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Moving Up To Eight TrackFeature | Topic: Home Studio, Recording | Making Music, Feb 1987The problems and pleasures of home studio upgrading. |
Painting by NumbersFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Sep 1985The story behind E&MM's most striking front cover for years. Dan Goldstein talks to Les Arnett, graphic artist extraordinaire, on the creation of a music/cornputer/video masterpiece. |
On The Beat - Part 1Feature Series | Topic: Drum Programming | Music Technology, Aug 1989This new series on drum machine programming is intended to provide an understanding of the drum patterns which form a wide range of music. Nigel Lord starts close to home with basic pop and rock patterns. |
The Fairlight Explained - Part 3Group: Computer MusicianPart three, and Jim Grant outlines the basics of sound sampling. |
Major league monitorGroup: Control RoomJBL MR825SLast month’s review re-born |
Man of VisionInterview | Sound On Sound, Oct 1989Dave Oppenheim of OpcodeMike Collins chats to Dave Oppenheim, founder of and main programmer for Opcode Systems, the creators of Vision sequencer, the original MIDI File Format, and a range of primarily Macintosh music software and hardware. |
Altima OneReview | Micro Music, Jan 1990Brian Heywood benchtests the latest laptop PC from Sound N Compute |
PA ColumnFeature | Topic: Live | International Musician & Recording World, May 1985Eric Clapton at Wembley. Jim 'Slow Brain' Betteridge reports |
Yamaha SY-77Review | Micro Music, Mar 1990Performance SynthesizerJohn Renwick looks at the new SY-77 from Yamaha |
Local Area NetworksFeature | Topic: Computing, MIDI | Music Technology, Mar 1988What is networking and how can it be of use to the musician using MIDI-equipped instruments? Harvey P Newquist III investigates the working relationship between machine and machine. |
Four-track Cassette MachinesGroup: Bedroom Bouncedown - Home Recordinga round-up from Aria, Clarion, Fostex, TASCAM and Yamaha. guides to nine popular cassette, four-track recorders |
The Integration Game - Part 1Feature Series | Topic: Computing, MIDI | Sound On Sound, Aug 1992Improving your MIDI EnvironmentIn part one of this two-part article, Martin Russ looks at how the right software can make the difference between a studio full of lonely synths, samplers and other gadgets, and a powerful integrated setup. |
Atari NotesFeature | Topic: Computing | Sound On Sound, Dec 1993 |
Aces BM1082 MixerReview | Home & Studio Recording, Jun 1985 |
Vive La Difference!Group: The SOS Guide To Going LiveChoosing Mixers For Live SoundAll mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage. |
CEDAR/Harmonia Mundi Real-Time De-ClickerReview | Music Technology, Aug 1991Signal ProcessorIt sounds like a cheap TV ad, but this device puts an end to all known clicks and pops. Vic Lennard gives the latest development in noise elimination the Rice Krispies test. |
Microdeal Clarity 16 SamplerReview | Music Technology, Jun 1993for the Commodore AmigaIf you’ve got a Commodore Amiga computer, this could be the sampling system for you. Ian Waugh examines the add-on that might just take off |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Sep 1992Choosing The TechnologyStephanie Sobey-Jones tackles the tricky subject of selecting appropriate hardware when setting up a school music lab. |
Dynamic DuoReview | Sound On Sound, Nov 1991Drawmer DL241 Auto-Compressor & DS404 Quad Noise GateThe latest from Drawmer in dynamic control, reviewed by Dave Lockwood. |
Cheetah MD8 Drum MachineGroup: Review |
Studio Reproduction - Part 2Feature Series | Topic: Construction / Build, Recording Studios | Sound On Sound, Nov 1989PART 2: Last month's article saw Reproduction Studio in the early stages of construction. This month, in the final part, the finished project comes under scrutiny. |
Third Generation 16/4/2 MixerReview | Home & Studio Recording, Nov 1984 |
MIDI Basics - Part 3Feature Series | Topic: MIDI, Sequencing | Music Technology, Oct 1987In the third part of our continuing series on the basics of MIDI, Bob O'Donnell concentrates on sequencers, their capabilities and their place in a typical MIDI studio. |