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Lexicon of Love

Review | Sound On Sound, Dec 1989
Lexicon LXP5 Multi-Effects Processor

Following the release of their acclaimed 'budget' LXP1 reverb, Lexicon have extended their presence in the affordable digital effects market with the LXP5 multi-effects unit. Dave Lockwood feels the quality.

Newsdesk Special

Show Report | Electronics & Music Maker, Sep 1984
British Music Fair '84

What captured our attention at the recent British Music Fair in London.

Custom Sound Cub Practice Amps

Review | In Tune, Dec 1984

Editorial

Editorial | Music UK, Aug 1983

The Weak-end starts here!

Peavey DPM3 SE & DPM SX

Review | Music Technology, Aug 1991
Digital Synth & Sampling Interface

Since entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy.

Akai S2800 & S3000 Samplers

Review | Music Technology, Mar 1993

Leaders of the new school?

A Mother's Touch

Review | Sound On Sound, Mar 1989
Roland A50 Mother Keyboard

Roland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50.

This article has no OCR bodytext.Competition

Competition | International Musician & Recording World, Sep 1985

Win! Win! Win! Your soaraway IM brings you a wondrous and highly winnable Studiomaster 8:2 powered mixer and two Primo mikes

LA Gear

Interview | Music Technology, Oct 1989

From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out.

Kurzweil Digital Keyboard

Review | One Two Testing, Sep 1984

synth artificial intelligence from the USA

The Wizard

Interview | Music Technology, Nov 1986

The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology.

Fostex X30

Review | Music Technology, Nov 1987

Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track.

Sound Effects

Review | Sound On Sound, Sep 1987

The BBC's sound effects records have been the staple diet of many a film, TV and radio production. Now there is a new generation of digitally recorded sound effects available on compact disc which are ideal for sampling. David Mellor assesses their worth.

Three of a kind

Group: Control Room

Review Audio | The Mix, Aug 1994
Sound module giant test

E-mu Proteus FX, Korg X3R, Yamaha TG300 do battle

9001: A Space Odyssey

Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor

Big effects, small package — Mike Simmons thinks it must be a Zoom.

Mixed Blesssings

Review | Phaze 1, Jul 1989
Dream Machine: Studiomaster 848r ProLine Mixer

the spotlight falls on the Studiomaster 848R mixer

Hague

Group: The Front End

Competition | Making Music, Sep 1987

Music & Pictures - Part 2

Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jan 1986
So You Want To Be A Screen Music Writer?

Producer/composer Robin Lumley continues this series designed to take the mystery out of writing and recording music for film and television.

Fast Forward

News | The Mix, Nov 1994
No hype, no waffle - just tomorrow's products today

Tomorrow’s products previewed

Practically FM - Part 3

Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Jul 1988

Part 3 of our series for FM synth owners, in which Martin Russ attempts to give away even more secrets of FM programming. Operators at the ready!

The Rhythm Section

Feature | Topic: Drum Programming | Micro Music, Aug/Sep 1989

Beatman Bill and the latest percussive pieces of news

The Wrath Of The Wang Bar - Part 4

Feature Series | One Two Testing, Feb 1984

Revenge of the tremolo, returned to pitch.

Coda Music Finale

Review | Music Technology, Dec 1988
Software for the Apple Macintosh

Possibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score.

The News

News | Making Music, May 1987

here is

Acid Radical

Interview | Music Technology, Dec 1988

The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.

 

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