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Roland TR909 and MSQ-700Review | Electronics & Music Maker, Apr 1984Rhythm Composer and Digital Keyboard RecorderA matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg. |
For the RecordShow Report | Electronics & Music Maker, Aug 1985By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show. |
Killer KurzweilReview | Sound On Sound, Mar 1992Kurzweil K2000Kurzweil's new keyboard offers genuine innovation: versatile synthesis, an unparalleled user interface, and up to 64MB of user sampling are only the start of what sets the K2000 apart from other sample-based instruments. Craig Anderton explains why it will turn the head of even the most jaded technophile. |
DIY MusicGroup: On The RecordAll You Need To Know About Making Your Own RecordsSome musicians and bands decide to take their future success into their own hands, by putting money into producing their own records. Tony Batchelor and Sue Silutoe take the mystery out of making your own CD, vinyl or cassette release, from initial Session Tape to final product. |
The Rhythm SectionInterview | Sound International, Jan 1979Tony Bacon longs to talk to some Rich Kids' ghost, but ends up with the decidedly solid Rusty Egan and Glen Matlock. |
WarnerGroup: The Front End |
Roland U110 PCM Sound ModuleReview | Music Technology, Jan 1989What is 1¾" high, has 31 voices, plays the piano, vibraphone and sax, and has its own library? Simon Trask checks out Roland's latest PCM sample module. |
Front LineInterview | Music Technology, Jun 1989Belgian sampling innovators Front 242 have been accused of encouraging a fascist following - where does the sampling stop and the politics begin? David Bradwell brings news from the front. |
Kawai K3 Synth SystemReview | Music Technology, Dec 1986Digital Wave Memory SynthesiserRick Davies gets to grips with a polyphonic synthesiser that allows users to create their own waveforms, a process made easier by Hybrid Arts' voice editing software. |
ART Multiverb IIIReview | Music Technology, Aug 1990ART Multi-fx ProcessorAs even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor. |
Doctor! Doctor!Feature | Sound On Sound, Mar 1986Software for Commodore 64Dr.T's MIDI Sequencer software for the Commodore 64 has been much applauded in the USA for its versatile real-time and steptime operation. Now that it's available on prescription in the UK, we asked software surgeon Ian Waugh for his diagnosis... |
Drum Machine SurveyFeature | Topic: Buyer's Guide | Sound On Sound, Mar 1987A subjective and selective round-up of drum machines, old and new, by Mark Jenkins. |
Yamaha MR10 'Finger Pad' Drum MachineReview | Electronics & Music Maker, Mar 1984 |
Linn 9000Review | Electronics & Music Maker, Apr 1985Digital Drum Machine and Keyboard RecorderThe people who introduced the world to the concept of digital drums have now applied their expertise to MIDI keyboard recording. Paul Wiffen gives his verdict. |
The Time MachineRetrospective (Gear) | Topic: Vintage Instruments | Electronics & Music Maker, Aug 1986You may remember the Minimoog and the ARP Odyssey, but when was the first time you saw an EMS VCS3? Annabel Scott travels back to the days of VCAs, VCFs and non-programmability. |
A Fair ShowingShow Report | Music Technology, Sep 1988BMF ReportThis year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley. |
AKG LSM50 Micro Monitors.Review | Home & Studio Recording, Nov 1983 |
Revox C278Review | Recording Musician, Sep 19928-Track Tape RecorderSince its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills. |
Improve Your MemoryReview | Sound On Sound, Jan 1990PLI Infinity Turbo DriveRemovable hard disks represent a cost-effective solution to data backup and storage problems for sampler owners. Kendall Wrightson takes a look at the PLI Infinity Turbo Drive in use with the Akai S1000. |