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TED Digisound Digital DrumsReview | Home & Studio Recording, Apr 1985 |
Sync ExplainedFeature | Topic: Syncronisation | Home & Studio Recording, Mar 1989The title says it all... |
Atari Music Composer CartridgeReview Audio | Electronics & Music Maker, Jul 1981 |
Digital Audio DiscsFeature | Topic: Digital Audio, Tape, Vinyl, CD, DAT | Electronics & Music Maker, Feb 1982How the LP went in for a transplant and came back a DADAn explanation of the technology behind the new sound recording revolution: how the LP went in for a transplant and came back a DAD! |
MIDI BasicsFeature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993MIDI-To-Tape SynchronisationMIDI-to-tape sync: why you need it, what it does and how you use it. |
AHB KeymixReview | Sound On Sound, Jul 1986Who wants a programmable modular mixer and three-band sweep EQ system that offers full MIDI control of channel routing/muting and all fits neatly into a 19-inch rack? "I do!" shouts Paul Gilby. Read why... |
Digital Recording - Part 1Feature Series | Topic: Digital Audio | Electronics & Music Maker, Oct 1982A New Landmark!The first of a special two-part feature highlighting the dawn of a new era in audio recording. |
Steinberg Software PageFeature | Topic: Computing, Sequencing | Sound On Sound, Sep 1988Another instalment of our column devoted entirely to Steinberg software, written and compiled exclusively for SOS by Steinberg's experts. |
Home RecordingFeature | Topic: Buyer's Guide, Recording | Music UK, Nov 1983The Four Track Future - Where To Start With Cassette-Based RecordingFour-track Fandango - Gary Cooper looks at all today's choices for cassette multitracking |
Mixer Module Project - Part 12Feature Series | Topic: Electronics / Build | Home & Studio Recording, Nov 1985Yet another of Paul Williams' modules for the Tanrak. |
MIDI by NumbersGroup: MIDI Supplement - Part OneAn interview with, the BPI's Producer of the Year.Culture Club producer Steve Levine discusses his attitudes to modern music-making, and how the new interface makes his life easier. |
Tascam M2524Review | Music Technology, Jan 1992Mixing DeskTascam make their bid for the growing private studio/pre-production market with two brand new MIDI-controlled mixers. Tim Goodyer follows the expansion of automated mixing on a budget. |
Yamaha C1 Music ComputerReview | Music Technology, Dec 1988Yamaha's new computer is a PC compatible equipped with eight MIDI Outs, two MIDI Ins and SMPTE time-sync ports. Harvey Newquist powers up the successor to the ill-fated CX5M. |
Synclavier: A New AppraisalFeature | Electronics & Music Maker, Aug 1984Paul White and Geoff Twigg delve deep into the mysteries of one of the world's most expensive keyboard instruments, and uncover some fascinating developments. |
MIDI Basics - Part 2Feature Series | Topic: MIDI | Music Technology, Sep 1987More of the mysteries of MIDI dispelled, as Bob O'Donnell puts MIDI plug into MIDI socket and connects controller to expander. Part two of this new series. |
Peavey AutographReview | Sound On Sound, Mar 1990MIDI Programmable Graphic Equaliser/Real Time AnalyserThe new Peavey Autograph not only analyses your EQ problems, it fixes them too! David Mellor investigates. |
Fostex 160 MultitrackerReview | Music Technology, Dec 1986Four-track Cassette RecorderA new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value. |
Tron Digidrum 3Review | In Tune, Jul 1986 |
High Noon!Review | Sound On Sound, Feb 1989Steinberg 'Twelve' MIDI RecorderSteinberg have divided Pro24 roughly in half and have arrived at what may well turn out to be the best answer for many people starting out, namely a 'new' low-priced 12-track sequencer called Twelve. David Pickering Pick investigates. |
Roland CM ModulesReview | Music Technology, Jan 1990ROLAND CM32L, CM32P, CM64 & LAPC1 Sound ModulesRoland's CM32L, CM32P, CM64 and LAPC1 modules are a selection of their more familiar expanders re-configured and re-packaged with the computer synthesist in mind. Modulating with Ian Waugh. |
Roland CD5Review | Music Technology, May 1989CD ROM PlayerExpensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers. |
Dr T'S D110 EditorReview | Music Technology, Jan 1989Software for the Atari STThe latest in Dr T's Caged Artist series of editors is an Atari ST program for Roland's popular D110 synthesis mdule. Vic Lennard takes his L/A the easy way. |
Look No Hands!Review | Home & Studio Recording, Oct 1986Audio Kinetics Master Mix and Q-lockFull automation for any engineer who feels himself in need of twenty fingers when it comes to the mix. |
Wot... No Tape?Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992The Tapeless Recording Market SurveyThe tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress. |