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Astronaut or Heretic?Interview | Sound On Sound, May 1992Thomas Dolby is back after a four year break, without the mad professor image but with an excellent new album in Astronauts & Heretics, his most personal recording to date. Paul Tingen spoke to him about the long road from solo synthesist to globe-trotting collaborator. |
NewsNews | Micro Music, Oct/Nov 1989Exclusive news from UK Electronica, plus all the latest in the world of MIDI music |
The Air and the FuryInterview | Electronics & Music Maker, Dec 1985Star of recording studio and airshow in conversation with Tim Goodyer. Is pop about to lose a hi-tech innovator, and display flying gain a star aviator? |
UB40 In the StudioInterview | Home & Studio Recording, May 1984This successful Reggae band discuss the recording of 'Labour Of Love' and their new studio. |
Brian Eno: Thoughts, Words, Music and Art - Part 1Interview Series | Sound On Sound, Jan 1989Mark Prendergast begins a two part in-depth appraisal of the thoughts, words, music and art of one of the most influential artists of the last decade: Brian Eno. |
World MachineInterview | Music Technology, Nov 1988Could you make music using only samples from natural sources? Paul Tingen talks to a band who've done just that in an attempt to draw attention to our environment. |
A&RFeature | Topic: Music Business | One Two Testing, Sep 1984what the record companies think they want |
On the International TrackInterview | Electronics & Music Maker, Sep 1984Solo synthesist Thomas Leer has gone from Stylo phone to Fairlight in four easy stages. He tells Dan Goldstein how it was done. |
Fast ForwardNews | Home & Studio Recording, Nov 1986 |
All Around the WorldGroup: In SessionA behind-the-scenes glimpse at their global light and sound show |
Making A Video DemoFeature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jun 1991...On A Shoestring BudgetHaving a problem getting your music listened to by film production companies? Paul D. Lehrman tells the tale of how he put together a showreel of his music without it costing him the earth. |
Non-Stop Electronic CabaretInterview | Music Technology, Jun 1992Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar. |
Midge UreInterview | Sound On Sound, Nov 1985A Man With A GiftIn between tours with Ultravox and appearances on Live Aid, Midge Ure somehow found the time to discuss the writing and recording of his first ever solo LP 'The Gift' and his No1 single with Ian Gilby. |
Life is a CabaretInterview | Electronics & Music Maker, Nov 1984Away from the fickleness of the pop music world, Cabaret Voltaire have been quietly breaking the barriers of underground electronic music. Interview by Dan Goldstein. |
That Syncing Feeling - Part 4Feature Series | Topic: Syncronisation | Micro Music, Feb 1990Chris Smith continues his series on synchronisation |
State of PlayInterview | Music Technology, Apr 1987As film music becomes a more popular means for composers to earn a living, Tim Goodyer talks to soundtrack expert Steve Parsons about his work on the new British film, 'Empire State'. |
NewsNews | Music UK, Sep 1983Delightful Dobros, Scintillating C-Ducer, Luscious Lighting, Captivating Canons and much more super schmutter |
Street legalGroup: Sound AdviceNegotiating a record contractDon’t sign a thing until you’ve read this |
Hybrid Arts ADAP1 SoundrackReview | Sound On Sound, Feb 1989Why buy a sampler when you already have one? If you own an Atari ST then you possess one of the major components of any sampling instrument - the memory. With the ADAP1 Soundrack software and processing units your ST can be transformed into a MIDI sampler and powerful post-production tool. David Mellor reports. |
Visions of the FutureFeature | Topic: Video / Film / Picture | Music Technology, Jan 1991One of the stars of Channel 4's Fourmations, Brian Johnson's Improvisions combine musical performance with real-time manipulation of video images. Peter Ridsdale trips on this. |
Power In The DarknessInterview | Music Technology, Dec 1991After five years in the wilderness, Orchestral Manoeuvres in the Dark are back with a new LP and tour. Tim Goodyer talks to Andy McCluskey about the value of technology. |
Studio Construction SetFeature | Topic: Buyer's Guide, Home Studio | Sound On Sound, Dec 1992Which Gear is Right for You? |