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Lexicon of LoveReview | Sound On Sound, Dec 1989Lexicon LXP5 Multi-Effects ProcessorFollowing the release of their acclaimed 'budget' LXP1 reverb, Lexicon have extended their presence in the affordable digital effects market with the LXP5 multi-effects unit. Dave Lockwood feels the quality. |
Newsdesk SpecialShow Report | Electronics & Music Maker, Sep 1984British Music Fair '84What captured our attention at the recent British Music Fair in London. |
Custom Sound Cub Practice AmpsReview | In Tune, Dec 1984 |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
A Mother's TouchReview | Sound On Sound, Mar 1989Roland A50 Mother KeyboardRoland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50. |
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LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
Kurzweil Digital KeyboardReview | One Two Testing, Sep 1984synth artificial intelligence from the USA |
The WizardInterview | Music Technology, Nov 1986The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology. |
Fostex X30Review | Music Technology, Nov 1987Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track. |
Sound EffectsReview | Sound On Sound, Sep 1987The BBC's sound effects records have been the staple diet of many a film, TV and radio production. Now there is a new generation of digitally recorded sound effects available on compact disc which are ideal for sampling. David Mellor assesses their worth. |
Three of a kindGroup: Control RoomSound module giant testE-mu Proteus FX, Korg X3R, Yamaha TG300 do battle |
9001: A Space OdysseyReview | Recording Musician, Feb 1993Zoom 9001 Multi-Effects ProcessorBig effects, small package — Mike Simmons thinks it must be a Zoom. |
Mixed BlesssingsReview | Phaze 1, Jul 1989Dream Machine: Studiomaster 848r ProLine Mixerthe spotlight falls on the Studiomaster 848R mixer |
HagueGroup: The Front End |
Music & Pictures - Part 2Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jan 1986So You Want To Be A Screen Music Writer?Producer/composer Robin Lumley continues this series designed to take the mystery out of writing and recording music for film and television. |
Fast ForwardNews | The Mix, Nov 1994No hype, no waffle - just tomorrow's products todayTomorrow’s products previewed |
Practically FM - Part 3Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Jul 1988Part 3 of our series for FM synth owners, in which Martin Russ attempts to give away even more secrets of FM programming. Operators at the ready! |
The Rhythm SectionFeature | Topic: Drum Programming | Micro Music, Aug/Sep 1989Beatman Bill and the latest percussive pieces of news |
The Wrath Of The Wang Bar - Part 4Feature Series | One Two Testing, Feb 1984Revenge of the tremolo, returned to pitch. |
Coda Music FinaleReview | Music Technology, Dec 1988Software for the Apple MacintoshPossibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score. |
Acid RadicalInterview | Music Technology, Dec 1988The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell. |