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Third Generation CMF AmplifiersReview | Home & Studio Recording, Dec 1984 |
Tokyo Music & Sound ExpoShow Report | Sound On Sound, Nov 1989The Tokyo Expo is normally a fairly low-key domestic affair, but this year several major new products were unveiled for the first time ever. Our man in Japan, Paul Wiffen, was there to report on some of the hi-tech instruments that will be vying for your money in the coming year; including Yamaha's new mega-synth, the SY77 |
Tron Digidrum 3Review | In Tune, Jul 1986 |
Digidesign Session 8 Digital StudioReview | Sound On Sound, Jul 1993The Personal Studio Of The Future?Your PC becomes your best friend in the studio with this eagerly awaited digital system. |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Musical Masterpiece?Review | Sound On Sound, Dec 1993Korg Audio Gallery Music System For Apple Mac And Windows |
The 1986 Synthesizer Tape ContestGroup: Roland Newslink - Autumn 1986Your chance to win an Alpha Juno or TR505 |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Transatlantic Trends - SagaInterview | Electronics & Music Maker, May 1986...while Annabel Scott listens to words of wisdom from a Transatlantic keyboardist of a very different kind - Saga's Jim Gilmour. |
At Home in the StudioInterview | Recording Musician, Jul 1992An exclusive look inside Genesis' private studio retreat deep in the heart of Surrey. |
Mixing ItShow Report | Music Technology, Sep 1987Studio or stage? As technology advances, the traditional distinction between "recording technology" and "keyboard technology" becomes more and more confused - as this years recording show displayed. Report by Simon Trask. |
Wind SynthesizersReview | Sound On Sound, Dec 1987Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside. |
The ProducersGroup: Recording WorldChas de Whalley encounters his old pal Huey Lewis to discuss the merits of self-production |
That Syncing Feeling - Part 4Feature Series | Topic: Syncronisation | Micro Music, Feb 1990Chris Smith continues his series on synchronisation |
Return of the WarriorInterview | Electronics & Music Maker, Jul 1984One of the seventies' most original instrumental bands, Jade Warrior almost ceased to exist four years ago. Now a new album and some rare live appearances look like reestablishing them for good. Interview by Dan Goldstein. |
ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Oct 1985The price guide to end all price guides. This time, we return to drum machines and electronic drum kits, and find a lot has changed in three months. |
i-TechReview | Sound On Sound, Nov 1993Korg i3 Interactive Music WorkstationWhen is a home keyboard not a home keyboard? When it's Korg's new interactive music workstation. |
ToolboxNews Audio | The Mix, Jan 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Musical MicroFeature | Topic: Computing | International Musician & Recording World, Apr 1985ADD-ON KEYBOARDSTony Mills weighs up the pros and cons of augmenting your home micro with an add-on keyboard |
Hammond XB2Review | Music Technology, Aug 1991Organ SynthesiserUntil now the only way to get a real Hammond sound was with a real Hammond - it's still the case, but now you can go solid-state. Malcolm Harrison and Tim Goodyer investigate the alternative to wheels and valves. |
Calculated Risk?Review | Electronic Soundmaker & Computer Music, Nov 1984MusiCalc Software. The best software yet for the Commodore 64? |