Digital Reverb

Madness man Woody gets home and turns on the eight-track. Jonathan James peers in the window

The column that makes recording rewarding. Chris Maillard's got it taped

...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses...

From SOS to 8-track

Another chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back.

not overboard on the most useful effects

Lloyd Cole and the Commotions take the high road to Glasgow; Stuart Gillan gets the lowdown

Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what...

An Empty Wallet

Budget effects units for those of us with tight wallets.

Arriving on the world stage, the Dream Warriors' unique musical style is giving Canadian hip hop American-style exposure. Simon Trask talks musical sentences.

At the forefront of independent synthesis

Richard Walmsley reports on an operation to smash the majors... and all other persons of rank?

Everything But The Girl take the Jazz to the Electric Ballroom. Report by Jim Betteridge

19 ways to the top: exclusive

Paul Ward

Paul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio.

Alesis MIDIverb

Digital reverb comes of age, in the shape of a new American unit that abandons user-programmability in favour of great-sounding presets, and does it at an incredibly low price. Paul White enthuses.

If you've the tenacity to take on and beat the (ex-)GLC, then putting together an upmarket 24-track studio is a piece of cake! Tony Hastings visited this South London studio to glean the details of how it came to be and what it offers.

the instrumental side of touring

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