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Fostex X28

Review | Music Technology, Feb 1992
Cassette Multitracker

When cassette multitrackers were new they said everybody should have one - now that there are machines like the X28 around, everybody can. Nigel Lord says small is beautiful.

Front Line

Interview | Music Technology, Jun 1989

Belgian sampling innovators Front 242 have been accused of encouraging a fascist following - where does the sampling stop and the politics begin? David Bradwell brings news from the front.

Rock'n'Roll Myths

Feature | Making Music, Nov 1987

Vesta Fire MR-1 Multitrack Recorder

Group: Recording World

Review | International Musician & Recording World, Jul 1986
Studio Test

Jim Betteridge gives it a damp reception

Part of the Furniture

Review | Electronics & Music Maker, Sep 1985
Korg SQD1

Tim Goodyer goes in search of visual appeal and finds a mean-looker in the form of Korg'sfirst-ever digital sequencer. And with a built-in disk drive and big storage capacity, beauty is more than skin deep.

Roland MC500 MicroComposer

User Report | Music Technology, Feb 1987

It's been available for well under a year, but already, Roland's latest MicroComposer is establishing itself as something of an industry standard. Steve Howell gives a comprehensive user's eye view...

Tascam Porta One Ministudio

Review | Home & Studio Recording, Dec 1984

Sequence Of Events

Feature | Topic: Sequencing | Phaze 1, Jul 1989

obtaining the best from MIDI sequencers

Music & Pictures - Part 5

Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Apr 1986
Getting Started

This month film music composer Robin Lumley discloses his own route to fame and fortune in an effort to get you started on yours...

Human Engineering

Interview | One Two Testing, Aug 1984

everyone syncs Synclaviers

Home Recording

Group: PortaStudioMania

Feature | Topic: Buyer's Guide, Recording | International Musician & Recording World, Dec 1986

Sonus MasterPiece

Review | Music Technology, Nov 1987
Software for the Atari ST

The software catalogue for the Atari ST continues to grow. Ian Waugh checks out a sequencer package that may give Steinberg and Hybrid Arts serious competition.

Sound Advice

Feature | Topic: Home Studio | Home & Studio Recording, Jan 1984

Don Larking guides you through the various equipment that goes to make up a home studio.

The Wizard

Interview | Music Technology, Nov 1986

The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology.

John Jones & Duran Duran

Interview | Recording Musician, Apr 1993
Recording 'Ordinary World'

The big names have more in common with home recording than you might think — most of this album was recorded in the guitarist's lounge!

Shock Treatment

Interview | Music Technology, Jun 1987

Take three musicians who like to remain anonymous, four film-makers and a stunning live show, and you've got one of the most original - if unsung - bands in Britain today.

The Ultimate Garage Studio

Feature | Topic: Recording Studios | Sound On Sound, Aug 1986
Solo Sound

David Etheridge pays a visit to this expanding 8-track London facility which has carved out a successful niche for itself as a well-equipped modern day songwriter's studio.

MTR 12:8:2 Mixer

Group: Recording World

Review | International Musician & Recording World, Aug 1986
Studio Test

Jim Betteridge explores every nuance of the MTR mixer, but still doesn't reveal what MTR stands for

Destruction is also Creation!

Feature | Making Music, Oct 1986

The weirdest recording technique we've ever heard, honest.

Promoting The Soundtrack

Interview | Sound On Sound, May 1986

Janet Angus traces the career of this enterprising sound engineer which ranges from recording Mike Oldfield's 'Tubular Bells' and designing Virgin record stores, to his current pre-occupation with improving the quality of film soundtracks.

That Syncing Feeling - Part 2

Feature Series | Topic: Syncronisation | Micro Music, Aug/Sep 1989

Chris Smith continues his series on synchronisation

Tascam 488

Review | Sound On Sound, Mar 1991

Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio.

Behind Hollywood Beyond

Interview | Music Technology, May 1987

'What's the Colour of Money?' was one of last year's most inventive hit singles, but since then, little has been heard from Mark Rogers. Tim Goodyer talks to him as the first HB album is released.

Aces BM1082 Mixer

Review | Home & Studio Recording, Jun 1985

Studio 3D

Feature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984

We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios.

 

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