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Music Maker Equipment SceneNews | Electronics & Music Maker, Feb 1983New Casio keyboards, video and instruments |
Music NewsNews | International Musician & Recording World, Dec 1975 |
The Shape ShifterReview | Sound On Sound, Jan 1991Digidesign MacProteus And InVision ProtoLogicKendall Wrightson looks at two new Proteus-related products — the ProtoLogic Sound Memory Expansion Unit from InVision, and Digidesign's MacProteus NuBus card for the Apple Macintosh II. |
Shape Of Things To ComeNews | Sound On Sound, Sep 1991Yet another selection of recently announced new products to whet your appetite! |
Roland P-55Group: Quality Controlpiano moduleA piano for every occasion - and a few more besides |
Roland TR909 and MSQ-700Review | Electronics & Music Maker, Apr 1984Rhythm Composer and Digital Keyboard RecorderA matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg. |
For the RecordShow Report | Electronics & Music Maker, Aug 1985By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show. |
Killer KurzweilReview | Sound On Sound, Mar 1992Kurzweil K2000Kurzweil's new keyboard offers genuine innovation: versatile synthesis, an unparalleled user interface, and up to 64MB of user sampling are only the start of what sets the K2000 apart from other sample-based instruments. Craig Anderton explains why it will turn the head of even the most jaded technophile. |
DIY MusicGroup: On The RecordAll You Need To Know About Making Your Own RecordsSome musicians and bands decide to take their future success into their own hands, by putting money into producing their own records. Tony Batchelor and Sue Silutoe take the mystery out of making your own CD, vinyl or cassette release, from initial Session Tape to final product. |
Roland E660Review | Music Technology, Oct 1988Digital Parametric EqualiserThe advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser. |
System PowerFeature | Sound On Sound, Dec 1985In conjunction with the Chase Bit 01 Expander, Casio CZ-101 synthesizer and Akai Sampler, the Jellinghaus 12-Track MIDI Studio software for the Commodore 64 micro represents the most powerful compositional and recording set-up available under £2500. Mark Jenkins catches his breath and tells you why. |
KPM - A Recorded Music LibraryFeature | Sound On Sound, Apr 1986What is Library Music? What does a Music Library do? Freelance engineer Richard Elen answers these questions and more as he takes a look inside one of the world's premier recorded music libraries. |
Korg DS8 Digital SynthesizerReview | Sound On Sound, Mar 1987Korg's very latest keyboard is non other than a touch-sensitive, sub-£1000, 8-voice FM synthesizer! Mark Jenkins managed to catch a sneak preview. |
Music Technology IntroductionFeature | Topic: Advertisement Feature | Electronics & Music Maker, Oct 1986A full run-down on what's happening to E&MM next month, how it'll look, and why we're doing it. |
Yamaha QY10Review | Music Technology, May 1991Music SequencerThe phrase "size isn't everything" could have been written for this pocket-sized sequencer and synth expander. Simon Trask predicts big things. |
Passport Master Tracks ProReview | Sound On Sound, Oct 1987A MIDI Control Program for the MacintoshPassport were one of the first US companies to offer music software for any computer. Richard Elen wades through the extensive features offered by their first music software release for the Apple Macintosh - a MIDI control program called Master Tracks Pro. |
MIDI At FrankfurtGroup: Roland Newslink |
Fostex E16 Multitrack RecorderReview | Sound On Sound, May 1988Many people own one and even more would like to, for the E16 is the 16-track tape machine to aspire to. Gareth Stuart finds out why. |
Dr.T's Software PageFeature | Topic: Computing, Sequencing | Sound On Sound, Jul 1988In response to reader demand, this month we introduce a regular page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves. |