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Super JXReview | Sound On Sound, Jun 1986For some time now Roland's synthesizer range has been lacking a flagship model worthy of the Jupiter 8's reputation. Mark Jenkins believes they finally have one in the form of their very latest 12-voice JX-10 Super JX polysynth. Read why... |
Polysynth ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Jun 1986The lowdown on current polysynths, voice expanders and controller keyboards in this month's instalment of our unique buyer's guide. |
FM Theory & ApplicationsReview | Sound On Sound, Jun 1987By Musicians for MusiciansThe long-awaited book from John Chowning and Dave Bristow comes under close scrutiny; Martin Russ dons his white wig... |
Drummers' DelightInterview | Music Technology, Nov 1987A little-known American drummer who played on such classic recordings as 'Rappers' Delight' and 'The Message' talks to Dan Goldstein about "stretching" technology. |
African Music - Part 2Feature Series | Topic: Home Studio | Sound On Sound, Nov 1987Sound On Sound reader Kofi Busia continues his tale of how he came to grips with MIDI, discovered the joys of music software and produced his own LP of African music. |
LeaderEditorial | Recording Musician, Mar 1993 |
Elka SynthexReview | Electronics & Music Maker, Dec 1982 |
Hybrid Arts ADAP1 SoundrackReview | Sound On Sound, Feb 1989Why buy a sampler when you already have one? If you own an Atari ST then you possess one of the major components of any sampling instrument - the memory. With the ADAP1 Soundrack software and processing units your ST can be transformed into a MIDI sampler and powerful post-production tool. David Mellor reports. |
Mister MIDIInterview | Sound On Sound, Apr 1989Howard Jones was the first keyboard player to successfully exploit the new technology to the full by regularly performing solo concerts with nothing but MIDI instruments as his backing band. In this rare interview, Brian Jacobs talks to Howard about his music, recording, his decision to produce most of his new album himself, and his growing admiration for an instrument he once said he would never use. |
BuzzNews | International Musician & Recording World, Feb 1986The monthly miscellany gets stuck into the trivia |
The MC-202 MicroComposerReview | Electronics & Music Maker, May 1983MicroComposing with RolandThe new MC-202 MicroComposer examined in depth |
Sound ReadingReview | Home & Studio Recording, Jan 1985A round-up of the best recording-related books on the market. |
Tannoy Little RedsReview | Home & Studio Recording, Mar 1985 |
Perfect PartnersReview | Sound On Sound, Nov 1990Akai S1000KB Sampler with DAC R4000 Syquest DriveThe S1000 has been with us for almost two years now, and the removable Syquest drive has become the most popular way of accessing a large library for it. But suppose you put them both in the same box with a weighted keyboard? Paul Wiffen discovers to his joy that someone has! |
Behind VisageInterview | Electronics & Music Maker, Aug 1984An interview with Rusty EganDan Goldstein tracks down another drummer-turned-musical technofreak, Rusty Egan, and finds out about the past, present, and the future of the electro-dance band he helped found, Visage. |
Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Nov 1994Interacting with the futureA guide to Interactivity |
Mixing by numbersGroup: Control RoomSteinberg MusicStationEntry-level music software |
Fender StarcasterReview | Sound International, Jul 1978Looks like Fender without Leo is a bit like the Four Seasons without Frankie Vivaldi (anagram - 14 letters). |
Sequential MAXReview | Electronics & Music Maker, Jan 1985Preset PolysynthThey call it a computer peripheral and MIDI expander, you'll probably think of it as a preset version of the SixTrak. Exclusive review of SCI's new baby by Dan Goldstein. |
A Gallery of Misfits - Part 1Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Sep 1985David Ellis begins a two-part excursion into the E&MM archives to discover a myriad of bizarre musical instruments that somehow never quite made the big time. How many of them can you remember? |
ZlatnaFeature | Electronics & Music Maker, Apr 1986A Music Technology PhenomenonAn exclusive report on the Eastern Bloc consortium that's preparing to do battle with the best the West can offer. Last year's Anticipation Sampler was brilliant, but the 1986 machines are better still. |
APRS PreviewShow Report | The Mix, Jun 1995 |