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The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Dec 1985What, a revolution in the US? Tony Mills plays foreign correspondent |
Hammer Strikes Out!Interview | Electronics & Music Maker, Feb 1986In an exclusive interview, this longstanding keyboard hero and Miami Vice music maestro discusses keyboard technique, and what it’s like to achieve mass recognition after years of obscurity. Annabel Scott takes note. |
Keeping It SimpleInterview | International Musician & Recording World, May 1986Ricky Gordon gets to grips with Mind men Burchill and McNeil. Strings and keys - simplicity! |
NewsdeskNews | Electronics & Music Maker, Jul 1984 |
SOS Guide to Music SoftwareFeature | Topic: Buyer's Guide | Sound On Sound, Apr 1988Last month we gave you advice on choosing a computer for musical applications; as a follow on, this month Mike Barnes provides a comprehensive rundown of available music software for the Atari, Macintosh, IBM PC, and Amiga computers. |
Studio Technologies AN-1 Stereo SimulatorReview | Home & Studio Recording, Jan 1985 |
MIDI: Past, Present & FutureFeature | Topic: MIDI | Sound On Sound, Jun 1992The Musical Instrument Digital Interface has revolutionised the way we write and record music. Martin Russ delves deep into MIDI's 10-year history, explains its many recent changes and additions, and looks ahead to see what the future will hold. |
Beyond The InfiniteInterview | Sound On Sound, Jun 1990Inventor of the 'infinite guitar', this Canadian born player's haunting multi-layered guitar parts have graced the works of such luminaries as Brian Eno, Jon Hassell, U2's Edge, and Daniel Lanois, though Michael Brook's own music has yet to receive the recognition it deserves. Mark J. Prendergast reports. |
MIDI and the MicroGroup: MIDI Supplement - Part TwoA complete guide to all the hardware interfaces for home micros available so far, plus the software that goes with them. |
Simmons SDS7Review | One Two Testing, Apr 1984 |
Dr.T XorReview | Sound On Sound, Nov 1989System Exclusive OrchestratorIf you have a large number of disorganised patches and an unruly MIDI network, then Xor is made for you. It is designed to make sound management and working with MIDI instruments easier. Martin Russ finds out if the claims are true. |
Taking StockInterview | Electronic Soundmaker & Computer Music, May 1985An exclusive interview with the innovator of electronic music and mentor of today's stars, Karlheinz Stockhausen. |
History of the FutureInterview | Electronics & Music Maker, Sep 1986Kaleidophon StudiosSimon Trask travels to North London to visit one of Britain's longest-established synth studios, and to talk to its creator, electronic composer David Vorhaus. |
RumblingsGroup: Computer MusicianBrings news of a new British sound sampling drum machine, a digital signal processor from Eventide, and more. |
Synclavier ProgrammerFeature | Sound On Sound, Mar 1986Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about. |
Hits From The StickReview | Electronics & Music Maker, Sep 1986Dynacord Rhythm StickA guitar for drummers, a percussion controller for keyboardists, or a drum-kit for guitar players? The Rhythm Stick could be all of these things, as Nigel Lord discovers. |
Hybrid DataInterview | Electronics & Music Maker, Jan 1985Tony Mills thinks Neuronium's curious blend of electronics, guitar-strumming, and psychedelic art could be just the thing to break the musical jelly mould in 1985. See if you agree. |
RumblingsGroup: Computer MusicianDetails of a new German computer musical instrument, MIDI software for the Apple Macintosh, and Passport's latest Commodore 64 music packages. |
Tears For FearsInterview | Music Technology, Jun 1990After spending four years recording The Seeds of Love, Tears for Fears are back and touring the world. Curt Smith and Roland Orzabal talk tears and technology with Dan Rue and Tim Goodyer. |
NewsdeskNews | Electronics & Music Maker, Jun 1984 |
Roland Juno 106 PolysynthReview | Electronics & Music Maker, May 1984The most recent polysynth from the Roland stable replaces the long-serving Juno 6 and 60, and adds MIDI compatibility, more program memories, and polyphonic portamento. Geoff Twigg reports. |
The Sound Of SilenceInterview | Electronics & Music Maker, Dec 1985A Thursday Afternoon with Brian EnoThe master of ambience tells Alan Jensen all about art, culture, experimentation and the Smiths. |