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mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
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Donations for January 2025
Issues donated this month: 0
New issues that have been donated or scanned for us this month.
Funds donated this month: £22.00
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Search results
 Shape of Things to Come - AESShow Report | Sound On Sound, Dec 1988AES Show ReportForthcoming new products from the hi-tech music recording field. |
 Industry ProfileFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1982Mobile OneA spotlight on Europe's largest mobile studio and its home base in London. |
 NewsNews | International Musician & Recording World, Feb 1986It's the latest. It's the greatest. It's the mostest. Oops |
 SY77 - The Power behind the Buttons! - Part 2Review Series | Sound On Sound, Feb 1990RCM Synthesis explainedIn this second part of our in-depth review of the SY77 synthesizer, Martin Russ delves into Yamaha's ultra new synthesis method: Real-time Convolution and Modulation. |
The Music NetworkFeature | Topic: Computing | Sound On Sound, Mar 1990News of the latest activity on the musicians' electronic communications network. |
 Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Nov 1975 |
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 Computer WorldFeature | Topic: Buyer's Guide, Computing | Music Technology, Jan 1994Want to get into computing and multimedia but unsure where to start? Ian Waugh guides you through the maze of computers and jargon |
 Vic EmersonInterview | Electronics & Music Maker, Apr 1984An interview with one of Britain's most gifted keyboard players and programmers. He takes us through the various electronic instruments he's owned, and gives some insight into how to go about programming such complex polysynths as the Yamaha CS80 and Rhodes Chroma. |
 Power to the PeopleGroup: Control RoomPower amp giant testAustin Armstrong, BSS, C-Audio, MHA Chameleon, and RCF battle it out |
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 Hit and MissReview | Electronics & Music Maker, Dec 1985Roland Electronic DrumsPaul White picks up his sticks and puts Roland’s electronic kit through its paces. Can it hold its head up against some stiff competition? |
 Five Years AgoRetrospective | Electronics & Music Maker, Mar 1986...In March 1981, E&MM's publishers launched this magazine onto an unsuspecting musical public. Dan Goldstein looks back at the issue that started it all. |
 Up and RunningInterview | Electronics & Music Maker, Apr 1986Sophie and Peter JohnstonIf the major labels let you down and you're writing sophisticated electro-pop, forming your own record company is one way of getting your message across. Annabel Scott meets a remarkable brother-and-sister duo. |
 Live EndFeature | Topic: Live | Sound On Sound, Feb 1993Simply Red: Two Shows In OneLive Music for the Hi-Tech Musician |
 PC NotesFeature | Topic: Computing | Sound On Sound, May 1993 |
 Production LinesOpinion | Sound On Sound, Jul 1993Some words of wisdom from producer Alan Winstanley close the mag this month. |
 Designs On The FutureShow Report | Topic: Design, Development & Manufacture, Marketing / Promotion, Multimedia / Graphics / Visuals | Sound On Sound, Nov 1993Roland Desk Top Media Press Conference |
 PC NotesFeature | Topic: Computing | Sound On Sound, Dec 1993 |
 Spitting ImageInterview | International Musician & Recording World, Aug 1986The Spit's musical director and composer of the cretinous Chicken Song, Phil Pope, coughs it all up for Jim Betteridge |
 ToolboxNews Audio | The Mix, Feb 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
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 Fender Strat/Squier Strat/Fender KatanaReview | One Two Testing, Dec 1985 |
 That Driving BeatInterview | International Musician & Recording World, Jan 1985The driving force behind the Cars' success on the road and in the garage tell Chris Maillard what's under their bonnets |
 MIDIsoft StudioReview | Music Technology, Nov 1988Software for the Atari STThis new Atari ST sequencing software package from America combines affordability with flexibility. Simon Trask applies the soft touch. |
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