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Audio Kinetics Pacer SynchroniserReview | Sound On Sound, Oct 1986The big boys of the synchronising world have sat back and observed the appearance of budget systems from Fostex and SMPL over the past six months. Now Audio Kinetics dip their not in considerable toe in the water with the launch of their own low-cost chase synchroniser system, the Pacer. David Mellor checks it out. |
Life is a CabaretInterview | Electronics & Music Maker, Nov 1984Away from the fickleness of the pop music world, Cabaret Voltaire have been quietly breaking the barriers of underground electronic music. Interview by Dan Goldstein. |
You pays yer money...Group: Control RoomFostex RD8Assessing the alternative ADAT |
AudioFrame Grows UpReview | Sound On Sound, Jan 1989Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame. |
What's NewNews | Home & Studio Recording, Mar 1985News of Yamaha's MT44D system amongst other products. |
Brian EnoInterview | Sound On Sound, Oct 1990Breaking The SilenceBrian Eno, is undoubtedly one of the most influential figures in electronic music, yet his creative energies have recently been directed into other people's music. Now, with the release of one solo and one collaborative album approaching, he gives a rare interview to Mark Prendergast. |
DAR Soundstation IIReview | Sound On Sound, Apr 1990Digital Audio RecorderDavid Mellor explores the higher echelons of audio technology and finds a machine which is destined to become a classic of its time: Soundstation II from Digital Audio Research. |
Keep Taking the TabloidsFeature | Topic: Marketing / Promotion | Phaze 1, Jan 1989the music papers and how to get your name into them |
Masters Of The UniverseFeature | Topic: Mastering, Tape, Vinyl, CD, DAT | Sound On Sound, Dec 1991So you wanna record an album? Anyone with a DAT recorder can make what they think is a usable master tape, but it takes a little know-how to do it properly. Mastering engineers Mike Brown and Martin Giles of CTS Studios explain what goes into preparing master tapes for tape, record and CD duplication. |
Integrating MIDI & The StudioFeature | Topic: MIDI | Sound On Sound, Sep 1988MIDI has revolutionised the way we make and record music. But it has developed at such an incredible pace that it is easy to lose sight of MIDI's many benefits. In this lengthy article, Craig Anderton provides a lucid explanation of how you can make MIDI work for you - whether you have a small home studio set-up or a full-blown professional system. |
Jen Musipack 1.0Review | Electronic Soundmaker & Computer Music, May 1984Exclusive instrument review |
In The DreamhouseInterview | Electronic Soundmaker & Computer Music, Jan 1985An ES&CM exclusive... At home with top synth pioneers Tangerine Dream, in their own recording studio - a three page special. |
The Joreth Music Composer SystemReview | Home & Studio Recording, Aug 1986If you make extensive use of MIDI keyboards, drum machines or MIDI controlled effects, this flexible package revolutionise your studio. |
Jo PartridgeInterview | Home & Studio Recording, Jun 1985Janet Angus talks to Jo about his enthralling past and his new studio where surfing is the most serious distraction. |
The First Commission - Part 1Feature Series | Topic: Composing for Business | Sound On Sound, May 1987Part 1. Regular contributor Tony Hastings recounts a personal tale of how a lucky break resulted in his first commission in the lucrative world of advertising jingles and soundtracks. |
Commercial Radio: A Missed OpportunityFeature | Sound International, Apr 1979That's the way Tony Attwood sees it. See if you agree. |
What's That Noise?Interview | Music Technology, Aug 1990Responsible for establishing artists like Yazz and Lisa Stansfield, Coldcut also have a reputation for being one of the most innovative production teams around. Tim Goodyer learns about their new LP and the future of computer graphics. |
Star QualityReview | Sound On Sound, Sep 1993Studiomaster Star System MixerIs it an analogue modular synth? No! It's a mixer with a difference. |
The Gap NarrowsShow Report | Music Technology, Jan 1987AES ReportDan Goldstein and Paul Wiffen go down and out in Beverly Hills - and drop in on America's biggest recording convention along the way. Within its walls, a quiet revolution is taking place... |
Shape Of Things To ComeNews | Sound On Sound, Aug 1991Yet another selection of recently announced new products to whet your appetite! |
At School in the StudioFeature | Topic: Education | Home & Studio Recording, Aug 1986The School of Sound Recording could be just what you need to put you on the right track and now you have an opportunity to win a free place on one of their courses. |
A Digital HitReview | Electronics & Music Maker, Mar 1986Dynacord Percuter SDigital drums the Dynacord way. Or as Nigel Lord would put it, a better-than-average electronic drum kit at a higher-than-average price. Is the Percuter worth the extra? |
How It Works - Digital Audio - Part 2Feature Series | Topic: Sound Fundamentals | Sound On Sound, Mar 1987In the second instalment of our 'How It Works' series, engineer/musician David Mellor focuses on the operational principles of digital audio systems. |