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Simmons SDS7Review | One Two Testing, Apr 1984 |
Amiga PreviewGroup: Hard Facts, Soft OptionsChris Jenkins and Simon Trask examine the musical implications of Commodore’s 16-bit monster computer. Will it be simply a haven for the gamesters and the accountants, or will it find a place on the shelves of music shops? |
Roland SDE-3000 Digital DelayReview | Electronics & Music Maker, Mar 1984The very latest microprocessor controlled delay, offering flange and vibrato among its many features. |
Talking MIDI - Part 1Feature Series | Topic: MIDI | Sound On Sound, Dec 1985Jay Chapman sets the scene for a regular series written to help you better understand the practicalities of life with the Musical Instrument Digital Interface. |
Frankfurt Musik Messe 1984Show Report | Electronics & Music Maker, Mar 1984A look at a selection of the new and innovative equipment on show at Europe's premier trade fair. |
Opcode Studio 5Review | Sound On Sound, Apr 1992Macintosh Midi InterfaceFor those with large MIDI setups, 16 channels just isn't enough; Opcode's Studio 5 offers the Mac muso up to 240 independent channels, plus MIDI patchbay and processing facilities. Mike Collins approves. |
Peavey DECA-700 Power AmpReview | In Tune, Jul/Aug 1985 |
Inside the Synclavier - Part 2Feature Series | Sound On Sound, Jul 1989PART 2: David Mellor explores the sampling capabilities of the world’s most expensive musical instrument - the Synclavier. |
MIDI Time CodeFeature | Topic: MIDI, Syncronisation | Music Technology, Jul 1987The marriage between MIDI and SMPTE is now complete, but the burning question remains: how will musicians and engineers benefit from it? Chris Meyer traces the link from its source to its users. |
Nuclear VisionGroup: Control RoomOpcode Studio VisionIntegrated sequencing/d-t-d recording |
PAIA 8700 Computer/ControllerReview Audio | Electronics & Music Maker, Apr 1981 |
Zeta Mirror 6Review | Sound On Sound, Jun 1991MIDI Guitar ControllerDave Lockwood gets down to some serious MIDI guitar histrionics... |
Studio SceneGroup: Computer MusicianGoldsmiths College Electronic Music Studio |
Music Maker Equipment SceneNews | Electronics & Music Maker, Aug 1981 |
The New MasterReview | Sound On Sound, Mar 1992Akai MX1000 Master KeyboardEase of programming and an optional plug-in piano sound board should ensure popularity for the Akai MX1000. Julian Colbeck explains why it makes all the difference. |
Elka MK88/MK55Review | Music Technology, Mar 1988Master Keyboard ControllerTwo new master keyboards from Elka change Deborah Parisi's mind about the merits of silent keyboards. |
Power, Corruption & SpikesFeature | Topic: Computing | Music Technology, Nov 1993Data ProtectionIf you work with computers, consider getting yourself some protection - before it's too late. Ben Duncan discusses damage limitation and risk management in the world of hi-tech recording... |
Fostex X28Review | Music Technology, Feb 1992Cassette MultitrackerWhen cassette multitrackers were new they said everybody should have one - now that there are machines like the X28 around, everybody can. Nigel Lord says small is beautiful. |
Technically SpeakingFeature | Topic: Computing, MIDI | Making Music, Nov 1986A program to convert aftertouch data from a KX5 into controller data for a DX21, Crikey! |
So You Want To Buy A Cassette MultitrackerFeature | Topic: Buyer's Guide | Electronics & Music Maker, Mar 1986Cassette Multitracking GuideA complete idiot's guide to buying a four-track cassette recorder, with hints on what features to look for, and a rundown of some of the most popular machines. |
Inside the Synclavier - Part 3Feature Series Audio | Topic: Digital Audio Workstations | Sound On Sound, Aug 1989PART 3: What is it like to sit down at the Synclavier - the world's most expensive instrument - and create a piece of music? David Mellor finds out and tells the whole story. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Sep 1993 |