music system that gives the synth player access to the Commodore 64 micro's SID chip. Mick Jones analyses its potential. |
Apple NotesFeature | Topic: Computing | Sound On Sound, Mar 1993 |
Super ConductorReview | Sound On Sound, Aug 1987If you are used to paying £200 plus for good quality MIDI software for your Atari ST then you are going to be awfully surprised at how good Microdeal's sequencing package is for only £49.95. Ian Waugh was! Read his review... |
Roland SBX80 Sync BoxReview | Home & Studio Recording, Mar 1985 |
Siel PX JRGroup: Pianissimo! |
Chip Parade - Part 8Feature Series | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Apr 1984The ubiquitous delay line |