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Ibanez DUE400 Digital Multi-EffectsReview | Home & Studio Recording, Aug 1985John Harris subjects this Japanese rack to the English inquisition. |
Psychotronic LandscapesInterview | Sound On Sound, Jun 1993Michel Huygen/NeuroniumThis Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes. |
Modes of OperationInterview | Electronics & Music Maker, Aug 1986After five years at the top of the electropop tree, Basildon boys Martin Gore and Alan Wilder talk tech with Paul Tingen. |
Beats WorkingInterview | Music Technology, Jul 1991Pioneer of the sampling revolution, Tim Simenon, is back with a new album, a new studio and a refreshing update on what technology has to offer music. Tim Goodyer charts Unknown Territory. |
Human EvolutionInterview | Home & Studio Recording, Jul 1984Producer of Howard Jones' best-selling album, 'Human's Lib', talks about the making of the record and his approach to production. |
Slave to the Great OutdoorsInterview | Music Technology, Dec 1987After an apprenticeship under the wing of the Frankies' Trevor Horn, Simon Darlow spreads his own; he talks to Paul Tingen about the hazards of writing, playing and producing your own album. |
Higher EducationFeature | Topic: Education | Electronics & Music Maker, Feb 1985Newcastle CAT School of MusicA personal view of the School of Music at the Newcastle College of Arts and Technology, by one of its students, Paul Evans. |
Stewart's EnquiryInterview | International Musician & Recording World, Aug 1985A reversion to Rock 'n' Roll, an expanded guitar collection, a strange miking technique, another production job and he still finds time to go through Be Yourself Tonight sound by sound with Tony Horkins |
Getting The Holy Ghost AcrossInterview | Sound On Sound, Jul 1986Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together. |
Sons Of PioneersInterview | Music Technology, May 1991They began the '80s as Japan, now they're starting over as Rain Tree Crow. Tim Goodyer catches synthesist Richard Barbieri and drummer Steve Jansen for a frank discussion of music and personalities ten years after Tin Drum. |
Echoes From The Observatory - Part 2Interview Series | Home & Studio Recording, Jan 1985The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire. |
Peavey DPM3Review | Sound On Sound, May 1990Composition CentreAnnounced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market. |
Everything You Ever Wanted To Know About System Exclusive - Part 1Feature Series | Topic: MIDI | Sound On Sound, Apr 1989(But Were Too Afraid To Ask!)Martin Russ kicks off our new series by recapping on some MIDI basics before starting to demystify the secrets of MIDI's System Exclusive commands. |
Genetic EngineeringInterview | Music Technology, Apr 1992It began with an illicit remix of Suzanne Vega and it's already earned them their own album release. Simon Trask tracks down the elusive DNA musical partnership to ask who, how and why. |
Good CompanyInterview | Music Technology, May 1988From his Vox Continental days with Elvis Costello, to a regular spot on Jonathan Ross' The Last Resort, and now on to film scores, Steve Nieve has retained an objective approach to technology. |
Richard Hewson - Man of MysteryInterview | Home & Studio Recording, Apr 1985This man, responsible for the string arrangements on numerous albums by Supertramp, Cliff Richard and Diana Ross, also happens to be the creative genius behind disco/funk hit makers, the RAH Band. His latest album 'Mystery' released this month, was successfully recorded in his home studio using an ACES 24-track system and we went along to see how he achieved it. |
Why Just Intonation?Feature | Topic: Sound Fundamentals | Music Technology, Feb 1988Been puzzled by references to just intoned or even tempered scales, or wondered exactly what the DX7II's "microtonality" is all about? Robert Rich has the answers. |
Remix, Remake, RemodelInterview | Music Technology, Jul 1987Are record producers losing their touch now they've regained their influence? Are DJs better-equipped to make music that moves? Simon Trask gets the answers from an objective source - one of Britain's top remix DJs. |
A Composer For Our TimeInterview | Sound On Sound, Aug 1989Mark J. Prendergast interviews California-born musician Terry Riley, the influential inventor of 'minimalist' music. |
The British Music AffairGroup: British Music Fair Supplement |
Ask ThompsonInterview | Electronics & Music Maker, Jan 1986Dan Goldstein talks to chief Twin Tom Bailey about the virtues of playing pop and the dangers of relying too much on technology. But there’s more to this man than meets the eye. |
Power PlayersReview | Sound On Sound, Apr 1992Peavey DPM2 & DPM3SE PlusPeavey's DPM3 synth now has a little brother in the DPM2, and the DPM3 itself has been upgraded with new features that increase its powers dramatically. Martin Russ looks at a dynamic duo. |