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Feelers on the DealersFeature | Topic: Retail | International Musician & Recording World, Jun 1986Tim Gentle Music |
All For One and One For AllInterview | International Musician & Recording World, Feb 1985Tony Horkins lays his hands on Tom, Alanna and Joe and squeezes out the technical secrets |
Under New OrdersInterview | Music Technology, Apr 1994More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward |
Seeding the future - or burying the past?Feature | Topic: Live, Multimedia / Graphics / Visuals | Music Technology, Mar 1994Cyberseed cyber-festivalCyber culture comes to Britain for a multimedia club night. William Gibson couldn't make it, but you can always rely on Simon Trask for an honest report. |
Growing TogetherInterview | Music Technology, Sep 1993Rene van der WeydeHolland's top producer on how computer graphics can add that inspirational spark to music making |
Writing Music for a DocumentaryFeature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Nov 1988Composing music for television can be both exciting and frustrating, as Ian Assersohn and Stephen Frost of Sequenza Music Production discovered when they began writing music for a documentary film about India. |
Making Your Own Video - Part 2Feature Series | Topic: Video / Film / Picture | Sound On Sound, Jan 1992Part 2: The EditLast month we looked at how you can use a domestic format like S-VHS to shoot footage good enough for use in a video demo. But getting the right footage is only half the battle as Paul Wiffen and Darrin Williamson found out. This month we follow them through the editing stage. |
Getting into Video - Part 5Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Jan 1990PART 5: In this final installment of the series, David Mellor looks at sophisticated timecode generators and readers in the Fostex range, and at complex timecode systems. |
Future Talk - Part 2Interview Series | Music Technology, Mar 1994Part 2: what would you do with a Sony Betacam video edit suite next to your S1000? Simon Trask continues to track FSOL's audio-visual path... |
Children of the EvolutionGroup: In SessionTalking pictures with the dance duo |
Meet the BeatInterview | Music Technology, Jan 1991Why limit music to the sounds you hear or the run-of-the-mill images that litter video and concert appearances? Steve Cogan discovers that there's no reason at all - for Meat Beat Manifesto. |
Fixx FactsInterview | International Musician & Recording World, Oct 1986The Fixx are big in American. Chris Holland-Hill, who's big in Hemel Hempstead, finds out why. |
All The King's MenInterview | International Musician & Recording World, May 1985The live workaholics explain to Andy Hughes that success is more than image-deep |
That Syncing Feeling - Part 2Feature Series | Topic: Syncronisation | Micro Music, Aug/Sep 1989Chris Smith continues his series on synchronisation |
Whistle Down the TubeFeature | Topic: Live, Video / Film / Picture | One Two Testing, Mar 1984Whistle TestOne Two go see the Test. |
Record TalkbackInterview | Electronic Soundmaker & Computer Music, Jun 1984 |
True StoriesInterview | Music Technology, Dec 1986Talking HeadsAfter a nine-year career with America's foremost contemporary rock band, Talking Heads' keyboard player Jerry Harrison reveals some of the playing secrets behind their success. Tim Goodyer takes notes. |
The Creative Technology InstituteInterview | Electronics & Music Maker, Sep 1984Formerly one half of Throbbing Gristle, Chris and Cosey have since leapt to the forefront of Britain's avant garde electronic music scene. Interview by Dan Goldstein. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Dec 1992 |
Simmons Go MIDI & MoreFeature | In Tune, Jun 1985 |
Digital AnarchyInterview | Music Technology, Sep 1993Mixed media pioneers Matt Black and Rob Pepperell talk about their plans for the future of entertainment and art, as part of the Hex project |