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Mixing metaphorsGroup: In SessionTim Barr catches up with the Detroit techno pioneer |
DIYInterview | Sound On Sound, Jun 1992Steve Jansen & Richard BarbieriFollowing a brief diversion in the form of last year's Rain Tree Crow project, Steve Jansen and Richard Barbieri are once more pursuing their creative partnership. Paul Ireson reports on the recording of their latest album. |
Robert FrippInterview | Sound On Sound, Mar 1988A man continually in search of magic moments in the perfect quality of music.He's played guitar with the best - David Bowie, Peter Gabriel, David Sylvian, Talking Heads, Brian Eno and, of course, King Crimson - and he's also worked away from the public eye, pursuing truths other than the rock and roll life. Mark Prendergast discovers that Robert Fripp's insights are of interest to more than just guitarists. |
Rain Tree CrowInterview | Sound On Sound, Jun 1991The Ghost of Japan?The members of Japan have come together once more, as Rain Tree Crow, after a 9-year hiatus. Nigel Humberstone talks to David Sylvian, Steve Jansen and Richard Barbieri about the biggest reunification since Germany. |
20th Century Americans - Terry Riley - Part 3Interview Series | Music Technology, Mar 1993The life of (Terry) Riley |
MIDI Matters - Part 3Feature Series | Topic: MIDI | Sound On Sound, Oct 1987Jay Chapman continues his 'back to basics' description of MIDI with a light-hearted pot-pourri of handy hints and tips. |
Microtonal MusingsFeature | Music Technology, Aug 1989The ability to accommodate microtonal tunings may look good on the spec sheet of your favourite synth, but what use is it to you? Scott Wilkinson reads between the lines. |
Rolling Stones' Mobile StudioFeature | Topic: Live, Location Sound, Recording Studios | Home & Studio Recording, Sep 1984Mick McKennaEngineer Mick McKenna provides an insight into recording with the Rolling Stones Mobile. |
Karlheinz StockhausenFeature | Sound On Sound, May 1992Electronics Into LightKarlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career. |
Incoming DataNews | Music Technology, May 1993 |
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