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Shape of Things To ComeNews | Sound On Sound, Mar 1989 |
Frankfurt Facts - Part 1Show Report Series | In Tune, May 1986Keyboards, Guitars, Amps – What's New, Who's Who! |
Recording Heavy Rock 'Live'Feature | Topic: Humour, Live, Recording | Home & Studio Recording, Jan 1985Where 'live' recording is involved, truth is stranger than fiction. Or is it? |
Greengate DS:3 & Looping SoftwareReview | International Musician & Recording World, Jul 1985SystemcheckThe Greengate goes loopy |
Hands On: Roland S750Feature | Topic: Sampling | Sound On Sound, Sep 1992David Mellor throws away the Roland S750 manual and gets down to some practical advice for novice users. |
Tascam DA88Review | Recording Musician, Mar 19938-Track Digital Tape RecorderTascam's digital 8-track recorder is designed to meet the needs of professionals, yet is costed to appeal to the home studio market. |
Doing it for effectGroup: Sound AdviceFX tutorialMore top effects tips from Mr D |
Screen TestReview | Electronics & Music Maker, Dec 1985Sound Designer SoftwareThe Emulator II finds a new friend in the Apple Macintosh, courtesy of a little American ingenuity. Together, the two make sweet sound-editing music, as Paul Wiffen reports. |
Pushing The BeatInterview | Music Technology, Dec 1990Once he prayed to the beat behind Re-flex, he's since become versed in high technology and worked with artists as diverse as Kate Bush and Mory Kante. Ollie Crooke talks to a rhythm programmer extraordinaire. |
Tantek Master MatrixReview | Home & Studio Recording, May 1987ELECTRONIC PATCHBAYTantek enters the professional market with a patchbay par excellence. |
Music On The MoveFeature | Sound On Sound, May 1992Hi-Tech You Can Take AnywhereForget towels, deodorant and trashy paperbacks, what you really want to pack in your suitcase come the Summer is a go-anywhere MIDI studio. Paul Ireson advises on suitable travelling companions. |
Recording Techniques - Part 15Feature Series | Topic: Mixing, Recording | Sound On Sound, Feb 1991The Mix (1)Part 15. David Mellor looks at how to create the perfect mix. |
Yamaha G10Review | Music Technology, Dec 1988The quest to build the ideal MIDI guitar controller continues with Yamaha's eagerly-awaited G10. Aaron Hallas makes the pick-up. |
Zlatna Panega ACS100Review | Electronics & Music Maker, Apr 1985Tucked away in one corner of the Frankfurt Music Fair was an astonishing sound-sampling device with origins in Eastern Europe. Paul White and Dan Goldstein have managed to get their hands on the first model to appear in the West. |
Akai/Linn MPC60 IIReview | Sound On Sound, Nov 1991Warren Cann looks at the updated version of the MPC60, the most notable result of Roger Linn's collaboration with Akai. |
Shape Of Things To ComeNews | Sound On Sound, Aug 1991Yet another selection of recently announced new products to whet your appetite! |
Dream machineGroup: Control RoomLexicon PCM 80Studio reverb, sucessor to the PCM 70 |
Modern classicGroup: Control RoomE-MU Classic KeysAnalog Keyboard expander |
Dr T'S TunesmithReview | Music Technology, Jan 1989Software for the Atari STWhen the conventional approaches to composing music wn't deliver the goods, this Atari ST program may help provide the inspiration. Ian Waugh investigates computer-generated music. |
Hollis Research TrackmanReview | Music Technology, Mar 1989Software for the Atari STA new sequencer program for the Atari ST from British company Hollis Research sets out to be powerful and friendly without breaking the bank. Ian Waugh reckons it's on the right track (man). |
Hybrid Arts MIDITrack STReview | Music Technology, Jun 1987In the maze of MIDI software now available for the Atari ST, this sequencer stands out for offering two entirely different recording systems. |
Philip Rees Percussion Sample PlayerReview | Music Technology, Jun 1991Drum ExpanderMore than a beatbox, less than a sampler, the Percussion Sample Player appears to be a unique rhythmatist's instrument. Simon Trask looks at the pros and cons of a dedicated drum sampler. |