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3G HP200 Power AmplifierReview | Recording Musician, Dec 1992A compact, well-specified amplifier suitable for studio monitoring and small PA applications. |
The Tascam Way - Part 1Review Series | Sound International, May 1978The Teac 80-8 tape machine, Tascam Model 5 mixer, and dbx DX-8 noise-reduction unit. |
Index To ArticlesIndex | Home & Studio Recording, Feb 1985September 1983 - January 1985All articles ever featured in HSR from September 83 to January 85 listed for your delectation. |
IntroductionGroup: MIDI Supplement - Part OneGeoff Twigg on how MIDI came about, what it does, and how it does it. |
Canary Stereo 18 Channel B Series MixerGroup: SoundCheck |
Fostex 454Review | Music Technology, Jun 1990The gear piles up in your home studio, and you realise you can't manage another mix without a decent desk - but how can you afford it? Nigel "Mixmiser" Lord puts Fostex' budget desk through its paces. |
Hill MultimixReview | Home & Studio Recording, Jul 1984 |
Roland M160 Line MixerReview | Sound On Sound, Apr 1988If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out. |
Quality ControlReview | Sound On Sound, Jul 1992DDA Interface ConsoleYet another stratospheric studio name finds its way into the more modest recording setup; Paul White appreciates DDA's design for mixing. |
How to set up a Home Studio - Part 8Feature Series | Topic: Home Studio | Sound On Sound, Jul 1989Questions & AnswersPART 8: David Mellor expands on some of the points that have arisen so far in the series and looks at some alternative patchbays from Connectronics. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Feb 1984Miking up small percussion. |
TAC ScorpionReview | Sound On Sound, Jul 1988Mixing DeskNot quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16. |
SoundscapeReview | Sound On Sound, Sep 1993Hard Disk Recording System For The PCWhy is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out... |
Revox C278Review | Recording Musician, Sep 19928-Track Tape RecorderSince its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills. |
Maximum headroomGroup: Control RoomBehringer Composer and AutocomTwo models of compressor |
Yamaha REV-7Group: Recording WorldStudio TestRevolutionary REV-7 reviewed |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Oct 1992Putting It TogetherThe nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment. |
Allen & Heath Saber MixerReview | Sound On Sound, Jun 1989Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console. |
Soundtracs MR MixerReview | Sound On Sound, Mar 1986Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model. |
The Shape Of Things To ComeNews | Sound On Sound, Feb 1988Our colourful glimpse of forthcoming and recently released new products from the hi-tech and recording fields. |
Vive La Difference!Group: The SOS Guide To Going LiveChoosing Mixers For Live SoundAll mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage. |