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News

News | Sound International, Oct 1978
Instruments & Equipment

Akai S900 Sampler

Review | Electronics & Music Maker, Jul 1986

Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication.

Welcome

Editorial | Micro Music, Feb 1990

Inkel MX991

Review | In Tune, Dec 1985
8 Channel Mixer

A Double Dose of Roland

Review | Sound On Sound, Apr 1992
Roland JV80 & JY30 Synths

Is Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test.

Control freak

Group: Control Room

Review | The Mix, Dec 1994
Lexicon Reflex

MIDI controllable reverb

Studio 3D

Feature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984

We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios.

Editorial

Editorial | Home & Studio Recording, May 1984

Editorial

Editorial | Music UK, Aug 1982

Editor's soapbox, writs will fly!

V-Amp 30

Review | Music UK, Aug 1982

Britain's newest amp swallows pages. Read why

Lexicon of Love

Review | Sound On Sound, Dec 1989
Lexicon LXP5 Multi-Effects Processor

Following the release of their acclaimed 'budget' LXP1 reverb, Lexicon have extended their presence in the affordable digital effects market with the LXP5 multi-effects unit. Dave Lockwood feels the quality.

Newsdesk Special

Show Report | Electronics & Music Maker, Sep 1984
British Music Fair '84

What captured our attention at the recent British Music Fair in London.

Custom Sound Cub Practice Amps

Review | In Tune, Dec 1984

Editorial

Editorial | Music UK, Aug 1983

The Weak-end starts here!

This article has no OCR bodytext.Competition

Competition | International Musician & Recording World, Sep 1985

Win! Win! Win! Your soaraway IM brings you a wondrous and highly winnable Studiomaster 8:2 powered mixer and two Primo mikes

Peavey DPM3 SE & DPM SX

Review | Music Technology, Aug 1991
Digital Synth & Sampling Interface

Since entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy.

Akai S2800 & S3000 Samplers

Review | Music Technology, Mar 1993

Leaders of the new school?

A Mother's Touch

Review | Sound On Sound, Mar 1989
Roland A50 Mother Keyboard

Roland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50.

LA Gear

Interview | Music Technology, Oct 1989

From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out.

Kurzweil Digital Keyboard

Review | One Two Testing, Sep 1984

synth artificial intelligence from the USA

The Wizard

Interview | Music Technology, Nov 1986

The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology.

Fostex X30

Review | Music Technology, Nov 1987

Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track.

Sound Effects

Review | Sound On Sound, Sep 1987

The BBC's sound effects records have been the staple diet of many a film, TV and radio production. Now there is a new generation of digitally recorded sound effects available on compact disc which are ideal for sampling. David Mellor assesses their worth.

Three of a kind

Group: Control Room

Review Audio | The Mix, Aug 1994
Sound module giant test

E-mu Proteus FX, Korg X3R, Yamaha TG300 do battle

V-Amp VA-60 Lead Combo

Review | In Tune, Apr 1985

 

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