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3G HP200 Power Amplifier

Review | Recording Musician, Dec 1992

A compact, well-specified amplifier suitable for studio monitoring and small PA applications.

Sound on Stage

Feature | Topic: Live, Microphones | Electronics & Music Maker, Dec 1981
Microphones

The Tascam Way - Part 1

Review Series | Sound International, May 1978

The Teac 80-8 tape machine, Tascam Model 5 mixer, and dbx DX-8 noise-reduction unit.

Index To Articles

Index | Home & Studio Recording, Feb 1985
September 1983 - January 1985

All articles ever featured in HSR from September 83 to January 85 listed for your delectation.

Introduction

Group: MIDI Supplement - Part One

Feature | Topic: MIDI | Electronics & Music Maker, May 1984

Geoff Twigg on how MIDI came about, what it does, and how it does it.

Canary Stereo 18 Channel B Series Mixer

Group: SoundCheck

Review | International Musician & Recording World, Nov 1975

Fostex 454

Review | Music Technology, Jun 1990

The gear piles up in your home studio, and you realise you can't manage another mix without a decent desk - but how can you afford it? Nigel "Mixmiser" Lord puts Fostex' budget desk through its paces.

Hill Multimix

Review | Home & Studio Recording, Jul 1984

Roland M160 Line Mixer

Review | Sound On Sound, Apr 1988

If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out.

Cactus Desert Drums

Review | Electronics & Music Maker, Mar 1984
Electronic Drum Kit

Quality Control

Review | Sound On Sound, Jul 1992
DDA Interface Console

Yet another stratospheric studio name finds its way into the more modest recording setup; Paul White appreciates DDA's design for mixing.

How to set up a Home Studio - Part 8

Feature Series | Topic: Home Studio | Sound On Sound, Jul 1989
Questions & Answers

PART 8: David Mellor expands on some of the points that have arisen so far in the series and looks at some alternative patchbays from Connectronics.

Using Microphones

Feature | Topic: Microphones, Recording | Home & Studio Recording, Feb 1984

Miking up small percussion.

Accessit

Review | Sound International, May 1979
Equipment

TAC Scorpion

Review | Sound On Sound, Jul 1988
Mixing Desk

Not quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16.

Soundscape

Review | Sound On Sound, Sep 1993
Hard Disk Recording System For The PC

Why is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out...

Revox C278

Review | Recording Musician, Sep 1992
8-Track Tape Recorder

Since its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills.

Maximum headroom

Group: Control Room

Review | The Mix, Dec 1994
Behringer Composer and Autocom

Two models of compressor

Yamaha REV-7

Group: Recording World

Review | International Musician & Recording World, Oct 1985
Studio Test

Revolutionary REV-7 reviewed

The Age of EON

Review | Sound On Stage, Nov 1996
JBL EON Power System

Music In Our Schools

Feature | Topic: Education | Recording Musician, Oct 1992
Putting It Together

The nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment.

Allen & Heath Saber Mixer

Review | Sound On Sound, Jun 1989

Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console.

Soundtracs MR Mixer

Review | Sound On Sound, Mar 1986

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

The Shape Of Things To Come

News | Sound On Sound, Feb 1988

Our colourful glimpse of forthcoming and recently released new products from the hi-tech and recording fields.

Vive La Difference!

Group: The SOS Guide To Going Live

Feature | Topic: Live, Mixing | Sound On Sound, Mar 1992
Choosing Mixers For Live Sound

All mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage.

 

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