- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 176 - 200 of 500 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Music Maker Equipment SceneNews | Electronics & Music Maker, Jul 1983New products from the music business |
Taking the MicReview | Home & Studio Recording, Oct 1986Audio Technics Mics ATM41a, ATM63The story of John Harris and two microphones alone in a darkened room. |
Yamaha SY85Review | Sound On Sound, Oct 1992AWM2 WorkstationYamaha's new SY85 eschews FM technology and instead concentrates entirely on powerful sample-based synthesis. Derek Johnson finds that user sampling, powerful filters, and 'easy edit' sliders are just a few of the tricks that make this far more than just another sample-based workstation. |
2nd Sense StudioFeature | Topic: Recording Studios | Music Technology, Apr 1988Take an eight-track tape deck and a 128-track MIDI sequencer and you've got the basis of 2nd Sense studio. Nicholas Rowland visits a studio taking full advantage of what modern technology has to offer. |
RAM-a-ROM-inFeature | Topic: Buyer's Guide | Sound On Sound, Dec 1986Sound On Sound's DEFINITIVE guide to DX7 RAM & ROM cartridgesWe bring you Sound On Sounds DEFINITIVE guide to all ROM/RAMs available for the Yamaha DX7 in the UK. Over 2500 voices tested and everything you need to know about the products revealed in a comprehensive round-up and table. |
Everyone Loves A CubReview | Electronics & Music Maker, Nov 1985Custom Sound Keyboard ComboPaul White casts an approving ear towards Custom Sound's Cub 60 combo. If you're on the lookout for a cheap way to get rid of your neighbours, this could be for you. |
Robin Lumley - ProducerInterview | Home & Studio Recording, Sep 1984Having been out of the limelight for a while, Robin has again donned his producer's cap and set to work with new artists 3AM and Robin Clark. Here he talks of his involvement with them and his attitude to the home recording revolution. |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
A Mother's TouchReview | Sound On Sound, Mar 1989Roland A50 Mother KeyboardRoland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50. |
|
LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
Kurzweil Digital KeyboardReview | One Two Testing, Sep 1984synth artificial intelligence from the USA |
The WizardInterview | Music Technology, Nov 1986The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology. |
Fostex X30Review | Music Technology, Nov 1987Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track. |
Sound EffectsReview | Sound On Sound, Sep 1987The BBC's sound effects records have been the staple diet of many a film, TV and radio production. Now there is a new generation of digitally recorded sound effects available on compact disc which are ideal for sampling. David Mellor assesses their worth. |
Three of a kindGroup: Control RoomSound module giant testE-mu Proteus FX, Korg X3R, Yamaha TG300 do battle |
9001: A Space OdysseyReview | Recording Musician, Feb 1993Zoom 9001 Multi-Effects ProcessorBig effects, small package — Mike Simmons thinks it must be a Zoom. |
Mixed BlesssingsReview | Phaze 1, Jul 1989Dream Machine: Studiomaster 848r ProLine Mixerthe spotlight falls on the Studiomaster 848R mixer |
HagueGroup: The Front End |
Music & Pictures - Part 2Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jan 1986So You Want To Be A Screen Music Writer?Producer/composer Robin Lumley continues this series designed to take the mystery out of writing and recording music for film and television. |
Fast ForwardNews | The Mix, Nov 1994No hype, no waffle - just tomorrow's products todayTomorrow’s products previewed |