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Search results
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 Perfect PartnersReview | Sound On Sound, Nov 1990Akai S1000KB Sampler with DAC R4000 Syquest DriveThe S1000 has been with us for almost two years now, and the removable Syquest drive has become the most popular way of accessing a large library for it. But suppose you put them both in the same box with a weighted keyboard? Paul Wiffen discovers to his joy that someone has! |
 Behind VisageInterview | Electronics & Music Maker, Aug 1984An interview with Rusty EganDan Goldstein tracks down another drummer-turned-musical technofreak, Rusty Egan, and finds out about the past, present, and the future of the electro-dance band he helped found, Visage. |
 Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Nov 1994Interacting with the futureA guide to Interactivity |
 Mixing by numbersGroup: Control RoomSteinberg MusicStationEntry-level music software |
 Fender StarcasterReview | Sound International, Jul 1978Looks like Fender without Leo is a bit like the Four Seasons without Frankie Vivaldi (anagram - 14 letters). |
 Sequential MAXReview | Electronics & Music Maker, Jan 1985Preset PolysynthThey call it a computer peripheral and MIDI expander, you'll probably think of it as a preset version of the SixTrak. Exclusive review of SCI's new baby by Dan Goldstein. |
 A Gallery of Misfits - Part 1Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Sep 1985David Ellis begins a two-part excursion into the E&MM archives to discover a myriad of bizarre musical instruments that somehow never quite made the big time. How many of them can you remember? |
 ZlatnaFeature | Electronics & Music Maker, Apr 1986A Music Technology PhenomenonAn exclusive report on the Eastern Bloc consortium that's preparing to do battle with the best the West can offer. Last year's Anticipation Sampler was brilliant, but the 1986 machines are better still. |
 APRS PreviewShow Report | The Mix, Jun 1995 |
 From Britain With Love: GearFeature | International Musician & Recording World, Jul 1985While Paul Bacon looks at the UK companies that have received worldwide acclaim |
 Ramsa WS-A10E-K Speaker SystemReview | Home & Studio Recording, Jul 1986Yet more speakers. Here we examine some micro monitors from Ramsa. |
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 Live And DirectInterview | Music Technology, Mar 1990By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music. |
 Korg SoundLinkReview | Music Technology, Mar 1992Digital Audio WorkstationFrom the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future. |
 Fair AffairsShow Report | Music Technology, Sep 1987Britain's biggest, busiest and noisiest music fair is over for another year. So what did we get for our money and our aching feet? Report by Simon Trask. |
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 Jen Musipack 1.0Review | Electronic Soundmaker & Computer Music, May 1984Exclusive instrument review |
 Lead LinesNews | Electronic Soundmaker & Computer Music, Oct 1984BMF roundup, news, chart, and studio tape listing |
 Dealer NewsNews | Topic: Retail | International Musician & Recording World, Jun 1975 |
 The Affordable World of Computer MusicFeature | Topic: Computing | International Musician & Recording World, Feb 1986The Musical MicroMore packages picked apart by Tony Mills |
 That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
 Ensoniq MirageReview | In Tune, Jul/Aug 1985 |
 Music Maker Equipment SceneNews | Electronics & Music Maker, Aug 1983New Casios, Sharp Music Processor, Bel DDL |
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