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Bluepoint Corporation Sound FX Classic 3000Group: Quality Controlsound card for the PCAn MT exclusive on a card set to make waves in PC music. |
NewsdeskNews | Electronics & Music Maker, Jun 1984 |
Describing the DelayFeature | Topic: Effects Processing | Home & Studio Recording, May 1987There's a lot more to the humble digital delay than meets the eye. Paul White investigates. |
The Programmable Digital Sound Generator - Part 3Group: Computer MusicianPart 3: The Detailed Program InterfaceOur analysis of the Programmable Digital Sound Generator enters its third phase. Your guide: Alan Boothman. |
Steps In TimeInterview | Music Technology, May 1988From Weather Report drummer to hi-tech enthusiast and Mac fanatic. Bob O'Donnell talks to a drummer who's discovered technology and used his rhythmic knowledge to get the best from his programming. |
Choosing A Personal Computer For MusicFeature | Topic: Computing | Sound On Sound, Mar 1988Having made your decision to opt for a software-based MIDI music system, which computer do you choose? Which is best? Are they all the same? Mark Badger considers the three prime contenders. |
Elka-Orla X-50Review Audio | Electronics & Music Maker, Dec 1981 |
MTeaseFeature | Music Technology, Feb 1994People that matter answering questions that don't. This month: Richard Barbieri |
Peavey RMC 4512Review | Music Technology, Dec 1987MIDI Foot ControllerWith both hands fully occupied on stage it seems a shame to use your feet for nothing but standing on; Rick Davies tries using his for controlling MIDI equipment. |
How It Works - Hard Disk Recorders - Part 12Feature Series | Topic: Digital Audio, Recording | Sound On Sound, Apr 1989An Alternative To TapeFrom the analogue to the digital era, magnetic tape has been the prime production medium for recorded music for several decades. David Mellor examines new developments in recording and speculates where they might lead. |
AudioshopReview | Music Technology, May 1993for the Apple MacIan Waugh logs in to a new Mac program that's a virtual CD player and virtually a sampler, allowing you to build your own library of alternatives to that irritating monkey squeak. What you do with your existing CD remote control is your own affair |
The Big ScreenInterview | Music Technology, Dec 1989While many of us dream of a career writing music for films, a select few are actually doing it. Lawrence UlIman talks to Gary Chang, a resident Hollywood scorewriter. |
Higher EducationFeature | Topic: Education | Electronics & Music Maker, Feb 1985Newcastle CAT School of MusicA personal view of the School of Music at the Newcastle College of Arts and Technology, by one of its students, Paul Evans. |
Taking NotesReview | Electronics & Music Maker, Sep 1986Akai MIDI FXSimon Trask again, with some more MIDI outboard gear in the shape of Akai's new ME30P programmable patchbay and ME25S note separator. |
Drum Programming - Part 3Feature Series | Topic: Drum Programming | Sound On Sound, Jul 1992A Series By Warren Cann. Part 3.This month: hints on creating more exciting song arrangements. |
Toa Professional SeriesReview | International Musician & Recording World, Nov 1986MikecheckCan you hear him at the back? Phil Walsh sounds off about TOA's new VFM mikes |
Practical PA - Part 1Feature Series | Topic: Live, Microphones | Sound On Stage, Nov 1996Part 1: Introduction To PA |
SCI Pro-FX 500Review | Electronics & Music Maker, Sep 1983 |
Conference BluesShow Report | Music Technology, Feb 1987ICMC ReportFresh from his exploits at Steim Studios, Ron Briefel takes a look at what last year's International Computer Music Conference had to offer in the way of new instruments, new music, and new ideas. |
Hard Times in BabylonInterview | Sound International, Mar 1979The man fronting this month's top ranking and cover-appearing rhythm section is Peter Tosh. The ex-Wailer parts with some heavy words on Jamaica in this interview with Dave Saunders. |
SpotlightFeature | Topic: Electronics / Build | Polyphony, Feb 1978Early Experiments with Computer Music |