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Too Good To Be True?Review | Electronic Soundmaker & Computer Music, Apr 1985MirageAn exclusive review of the Mirage Sampling Synth — A price breakthrough? |
Too Good To Be True?Review | Sound On Sound, Mar 1992Passport AudioTraxMIDI and hard disk recording on the Mac for only £260? It sounds too good to be true, but Paul Wiffen pinches himself and finds he is awake! |
The Excitement Mounts (in a 19" Rack Box)Review | Home & Studio Recording, Jan 1986Aphex Aural Exciter Type CAdventure on the high Cs. |
B&W Rock Solid MonitorsReview | Recording Musician, Oct 1992They're stylish, they're cute, they're magnetically shielded - but how do they sound? |
Inside Views: Steinberg ResearchFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jul 1986The first in a new series that takes a behind the scenes look at companies specialising in the development of hi-tech music and recording products. This month Tony Hastings catches the night boat to Hamburg to report on MIDI software designers Steinberg Research. |
Roland MRM 500Review | Music Technology, Mar 1991Midi File ConverterRoland's MRM500 software offers unprecedented file compatibility between software sequencers and their MC-series sequencers. Vic Lennard asks if it's too good to be true. |
Stack In A Rack - Part 2Review Series | Electronics & Music Maker, Aug 1986Tanrak SystemIan Waugh concludes our appraisal of Tantek's budget modular FX system, and reveals there's plenty more to come in the near future. |
Casio MIDI GuitarReview | Micro Music, Apr/May 1989Mark Warford reluctantly hangs up his Kramer for Casios new MIDI controller-and is pleasantly surprised |
New MusicFeature | Sound International, Oct 1978BooksEddie Cochran-White dispels those post-summertime blues with some cherished memories of recent good reads. |
Peavey Max Bass AmpReview | Music UK, Aug 1983MUSIC U.K.'s U.S. correspondent, Jerry Wasley, borrows soon-come killer bass head. Today the deep South, tomorrow Barnsley |
Steinberg CubeatReview | Music Technology, May 1991Atari Sequencing SoftwareSon of Cubase: this stripped-down version of Steinberg's powerful sequencer retains many of its best functions. Nigel Lord and ST, and Cubase makes three. |
The SystemFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Jun 1985Spotlighting Poly Magoo. |
A format too far?Group: Control RoomDCC vs. MiniDiscIs either format any good? |
The Route To The TopReview | Sound On Sound, Apr 1990XRI Systems XR400 MIDI MateIs your MIDI system just an accident waiting to happen? Here's an easy way of bringing order to your present tangled mess of MIDI connections. Martin Russ checks out XRI Systems' clever XR400 MIDI Mate. |
YelloInterview | Sound On Sound, Feb 1989Paul Ireson converses with 50% of Switzerland’s most exciting export since milk chocolate - Dieter Meier of Yello. |
The Missing LinkReview | Sound On Sound, Nov 1990Fostex MTC1 Sync BoxTake Fostex's R8 tape deck, Steinberg's Cubase sequencer and an MTC1, and what have you got? Total creative freedom! Richard Aaron discovers the missing link in the recording chain. |
The InnovatorReview | Electronic Soundmaker & Computer Music, Mar 1985Roland JX8PRoland's JX8P poly has a number of innovatory features and sounds great. Too good to be true? |
Boss Micro Rack AdditionsGroup: Recording WorldStudio TestRPQ-10 PREAMP/EQ, RSD-10 DIGITAL SAMPLER/DELAY Two hot new additions to the home-effects range. Tony Reed reports |
Digidesign SoftSynthReview | Music Technology, Nov 1987Software for the Atari STSimultaneously making the transition from Mac to Atari ST and crossing the Atlantic, this software package gives sampling a new slant. Chris Jenkins boots it up. |
RumblingsGroup: Computer MusicianWhat happened when the International MIDI Association talked software, plus more. Newscaster - David Ellis. |
Quiet RiotReview | Recording Musician, Feb 1993Rocktron HUSH Intelligent Sound ProcessorPaul White opts for the quiet life with this effective cure for hiss — and there's even an enhancer and compressor thrown in for good measure. |
C-Lab SupertrackReview | Sound On Sound, May 1986Software for Commodore 64Mark Jenkins supercharges the studio with this latest hi-tech recording software for the inexpensive Commodore 64 micro. |
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