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Fostex X28

Review | Sound On Sound, Dec 1991
Cassette Multitracker

Policemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28.

Leader

Editorial | Home & Studio Recording, Mar 1985

The Tascam Way - Part 1

Review Series | Sound International, May 1978

The Teac 80-8 tape machine, Tascam Model 5 mixer, and dbx DX-8 noise-reduction unit.

Thompson Vocal Eliminator VE-1

Review | One Two Testing, Jan 1984

One of a kind. Definitely.

School's In

Feature | Topic: Education | Sound On Sound, Aug 1992
Manchester School Of Sound Recording

A course in recording provides a way of breaking out of the classic Catch 22 — you can't get studio work without experience, and can't get experience without work. Tim Hurrell reports on the Manchester School Of Sound Recording and what their 1-year course has to offer.

Modular Synthesis - Part 11

Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Nov 1984
Click-tracks Continued

More on click-tracks and how to use them, by E&MM's resident literary module, Steve Howell.

Domestic DAT

Review | Sound On Sound, Jul 1989
Sony DTC M100

David Mellor compares the new Sony DTC M100 Digital Audio Tape recorder with the studio industry standard - the Sony DTC 1000ES.

Vestax MR44 Cassette Multitrack

Review | Recording Musician, Oct 1992

A no-nonsense, rack-mount multitracker with an attractive price tag.

News

News | Music UK, Aug 1982

Half price Teac plus all the latest products

Notes on the Recording of Synergy's "Cords"

Feature | Topic: Composing / Art, Recording | Polyphony, Sep/Oct 1978

MIDI Basics

Feature | Topic: MIDI | Sound On Sound, Nov 1992
First Steps In Multi-timbrality

Korg SoundLink

Review | Music Technology, Mar 1992
Digital Audio Workstation

From the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future.

Fostex E16 Multitrack Recorder

Review | Sound On Sound, May 1988

Many people own one and even more would like to, for the E16 is the 16-track tape machine to aspire to. Gareth Stuart finds out why.

Home Recording With Digital - Part 2

Feature Series | Topic: Digital Audio, Recording | Home & Studio Recording, Jan 1984
Overdubbing With The Sony PCM F1

Keeping up with the Joneses

Interview | Home & Studio Recording, Oct 1986

Simon Croft interviews the versatile Gerry Kitchingham whose track record includes work with A-Ha.

Front of House

Editorial | The Mix, May 1995
Welcome to The Mix

Studio Of The Month

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Aug 1985
Sarm West

Report by Curtis Schwartz.

Head To Head

Review | Recording Musician, Aug 1992
Fostex R8 & Tascam TSR8 Recorders

Paul White checks out Tascam's TSR8 and Fostex's R8 open reel, 8-track machines side by side.

Making Tracks

Review | Home & Studio Recording, Dec 1986
Tascam Porta Two

This month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket.

Welcome

Editorial | Sound On Sound, Jun 1988

Tape Rap

Feature | Topic: Tape, Vinyl, CD, DAT | Phaze 1, Jun 1989

the subtle differences explained

Jean-Michel Jarre's Magnetic Fields II

Feature | Electronics & Music Maker, Jul 1982
An Electro-Music Transcription by Mike Beecher

A fully-detailed transcript of Magnetic Fields Part II including instructions on how to perform the piece.

From Beat Dis Boy To Mega-Blast Man

Interview | Phaze 1, Nov 1988

tim simenon turns the tables

Stranger than fiction

Group: In Session

Interview Audio | The Mix, Aug 1994

At the controls with one of Britain’s freshest guitar bands

Spotlight

Feature | Topic: Home Studio | Sound On Sound, Apr 1987
Reader Profile

Having written to us suggesting we extend our magazine coverage to include readers' own set-ups and experiences, Bruce Graham suddenly found himself the subject of such a feature. Read on and find out why...

 

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