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Ibanez DUE400 Digital Multi-Effects

Review | Home & Studio Recording, Aug 1985

John Harris subjects this Japanese rack to the English inquisition.

Psychotronic Landscapes

Interview | Sound On Sound, Jun 1993
Michel Huygen/Neuronium

This Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes.

Modes of Operation

Interview | Electronics & Music Maker, Aug 1986

After five years at the top of the electropop tree, Basildon boys Martin Gore and Alan Wilder talk tech with Paul Tingen.

Beats Working

Interview | Music Technology, Jul 1991

Pioneer of the sampling revolution, Tim Simenon, is back with a new album, a new studio and a refreshing update on what technology has to offer music. Tim Goodyer charts Unknown Territory.

Human Evolution

Interview | Home & Studio Recording, Jul 1984

Producer of Howard Jones' best-selling album, 'Human's Lib', talks about the making of the record and his approach to production.

Slave to the Great Outdoors

Interview | Music Technology, Dec 1987

After an apprenticeship under the wing of the Frankies' Trevor Horn, Simon Darlow spreads his own; he talks to Paul Tingen about the hazards of writing, playing and producing your own album.

Higher Education

Feature | Topic: Education | Electronics & Music Maker, Feb 1985
Newcastle CAT School of Music

A personal view of the School of Music at the Newcastle College of Arts and Technology, by one of its students, Paul Evans.

Stewart's Enquiry

Interview | International Musician & Recording World, Aug 1985

A reversion to Rock 'n' Roll, an expanded guitar collection, a strange miking technique, another production job and he still finds time to go through Be Yourself Tonight sound by sound with Tony Horkins

Getting The Holy Ghost Across

Interview | Sound On Sound, Jul 1986

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

Sons Of Pioneers

Interview | Music Technology, May 1991

They began the '80s as Japan, now they're starting over as Rain Tree Crow. Tim Goodyer catches synthesist Richard Barbieri and drummer Steve Jansen for a frank discussion of music and personalities ten years after Tin Drum.

Echoes From The Observatory - Part 2

Interview Series | Home & Studio Recording, Jan 1985

The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire.

Simmons Sounds

Review | Electronic Soundmaker & Computer Music, Jun 1984

More beats per pound

Peavey DPM3

Review | Sound On Sound, May 1990
Composition Centre

Announced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market.

Everything You Ever Wanted To Know About System Exclusive - Part 1

Feature Series | Topic: MIDI | Sound On Sound, Apr 1989
(But Were Too Afraid To Ask!)

Martin Russ kicks off our new series by recapping on some MIDI basics before starting to demystify the secrets of MIDI's System Exclusive commands.

Roland MC202 Microcomposer

Review | One Two Testing, Dec 1983

In depth.

Genetic Engineering

Interview | Music Technology, Apr 1992

It began with an illicit remix of Suzanne Vega and it's already earned them their own album release. Simon Trask tracks down the elusive DNA musical partnership to ask who, how and why.

Good Company

Interview | Music Technology, May 1988

From his Vox Continental days with Elvis Costello, to a regular spot on Jonathan Ross' The Last Resort, and now on to film scores, Steve Nieve has retained an objective approach to technology.

Richard Hewson - Man of Mystery

Interview | Home & Studio Recording, Apr 1985

This man, responsible for the string arrangements on numerous albums by Supertramp, Cliff Richard and Diana Ross, also happens to be the creative genius behind disco/funk hit makers, the RAH Band. His latest album 'Mystery' released this month, was successfully recorded in his home studio using an ACES 24-track system and we went along to see how he achieved it.

Why Just Intonation?

Feature | Topic: Sound Fundamentals | Music Technology, Feb 1988

Been puzzled by references to just intoned or even tempered scales, or wondered exactly what the DX7II's "microtonality" is all about? Robert Rich has the answers.

Remix, Remake, Remodel

Interview | Music Technology, Jul 1987

Are record producers losing their touch now they've regained their influence? Are DJs better-equipped to make music that moves? Simon Trask gets the answers from an objective source - one of Britain's top remix DJs.

A Composer For Our Time

Interview | Sound On Sound, Aug 1989

Mark J. Prendergast interviews California-born musician Terry Riley, the influential inventor of 'minimalist' music.

Newsxtra

News | In Tune, Jun 1985
New Gear & Hot Tips

The British Music Affair

Group: British Music Fair Supplement

Show Report | Electronic Soundmaker & Computer Music, Aug 1985

Ask Thompson

Interview | Electronics & Music Maker, Jan 1986

Dan Goldstein talks to chief Twin Tom Bailey about the virtues of playing pop and the dangers of relying too much on technology. But there’s more to this man than meets the eye.

Power Players

Review | Sound On Sound, Apr 1992
Peavey DPM2 & DPM3SE Plus

Peavey's DPM3 synth now has a little brother in the DPM2, and the DPM3 itself has been upgraded with new features that increase its powers dramatically. Martin Russ looks at a dynamic duo.

 

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