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TED Digisound Digital Drums

Review | Home & Studio Recording, Apr 1985

Sync Explained

Feature | Topic: Syncronisation | Home & Studio Recording, Mar 1989

The title says it all...

Atari Music Composer Cartridge

Review Audio | Electronics & Music Maker, Jul 1981

Digital Audio Discs

Feature | Topic: Digital Audio, Tape, Vinyl, CD, DAT | Electronics & Music Maker, Feb 1982
How the LP went in for a transplant and came back a DAD

An explanation of the technology behind the new sound recording revolution: how the LP went in for a transplant and came back a DAD!

MIDI Basics

Feature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993
MIDI-To-Tape Synchronisation

MIDI-to-tape sync: why you need it, what it does and how you use it.

AHB Keymix

Review | Sound On Sound, Jul 1986

Who wants a programmable modular mixer and three-band sweep EQ system that offers full MIDI control of channel routing/muting and all fits neatly into a 19-inch rack? "I do!" shouts Paul Gilby. Read why...

Digital Recording - Part 1

Feature Series | Topic: Digital Audio | Electronics & Music Maker, Oct 1982
A New Landmark!

The first of a special two-part feature highlighting the dawn of a new era in audio recording.

Steinberg Software Page

Feature | Topic: Computing, Sequencing | Sound On Sound, Sep 1988

Another instalment of our column devoted entirely to Steinberg software, written and compiled exclusively for SOS by Steinberg's experts.

Home Recording

Feature | Topic: Buyer's Guide, Recording | Music UK, Nov 1983
The Four Track Future - Where To Start With Cassette-Based Recording

Four-track Fandango - Gary Cooper looks at all today's choices for cassette multitracking

Mixer Module Project - Part 12

Feature Series | Topic: Electronics / Build | Home & Studio Recording, Nov 1985

Yet another of Paul Williams' modules for the Tanrak.

MIDI by Numbers

Group: MIDI Supplement - Part One

Interview | Topic: MIDI | Electronics & Music Maker, May 1984
An interview with, the BPI's Producer of the Year.

Culture Club producer Steve Levine discusses his attitudes to modern music-making, and how the new interface makes his life easier.

Tascam M2524

Review | Music Technology, Jan 1992
Mixing Desk

Tascam make their bid for the growing private studio/pre-production market with two brand new MIDI-controlled mixers. Tim Goodyer follows the expansion of automated mixing on a budget.

Yamaha C1 Music Computer

Review | Music Technology, Dec 1988

Yamaha's new computer is a PC compatible equipped with eight MIDI Outs, two MIDI Ins and SMPTE time-sync ports. Harvey Newquist powers up the successor to the ill-fated CX5M.

Synclavier: A New Appraisal

Feature | Electronics & Music Maker, Aug 1984

Paul White and Geoff Twigg delve deep into the mysteries of one of the world's most expensive keyboard instruments, and uncover some fascinating developments.

MIDI Basics - Part 2

Feature Series | Topic: MIDI | Music Technology, Sep 1987

More of the mysteries of MIDI dispelled, as Bob O'Donnell puts MIDI plug into MIDI socket and connects controller to expander. Part two of this new series.

Peavey Autograph

Review | Sound On Sound, Mar 1990
MIDI Programmable Graphic Equaliser/Real Time Analyser

The new Peavey Autograph not only analyses your EQ problems, it fixes them too! David Mellor investigates.

Fostex 160 Multitracker

Review | Music Technology, Dec 1986
Four-track Cassette Recorder

A new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value.

Tron Digidrum 3

Review | In Tune, Jul 1986

High Noon!

Review | Sound On Sound, Feb 1989
Steinberg 'Twelve' MIDI Recorder

Steinberg have divided Pro24 roughly in half and have arrived at what may well turn out to be the best answer for many people starting out, namely a 'new' low-priced 12-track sequencer called Twelve. David Pickering Pick investigates.

News

News | International Musician & Recording World, Dec 1986

...And finally

Roland CM Modules

Review | Music Technology, Jan 1990
ROLAND CM32L, CM32P, CM64 & LAPC1 Sound Modules

Roland's CM32L, CM32P, CM64 and LAPC1 modules are a selection of their more familiar expanders re-configured and re-packaged with the computer synthesist in mind. Modulating with Ian Waugh.

Roland CD5

Review | Music Technology, May 1989
CD ROM Player

Expensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers.

Dr T'S D110 Editor

Review | Music Technology, Jan 1989
Software for the Atari ST

The latest in Dr T's Caged Artist series of editors is an Atari ST program for Roland's popular D110 synthesis mdule. Vic Lennard takes his L/A the easy way.

Look No Hands!

Review | Home & Studio Recording, Oct 1986
Audio Kinetics Master Mix and Q-lock

Full automation for any engineer who feels himself in need of twenty fingers when it comes to the mix.

Wot... No Tape?

Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992
The Tapeless Recording Market Survey

The tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress.

 

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