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Apple Notes

Feature | Topic: Computing | Sound On Sound, Nov 1992

FrontLines

News | Phaze 1, Aug 1989
People, Gear, Events, Gossip

happening people, gear, gossip, events

Fast Forward

News | The Mix, Jan 1995
No hype, no waffle — just tomorrow's products today

Tomorrow’s hot products previewed

News

News | International Musician & Recording World, Jul 1985

Up to the minute and down to the nitty gritty

Hamer Phantom Guitar

Review | International Musician & Recording World, Dec 1985
Guitarcheck

A dream come true? Dave Burrluck pinches himself

Frontal Lobe & PCM Channel

Review | Music Technology, Apr 1991
Korg M1 Enhancement

Much talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?"

Frankfurt: Keyboards And Keyboard Samplers

Show Report | International Musician & Recording World, Apr 1986

He came, he saw, he sent in his copy. His name was Jim Betteridge

Jellinghaus Music Systems

Group: Computer Musician

Review | Electronics & Music Maker, Jul 1984
MIDI Computer Interface and Software

German company Jellinghaus have been producing some interesting-looking MIDI software for some while. Now Rosetti are bringing it into the UK, and David Ellis has managed to get his hands on a few review samples.

Making Studios Pay

Feature | Topic: Music Business, Recording Studios | Sound International, Dec 1978

Not, as you might have thought, a guide on how to run a protection racket (Sorry, Squire, I scratched the Westlake), but how to make them cost-effective.

Atari 520ST

Group: Computer Musician

Review | Electronics & Music Maker, Jul 1985
16-bit Home Computer

Not just another home computer; more like the future of the entire domestic micro industry, not to mention the MIDI software one. Simon Trask has the details.

Installation News

Group: Access All Areas

News | Sound On Stage, Dec 1996

Emotional Foundations

Interview | Music Technology, Mar 1989

The originator of acid house claims the secrets of good music are feel and emotion rather than a Roland Bassline and an Akai sampler. Simon Trask gets in the mood.

Welcome

Editorial | Sound On Sound, Oct 1990
Into The Hot Seat

Shape Of Things To Come

News | Sound On Sound, Nov 1991

Yet another selection of recently announced new products to whet your appetite!

LEMI Future Shock and AMP 83

Group: Computer Musician

Review | Electronics & Music Maker, Jan 1985
MIDI Hardware and Software for Apple II Micro

Last month we looked at six software packages, but not one of them was written for the Apple and its lookalikes. LEMI's MIDI system is one that is, as David Ellis discovers.

CXtensions

Review | Electronics & Music Maker, Dec 1985
Yamaha CX5M Software

Three packages for the CX5M — eight-track real-time sequencer, DX21 voice editor and RX editor — are put through their paces by E&MM’s review team.

Overtones

Feature | Topic: Music Business | One Two Testing, Oct 1985

whither EMI in the 1960s

Which Synth?

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Sep 1983

A comprehensive guide to features and capabilities

Frankfurt Facts - Part 2

Show Report Series | In Tune, Jun 1986

Guitars, Amps + major keyboards survey.

Fast Forward

News | The Mix, Jul 1994
No hype, no waffle - just tomorrow's products today

Tomorrow's technology today

The Shape of Things to Come

News | Sound On Sound, May 1987

Our regular monthly exploration of upcoming new products.

Roland MT32

Review | Music Technology, Oct 1987
Multitimbral Synth Expander

The latest box out of the Roland stable to incorporate the D50's L/A synthesis. Simon Trask examines how a multitimbral expander designed with the home organ market in mind will find its way into pro studios.

ES&CM Directory

Feature | Topic: Buyer's Guide | Electronic Soundmaker & Computer Music, Dec 1984

An at-a-glance guide to MIDI and MOPS (Music-orientated Peripherals.)

Stacy

Review | Micro Music, Mar 1990

Paul Overaa sees what the new Atari laptop, The Stacy, has to offer

Behringer Studio Processors

Review | Sound On Sound, Jul 1990

There's not a MIDI socket in sight on this range of German studio units. They are simply good solid audio processors. Dave Lockwood checks them out.

 

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