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Guy Fletcher: European ManInterview | Sound On Sound, Dec 1985Composer and studio owner Guy Fletcher had a dream: 'The European Suite' was the end result. Ted Fletcher details the work that went into its recording. |
Bill NelsonInterview | Electronics & Music Maker, Aug 1983An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage |
Bits 'n' Pieces - Part 1Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Nov 1992An Introduction to Digital AudioDigital audio explained from the ground up — bit by bit! |
Aural Hygiene - Part 1Feature Series | Topic: Restoration / Archival | Sound On Sound, Dec 1993How To Keep Noise At Bay |
Down home mixdownGroup: In SessionPower Station, NYCWe visit the world-renowned studio, and talk to owner and producer Tony Bongiovi. |
Production linesGroup: In SessionAt home with Chris HughesThe former Tears For Fears producer invites us in for a cuppa |
Digidesign Pro ToolsFeature | Sound On Sound, Jan 1992"It's Cruel To Make A Computer Work This Hard..."Digidesign, pioneers of low-cost professional digital audio tools, have broken the multitrack barrier, pushing the Macintosh to its limits to offer four to 16 tracks of (relatively) affordable hard disk recording. Paul D. Lehrman can hardly believe his eyes... |
Recording with the Soundcraft Series 200User Report | Home & Studio Recording, Jun 1984 |
Alesis HR16Review | Micro Music, Apr/May 1989Richard Fowler passes on a few hints and tips tor Alesis HR16 owners |
Dawn of a New AgeInterview | Music Technology, Dec 1986From synth pop to sequencers and back. Two-and-a-half years since they lost graced our front cover, Paul Humphreys and Andy McCluskey tell Tim Goodyer how progress is made, as album number seven hits the streets. |
Using Spreadsheets as Song PlannersFeature | Topic: Computing | Sound On Sound, Jun 1989Do you use a computer to help you make music? Then why not go the whole hog and use it to keep track of your songs? Vincent Taylor shows that there's more to computer spreadsheets than merely adding up figures. |
The ProducersGroup: Recording WorldChas de Whalley records the thoughts of David Bowie's young, gifted and black producer, Derek Bramble |
Tim Hunt - Recording EngineerInterview | Home & Studio Recording, Jan 1986Tim talks to Janet Angus about his work as engineer at Marcus Studios and gives his views on microphone technique and natural ambience. |
Cut and SpliceFeature | Topic: Tape, Vinyl, CD, DAT | Making Music, Jun 1987EditingPresenting the cut and splice of real editing — that's the business with razor blades, tape and good idea |
Assault On BatteryInterview | Home & Studio Recording, Dec 1986Pete Harris, engineer, producer and programmer talks to Paul White about working in the Zomba empire. |
Hands On: Sound ToolsFeature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Nov 1991Ever wondered what its like to use Digidesign Sound Tools? David Mellor takes the driving seat of the world's favourite hard disk recording/editing system. |
Hands On: Soundcraft Spirit Studio Mixer - Part 2Feature Series | Topic: Mixing | Sound On Sound, May 1992David Mellor concludes his guide to this low-cost high-quality console. |
Shape Of Things To ComeNews | Sound On Sound, Aug 1990Our colourful round-up of whats new in hi-tech music and recording. |
Digital Multitrack In North WalesFeature | Topic: Recording Studios | Sound On Sound, Mar 1990David Mellor takes a day trip to the University College of North Wales in Bangor to visit the first studio in Britain to take delivery of an Akai DR1200 digital multitrack recorder. |
Korg 01/W FD WorkstationReview | Music Technology, Nov 1991Music WorkstationThe problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds. |
Sequential Studio 440Review | Sound On Sound, Jul 1987Sequential's One Man BandPaul Wiffen first encountered the Studio 440 sampling drum machine several months ago when he was called in to help Stevie Wonder suss out his! It has since become the mainstay of his own programming armoury. Here he tells why... |
MXR CompanderReview | Sound International, Sep 1978Mel Lambert on the MXR Compander, including a general roundup of noise reduction techniques. |