- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 101 - 125 of 135 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Roland S770 SamplerReview | Sound On Sound, Jul 1990Roland's flagship sampling module boasts an impressive specification, and its page-based screens are oddly reminiscent of the famous Fairlight. Kendall Wrightson finds out how impressive it is in the flesh. |
Yamaha X-series MIDI SystemReview | Electronics & Music Maker, May 1985TX816 Rack, QX1 Digital Sequencer, KX88 Master KeyboardAt last, a detailed appraisal of Yamaha's state-of-the-art MIDI system. FM rack, digital keyboard recorder and master keyboard come under David Ellis' careful scrutiny. |
The New WaveReview | Sound On Sound, Feb 1992Korg Wavestation A/DKorg add new samples, a vocoder and a pair of audio inputs to their highly acclaimed Advanced Vector synthesizer, and put the result in a rack. Kendall Wrightson says the Wavestation A/D is a TV/film composer's dream machine. |
News - Recording & PANews | In Tune, Jun 1985 |
How It Works: the Power Amplifier - Part 11Feature Series | Topic: Sound Fundamentals | Sound On Sound, Nov 1988Otherwise known as the big black box at the bottom of the rack, the power amplifier is the most unglamorous piece of audio equipment known to man. David Mellor seeks out its finer qualities. |
MIDI - An IntroductionFeature | Topic: MIDI | Home & Studio Recording, Sep 1985As MIDI begins to make inroads into the studio, Simon Trask examines its fundamental applications. |
Studiomaster Pro Line GoldReview | Music Technology, Jan 1991Mixing DeskIf you can't afford to be without a fully-featured mixing desk but can't afford the usual asking price, it could be that you haven't checked out Studiomaster's Pro Line Gold. Tim Goodyer has... |
Yamaha TX802Review | Music Technology, Dec 1987FM SynthesiserAnother member of Yamaha's world-beating FM family; Howard Massey finds this powerful rack-mount right up his digital street. |
Sampling Natural SoundsFeature | Topic: Location Sound, Recording, Sampling | Sound On Sound, Apr 1990As a humble home studio hopeful who has never pointed a mic in earnest at anything outdoors before, James Walters goes in search of the basic equipment. |
The Studio That Tom BuiltGroup: Roland Newslink - Autumn 85Turbo-charged recording techniques |
Eventide H3000 Ultra-HarmoniserReview | Music Technology, Apr 1990Signal ProcessorEventide call it their Ultra-harmoniser, but is it worthy to follow in the footsteps of their standard-setting model 910? Vic Lennard and technology in perfect harmony. |
Tascam 644 MidistudioReview | Music Technology, Jul 1990From the manufacturers of the first cassette multitracker comes the Midistudio: a single unit integrating MIDI into a four-track cassette recorder. Nigel Lord calls it "revolutionary". |
The Rough Guide To Choosing MicrophonesFeature | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jan 1992Dave Lockwood presents the ultimate guide to microphone basics — how they work, how to choose the right mic for a given application, and how to use them. |
Tascam Studio 8Review | Sound On Sound, Jan 1986Continuing the tradition that began with their 144 Portastudio, Tascam have created a combined package of mixer and 8-track recorder - the 388 Studio 8 - whose compact dimensions belie its true versatility. Dave Lockwood assesses its performance. |
Microphone BasicsFeature | Topic: Microphones | Recording Musician, Nov 1992Why are microphones so different, why do some cost the earth — and which one should you use for which job? All is revealed. |
Retro RockerReview | Sound On Sound, Aug 1993Marantz PMD740 Cassette 4-TrackCan this stylish-looking cassette multitracker find a niche in an already crowded market? Check out our review... |
Six AppealReview | Sound On Sound, Dec 1989Sansui WSX1 6-Track RecorderSansui mark their debut into the home recording market with the impressive WSX1. Incorporating the first ever 6-track cassette recorder, it also combines a 2-track master recorder, an 8-channel mixer, and built-in digital effects in a convenient package. Will it appeal? Dave Lockwood finds out. |
Space... The Final FrontierReview | Sound On Sound, Aug 1993Roland SRV330 Dimensional Space ReverbCan Roland's latest gizmo really add another dimension to your recordings? |
British Music FairShow Report | One Two Testing, Aug 1985special preview of the all-important Olympia equipment show-your best chance to see the latest in instrument technology |
Shape of Things to ComeNews | Sound On Sound, Dec 1989A colourful bonanza of newly released and forthcoming new products. |
Frankfurt Musik Messe 1984Show Report | Electronics & Music Maker, Feb 1984The largest event of its type in Europe, Frankfurt is the showcase for all that is new and innovative. This three page preview looks at some of the products that will be there. |
Sony DTC-1000ESReview | Sound On Sound, Oct 1987Digital Audio Tape RecorderAfter months of waiting, speculation and peering at display models hidden behind bullet-proof perspex screens, R-DAT has finally appeared in Britain. Are we all ready for digital recording yet or should we stick to the tried and trusted Revox? David Mellor looks at the first product from Sony, the DTC-1000ES, and gives it a taste of professional abuse. |