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Cheap! but not so nastyReview | Electronics & Music Maker, Sep 1985Casio SZ1Another sequencer first, this time for Casio, seeking to extend their grip over the budget end of the pro synth market. Simon Trask reckons the foray has been worthwhile. |
Hands On: Soundcraft Spirit Studio Mixer - Part 1Feature Series | Topic: Mixing | Sound On Sound, Apr 1992A large mixing console can have literally thousands of knobs and switches. David Mellor explains how to use every last one of them - almost! Part 1 of 2. |
Choosing and Using: PortastudiosFeature | Topic: Buyer's Guide, Recording | Phaze 1, Aug 1989portastudios - get side tracked with a four-track |
Better than the reel thingGroup: Control RoomFostex XR-5 & XR-7Stylish personal multitrackers |
How It Works: Multitrack - Part 8Feature Series | Topic: Recording | Sound On Sound, Mar 1988From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it. |
The Tascam Way - Part 2Review Series | Sound International, Jun 1978ConclusionThe Teac 80-8 tape machine, Tascam Model 5 mixer and dbx DX-8 noise-reduction unit: last month we examined them individually, this month we look at them in combination. |
Independence Day - Part 1Feature Series | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker & Computer Music, Jun 1985Indie RecordsFirst part on how to go about releasing your own electronic record. A D.I.Y. guide. |
Black To The FutureReview | Home & Studio Recording, Nov 1986Fostex 160 MultitrackerWhat can I say... it's black, it lights up... they've done it again — another winner. |
Heaven SpentInterview | Making Music, Jun 1986Martyn Ware talks about money and the musician. Make £50,000 without playing a note. |
Fostex B16 Tape RecorderReview | Home & Studio Recording, Jan 1984 |
3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
The Home Electro-MusicianFeature Audio | Topic: Home Studio | Electronics & Music Maker, Nov 1981A new column introducing musicians with their own home studios. |
Mr Bass ManInterview | Micro Music, Aug/Sep 1989Vie Marshall talks to record producer Simon Harris, but will he show her his Yo-Yo? |
Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Mar 1975 |
Johnny Hates JazzInterview | Music Technology, Apr 1988Johnny Hates Jazz are in the privileged position of being allowed to produce their own debut album. David Bradwell talks to the band about their unusual situation, their techniques and their philosophies. |
Fostex 454 MixerReview | Sound On Sound, Aug 1990Fostex’s new 454 mixer is aimed fairly and squarely at the recording user, with features that make it an ideal companion to most 4 or 8-track recorders. Paul Ireson explains why. |
Fostex A8 Tape Recorder and 350 MixerUser Report | Home & Studio Recording, Nov 1983User ReportFostex A8 eight track and 350 mixer. |
Basing Street StudiosFeature | Topic: Recording Studios | International Musician & Recording World, Sep 1975A close up on the stationary and mobile aspects of recording |
Guide to Electronic Music TechniquesFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, May 1981 |
Alesis MMT-8 MIDI RecorderReview | Sound On Sound, Jan 1988In an age when most MIDI sequencers seem to come on floppy disk, Alesis hits the market with their new hardware sequencer, the MMT-8. It doesn't boast a video monitor or multi-mega tracks, so can it compete with the omnipresent beige box? David Mellor yearns to learn. |
Feed The TapeFeature | Topic: Classic Tracks | One Two Testing, Feb 1985Band Aidhow they made music for Ethiopia |
Passport MIDI/4 SoftwareGroup: Computer MusicianSoftware and InterfaceDavid Ellis casts a critical eye over Passport Designs' first foray into the wonderful world of MIDI. |