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Akai S900 SamplerReview | Electronics & Music Maker, Jul 1986Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication. |
WelcomeEditorial | Micro Music, Feb 1990 |
A Double Dose of RolandReview | Sound On Sound, Apr 1992Roland JV80 & JY30 SynthsIs Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test. |
Studio 3DFeature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
EditorialEditorial | Home & Studio Recording, May 1984 |
Lexicon of LoveReview | Sound On Sound, Dec 1989Lexicon LXP5 Multi-Effects ProcessorFollowing the release of their acclaimed 'budget' LXP1 reverb, Lexicon have extended their presence in the affordable digital effects market with the LXP5 multi-effects unit. Dave Lockwood feels the quality. |
Newsdesk SpecialShow Report | Electronics & Music Maker, Sep 1984British Music Fair '84What captured our attention at the recent British Music Fair in London. |
Custom Sound Cub Practice AmpsReview | In Tune, Dec 1984 |
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Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
A Mother's TouchReview | Sound On Sound, Mar 1989Roland A50 Mother KeyboardRoland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50. |
LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
Kurzweil Digital KeyboardReview | One Two Testing, Sep 1984synth artificial intelligence from the USA |
The WizardInterview | Music Technology, Nov 1986The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology. |
Fostex X30Review | Music Technology, Nov 1987Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track. |
Sound EffectsReview | Sound On Sound, Sep 1987The BBC's sound effects records have been the staple diet of many a film, TV and radio production. Now there is a new generation of digitally recorded sound effects available on compact disc which are ideal for sampling. David Mellor assesses their worth. |
Three of a kindGroup: Control RoomSound module giant testE-mu Proteus FX, Korg X3R, Yamaha TG300 do battle |
V-Amp VA-60 Lead ComboReview | In Tune, Apr 1985 |