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Search results
 Tim Souster - Electronic Music ComposerInterview Audio | Electronics & Music Maker, May 1981 |
 Gating TechniquesFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Dec 1984'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications. |
LettersFeedback | Polyphony, Nov/Dec 1978 |
 Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jan 1985Stereo RecordingSpecial mic techniques employed on stereo recording are explained this month. |
 Nadine Special GuitarReview | In Tune, Feb 1986 |
 PA Column: Elton JohnFeature | Topic: Live | International Musician & Recording World, Feb 1986If you saw an awkward figure stumbling between the stacks, that was Jim Betteridge |
 Andrew Jones - Sound Engineer with SkyInterview | Home & Studio Recording, Sep 1983Sound engineer with Sky chats about his work and gives advice about recording. |
 MIDI in the MixFeature | Topic: Effects Processing, MIDI, Mixing | Music Technology, Jun 1988The scope of MIDI control has expanded beyond that of simply allowing one synthesiser to control another. Chris Meyer explains how you can now shape a whole mix using the five-pin DIN plug. |
 In Print, On TapeReview | Electronic Soundmaker & Computer Music, Jul 1985Creative Sound on the BBC BBook/software package for the BBC |
 The Secret Of My SuccessInterview | Sound On Sound, Apr 1991UK chart success may have been elusive of late but Howard Jones' continued popularity in the States has brought its rewards — an SSL-equipped 48-track home studio. Interview by Paul Tingen. |
 Studio Staff revealFeature | Topic: Recording Studios | Sound International, Jun 1979Facts on the RakDenyer gets the Rak job at last, figuring that Mickie Most really ought to know something about putting a studio together. Seems he does. |
LeaderEditorial | Home & Studio Recording, May 1985 |
 A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
 Studio TokyoFeature | Topic: Recording Studios | Sound On Sound, Dec 1986You'll be hard pushed to find a UK studio that isn't choc-a-bloc with Japanese studio equipment, but have you ever wondered what they use? David Mellor takes a slow boat that bypasses China, and visits two Tokyo studios to find out. |
 UMI-2BReview | Sound On Sound, Nov 1985A Soft TouchJay Chapman discovers why this 16 track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users. |
 Radiophonic WorkshopFeature | Topic: Recording Studios | Electronics & Music Maker, Mar 1981A Glimpse of Current Activities |
 Fast ForwardNews | The Mix, Mar 1995No hype, no waffle - just tomorrow’s products todayTomorrow's hot products previewed |
 The Role of the Sound EngineerFeature | Topic: Recording | Sound International, May 1979Steve Hall bandies about words like involvement, commitment and encouragement as he argues that the engineer should take a more active role in the everyday process of recording. |
 Fast forwardNews | The Mix, Apr 1995No hype, no waffle — just tomorrow's products todayTomorrow's hot products previewed |
MIDI Matters - Part 3Feature Series | Topic: MIDI | Sound On Sound, Oct 1987Jay Chapman continues his 'back to basics' description of MIDI with a light-hearted pot-pourri of handy hints and tips. |
 As Seen On TVFeature | Topic: Video / Film / Picture | International Musician & Recording World, Jun 1986Want to get on in the music biz? Then you'll have to get on TV. Mike Hrano shows you how |
 The Institute of Communications ArtsFeature | Topic: Education | Electronics & Music Maker, Oct 1983Vancouver CanadaA took at one of Canada's foremost educational studios |
 Mixing with the BestReview | Home & Studio Recording, Nov 1986Soundcraft 200SR MixerA first rate general purpose live or recording desk that doesn't cost the earth. |
 Synclavier II - Part 2Review Series | Electronics & Music Maker, Jun 1983A Real-time Performance System |
 Amiga NotesFeature | Topic: Computing | Sound On Sound, Sep 1993 |
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