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Roland TR909 and MSQ-700

Review | Electronics & Music Maker, Apr 1984
Rhythm Composer and Digital Keyboard Recorder

A matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg.

Comment

Editorial | Electronics & Music Maker, Aug 1984
A Concerted Effort

News

News | Sound International, Dec 1978
Etcetera

For the Record

Show Report | Electronics & Music Maker, Aug 1985

By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show.

Killer Kurzweil

Review | Sound On Sound, Mar 1992
Kurzweil K2000

Kurzweil's new keyboard offers genuine innovation: versatile synthesis, an unparalleled user interface, and up to 64MB of user sampling are only the start of what sets the K2000 apart from other sample-based instruments. Craig Anderton explains why it will turn the head of even the most jaded technophile.

Open & Shut Case?

Review | Sound On Sound, Jun 1993
Commander C80 MIDI Master Keyboard

One Step Beyond

Review | Sound On Sound, Oct 1993
Roland SDE330 Dimensional Delay

DIY Music

Group: On The Record

Feature | Topic: Mastering, Music Business, Tape, Vinyl, CD, DAT | Sound On Sound, Nov 1993
All You Need To Know About Making Your Own Records

Some musicians and bands decide to take their future success into their own hands, by putting money into producing their own records. Tony Batchelor and Sue Silutoe take the mystery out of making your own CD, vinyl or cassette release, from initial Session Tape to final product.

The Rhythm Section

Interview | Sound International, Jan 1979

Tony Bacon longs to talk to some Rich Kids' ghost, but ends up with the decidedly solid Rusty Egan and Glen Matlock.

Warner

Group: The Front End

News | Making Music, Nov 1987

Shredder

News | One Two Testing, Mar 1986

If no news is good news this is baaad

Roland U110 PCM Sound Module

Review | Music Technology, Jan 1989

What is 1¾" high, has 31 voices, plays the piano, vibraphone and sax, and has its own library? Simon Trask checks out Roland's latest PCM sample module.

Front Line

Interview | Music Technology, Jun 1989

Belgian sampling innovators Front 242 have been accused of encouraging a fascist following - where does the sampling stop and the politics begin? David Bradwell brings news from the front.

Kawai K3 Synth System

Review | Music Technology, Dec 1986
Digital Wave Memory Synthesiser

Rick Davies gets to grips with a polyphonic synthesiser that allows users to create their own waveforms, a process made easier by Hybrid Arts' voice editing software.

ART Multiverb III

Review | Music Technology, Aug 1990
ART Multi-fx Processor

As even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor.

Doctor! Doctor!

Feature | Sound On Sound, Mar 1986
Software for Commodore 64

Dr.T's MIDI Sequencer software for the Commodore 64 has been much applauded in the USA for its versatile real-time and steptime operation. Now that it's available on prescription in the UK, we asked software surgeon Ian Waugh for his diagnosis...

Drum Machine Survey

Feature | Topic: Buyer's Guide | Sound On Sound, Mar 1987

A subjective and selective round-up of drum machines, old and new, by Mark Jenkins.

Yamaha MR10 'Finger Pad' Drum Machine

Review | Electronics & Music Maker, Mar 1984

Linn 9000

Review | Electronics & Music Maker, Apr 1985
Digital Drum Machine and Keyboard Recorder

The people who introduced the world to the concept of digital drums have now applied their expertise to MIDI keyboard recording. Paul Wiffen gives his verdict.

The Time Machine

Retrospective (Gear) | Topic: Vintage Instruments | Electronics & Music Maker, Aug 1986

You may remember the Minimoog and the ARP Odyssey, but when was the first time you saw an EMS VCS3? Annabel Scott travels back to the days of VCAs, VCFs and non-programmability.

A Fair Showing

Show Report | Music Technology, Sep 1988
BMF Report

This year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley.

AKG LSM50 Micro Monitors.

Review | Home & Studio Recording, Nov 1983

Revox C278

Review | Recording Musician, Sep 1992
8-Track Tape Recorder

Since its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills.

Improve Your Memory

Review | Sound On Sound, Jan 1990
PLI Infinity Turbo Drive

Removable hard disks represent a cost-effective solution to data backup and storage problems for sampler owners. Kendall Wrightson takes a look at the PLI Infinity Turbo Drive in use with the Akai S1000.

News

News | Micro Music, Aug/Sep 1989

What's new in the world of the Micro Musician

 

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