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Going SoloInterview | Sound On Sound, Sep 1989Until their recent split, Robert John Godfrey was the keyboard maestro behind The Enid, whose massive underground following throughout Europe made them arguably the biggest cult band outside of the States. Frank Ellis met him to talk about his new residential studio, a solo career, and a new approach to recording. |
ReviewGroup: Playback - Spring 86 |
Shape Of Things To ComeNews | Sound On Sound, May 1991Yet another selection of recently announced new products to whet your appetite! |
PPG Wave 2.3 and WavetermReview | Electronics & Music Maker, May 1984A special report on the latest versions of these successful German instruments. Review by David Ellis. |
Elvis Lives!Feature | Phaze 1, May 1989RETROSPECT: elvis costelloan appreciation of one of the decade’s great songwriting talents; could you match them? |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Transatlantic Trends - SagaInterview | Electronics & Music Maker, May 1986...while Annabel Scott listens to words of wisdom from a Transatlantic keyboardist of a very different kind - Saga's Jim Gilmour. |
At Home in the StudioInterview | Recording Musician, Jul 1992An exclusive look inside Genesis' private studio retreat deep in the heart of Surrey. |
Mixing ItShow Report | Music Technology, Sep 1987Studio or stage? As technology advances, the traditional distinction between "recording technology" and "keyboard technology" becomes more and more confused - as this years recording show displayed. Report by Simon Trask. |
Wind SynthesizersReview | Sound On Sound, Dec 1987Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside. |
Turning JapaneseInterview | Electronic Soundmaker & Computer Music, Sep 1985Ex-Tangs member reveals why he’s going Japanese |
Third Generation CMF AmplifiersReview | Home & Studio Recording, Dec 1984 |
Tokyo Music & Sound ExpoShow Report | Sound On Sound, Nov 1989The Tokyo Expo is normally a fairly low-key domestic affair, but this year several major new products were unveiled for the first time ever. Our man in Japan, Paul Wiffen, was there to report on some of the hi-tech instruments that will be vying for your money in the coming year; including Yamaha's new mega-synth, the SY77 |
Tron Digidrum 3Review | In Tune, Jul 1986 |
Digidesign Session 8 Digital StudioReview | Sound On Sound, Jul 1993The Personal Studio Of The Future?Your PC becomes your best friend in the studio with this eagerly awaited digital system. |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Musical Masterpiece?Review | Sound On Sound, Dec 1993Korg Audio Gallery Music System For Apple Mac And Windows |
The 1986 Synthesizer Tape ContestGroup: Roland Newslink - Autumn 1986Your chance to win an Alpha Juno or TR505 |
Hammond XB2Review | Music Technology, Aug 1991Organ SynthesiserUntil now the only way to get a real Hammond sound was with a real Hammond - it's still the case, but now you can go solid-state. Malcolm Harrison and Tim Goodyer investigate the alternative to wheels and valves. |
Calculated Risk?Review | Electronic Soundmaker & Computer Music, Nov 1984MusiCalc Software. The best software yet for the Commodore 64? |
The ProducersGroup: Recording WorldChas de Whalley encounters his old pal Huey Lewis to discuss the merits of self-production |