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Turbosound TPC-1151 Phase CheckerReview | Home & Studio Recording, Sep 1986Ben Duncan explains this most useful gadget. |
Boss RPS-10 Pitch Shifter/DelayGroup: Recording WorldStudio TestJim Betteridge finds himself in harmony with the latest addition to the Microrack range |
The Electronic Keyboard - Part 1Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Mar 1983Part 1 looks at early keyboard instruments |
Synclavier ProgrammerFeature | Sound On Sound, Mar 1986Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about. |
Shape Of Things To ComeNews | Sound On Sound, Jan 1991Our regular round-up of whats new in the world of hi-tech music and recording. |
Take ControlReview | Music Technology, Nov 1989Music PublisherAimed at the professional scorewriter, this scorewriting program for the Atari ST goes a long way towards making complex scores easy to handle. Ian Waugh goes public. |
Hybrid Arts ADAP SoundrackReview | Music Technology, Oct 1987The eagerly-awaited 16-bit digital stereo audio processing system for the Atari ST has arrived. Scott Gershin checks it out and acquires a new outlook on sound sampling. |
Video 8: Not Just A Pretty PictureFeature | Topic: Tape, Vinyl, CD, DAT, Video / Film / Picture | Sound On Sound, Jan 1986The revolutionary Video 8 format has resulted in a new generation of domestic video recorders that offer high quality pictures and up to 6 tracks and 18 hours of stereo digital sound. Francis Rumsey explains how. |
HireFeature | International Musician & Recording World, Nov 1975Where To Hire The Things You Cant Afford To BuyWhere to hire the things too expensive to buy. |
Once More Unto the RackReview | Home & Studio Recording, Jul 1986Boss RPQ10 Parametric EQAnother versatile addition to the ever growing Boss Micro-Rack series. |
RusslingsOpinion | Topic: Sampling | Sound On Sound, May 1992Samplers generate their own specialised jargon — so here's a quick guide to help guide you through some commonly used terms. |
Using Backing TracksFeature | Topic: Live, Performing | Sound On Stage, Dec 1996Pros & Cons of Backing Tape Formats |
Industry ProfileFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Jan 1983Sequential Circuits |
Vox PopuliReview | Electronic Soundmaker & Computer Music, Sep 1985Microvox Mimic Digital Sound EditorHigh-spec sampler for the CBM 64 |
C-Lab Human TouchReview | Sound On Sound, Nov 1989Dave Lockwood reviews this aptly named add-on audio triggering unit for C-Lab's highly popular Creator/Notator sequencing system. |
Hands On: Roland S750Feature | Topic: Sampling | Sound On Sound, Sep 1992David Mellor throws away the Roland S750 manual and gets down to some practical advice for novice users. |
Premier 'Prolock' HardwareReview | In Tune, May 1986 |
Fast ForwardNews | The Mix, Oct 1994No hype, no waffle - just tomorrow's products todayTomorrow’s hot products previewed |
The Excitement Mounts (in a 19" Rack Box)Review | Home & Studio Recording, Jan 1986Aphex Aural Exciter Type CAdventure on the high Cs. |
Monitorium - Part 1Feature Series | Topic: Live | One Two Testing, Aug 1985first part in a guide to successful monitoring of your on-stage sound |